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Last week, conservative columnist Ann Coulter joined Newsmax host Steve Malzberg for an interview where she was widely misconstrued as saying that Fox & Friends will not put on conservatives who can put two sentences together. Coulter later clarified that she was referring to MSNBCs programs, not those of Fox News Channel. On Wednesday, she appeared on Fox & Friends to further clarify her comments and took the opportunity to swipe at MSNBCs conservative guests.

I was attacking myself, apparently, Coulter remarked about the misconception. She went on to blast MSNBC hosts like Ed Schultz and Rachel Maddow, who she says refuse to debate smart conservatives.

RELATED: Ann Coulter: Fox & Friends MSNBC Wont Put on Conservatives Who Can Put Two Sentences Together

Coulter, referring to this site and others, guessed that the misinterpretation was due to the fact that its not that exciting a headline to say that Coulter attacked MSNBC. You know what else would make a fantastic headline? Ann Coulter kills family of five, she suggested.

Look at the Fox liberals, Coulter added, citing former Democratic vice presidential nominee Geraldine Ferraro, Democratic campaign veterans Bob Beckel and Susan Estrich, and columnist Juan Williams. These are not stupid liberals.

She said that MSNBC invites conservatives on like Meghan McCain to represent the other side of the debate. It would be like Fox putting on Joe Bidens daughter to give the other side, Coulter added.

Theyre not insubstantial liberals, she concluded. Its a real fight on Fox.

Watch the clip below via MSNBC:

[Photo via screen grab ]

Original post:

Coulter Rips MSNBC’s Conservatives, Praises Fox’s ‘Not Stupid’ Liberals: ‘It’s a Real Fight on Fox’

Tommy sotomayor. .the benefits of him being gone.
My first commentary.

By: Maurice Till

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Tommy sotomayor. .the benefits of him being gone. - Video

TOMMY SOTOMAYOR, WHITE WOMEN DO IT TOO
TOMMY SOTOMAYOR, STOP FOCUSING ON BLACK WOMEN.

By: nowimherestudio

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TOMMY SOTOMAYOR, WHITE WOMEN DO IT TOO - Video

In an unexpected shakeup, News Corp said Tuesday that it is replacing Lex Fenwick, CEO of its Dow Jones subsidiary. The media company controlled by Rupert Murdoch said it plans to review how Dow Jones serves institutional clients.

The company named William Lewis Dow Jones' interim CEO.

News Corp. CEO Robert Thomson said the review will include improvements to DJX, a product for institutions that includes a variety of services such as Factiva and the Dow Jones newswire.

Thomson said in a statement that "greater flexibility in its product offerings is likely in the short term." DJX, which has been in beta testing since its launch last year, has had a single price per user for its omnibus offering.

The product was meant to compete with rival Bloomberg's financial data and news services and was largely developed by Fenwick, who joined Dow Jones in February 2012 after 25 years at Bloomberg LP, where he held positions including that of CEO at Bloomberg Ventures.

The company had high hopes for DJX. Dow Jones' institutional clients account for about 30 percent of Dow Jones' revenue. The rest comes from consumer publications like The Wall Street Journal and Barron's magazine.

Thomson said in November that the institutional part of the business "hasn't performed to our expectations or to its potential for really almost two decades."

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CEO Fenwick out as Dow Jones reviews DJX product

The Bottom Line

As funny as the first, and more satisfying in some ways.

Sundance Film Festival, Premieres (IFC Films)

Steve Coogan, Rob Brydon, Rosie Fellner, Claire Keelan, Marta Barrio, Timothy Leach, Ronni Ancona, Rebecca Johnson

Michael Winterbottom

PARK CITY Early on in Michael Winterbottom's follow-up to 2010's The Trip, a skeptical Steve Coogan frets to frenemy Rob Brydon about the prospect of taking a second vacation together, again to gather material for food-travel stories the latter intends to write; sequels are generally ill-advised, he contends. When Brydon cites the second chapter of the Corleone saga, Coogan swats it down as the aberration people always cite in sequels' defense. "It just feels odd to do something for the second time," he squirms.

Well, The Trip to Italy is the Godfather 2 of road movies in which brilliant British comedians take the piss out of each other while eating exquisite food. As funny as the first go-round, more beautiful to look at, and better conceived, it should mark a high point in the prolific director's box office career, with the obvious exception of his Angelina Jolie starrer A Mighty Heart.

This is less a sequel, really, than the third in a trilogy: Winterbottom first observed the chemistry between the two actors in 2005's Tristram Shandy: A Cock and Bull Story, where the behind-the-scenes component of his meta-film, in which they snipe at each other and argue over their relative importance to the production, was by itself plenty of reason to see it.

This time out, the men (playing themselves, with fictional details added where needed) have been commissioned to review a half-dozen Italian restaurants ranging all the way from the top of the boot, in the vicinity of Cinque Terre, to Sicily at the bottom. Coogan assumes that Sicily was thrown in just to give Brydon an excuse to do Godfather-inspired Al Pacino impressions (a callback to Shandy), but that's just the tip of the cinephilic iceberg: Throughout the film, the men and their occasional companions obsess over talk of movies that were filmed at whatever famous spot they happen to be. Rossellini's Journey to Italy, Bogie in Beat the Devil, Godard stripping Bardot down in Contempt, and of course La Dolce Vita and Roman Holiday -- all are springboards for riffs on movies and, more importantly, for impersonations of their stars.

Coogan and Brydon can't help themselves, loudly arguing about the best way to imitate De Niro (the trick is speaking through your nose) or Brando (stuff bread in your cheeks). If you'd saved all your life to see Italy and were treating yourself at one of the esteemed restaurants seen here, you might be furious at being seated next to such a voluble party. Quiet diners' loss is our gain, though: One long riff on Christopher Nolan's Batman films, which begins (of course) with Michael Caine and ends in an imagined on-set confrontation between an assistant director and Tom Hardy (the AD is timidly trying to get the muzzled Bane to enunciate more clearly), is side-splitting.

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The Trip to Italy Sundance Film Still - H 2014