Media Search:



Starting A Startup These Days Requires Social Media Marketing Says New Report From Shoestring Publishing

Social media marketing such as Twitter and Facebook puts your brand and products in front of the masses and is the only way to reach many target market groups.

Austin, Texas (PRWEB) March 06, 2012

"These days startup businesses are more popular than ever as workers realize that jobs are not always reliable and that there are many benefits to being your own boss," Mr. Douglas says. "Social media like Facebook and Twitter is used by hundreds of millions of people to find websites, and people are doing searches from within Facebook all the time. It definitely is a way that the masses are finding things on the web these days, and social media is something that you just have to know about if you are going to start a startup business. So we've included two free bonus courses with all of our niche startup business courses, 'Twitter Tactics' is a course and also 'My Facebook Formula' is the other course. That is why we are providing blueprints for starting these businesses as well as complete training in all related areas necessary to start a startup, including the accounting, legal, marketing and other areas. In fact, all of the teachers of the courses have started these startups themselves and are teaching from their own experience. This saves a lot of time for anyone trying to start their own business."

Mr. Douglas says that most of these startup businesses have benefits that are probably influencing people's decisions and attracting people to start their own startup businesses, including:

100% recession proof

For more information, visit the Shoestring Publishing website.

About Shoestring Publishing

ShoestringStartups.com is the premier online publisher of "extra income opportunities" that anyone can use to earn additional income. Unlike 99% of the so-called "opportunities" that promise to make millions overnight, the Shoestring Publishing mission is to show legitimate methods to earn a little extra income in a short period of time.

Shoestring Publishing brings the very best in business startup courses to the public. They don't promise to make their students millionaires, but they do promise to show real strategies for earning extra cash that don't involve any special skills or a massive learning curve. All students need is an internet connection, an open mind and a willingness to learn.

Justin Douglas Shoestring Publishing 512-410-0161 Email Information

Follow this link:
Starting A Startup These Days Requires Social Media Marketing Says New Report From Shoestring Publishing

Mindpix Corp. Announces Music Licensing Agreement Between Subsidiary eMax Media Group and Starfest Direct

ORLANDO, Fla., March 8, 2012 /PRNewswire/ --Mindpix Corp.'s (Pinksheets: MPIX.PK - News) subsidiary, eMax Media Inc., has signed a music marketing licensing agreement with Starfest Direct, a division of PBS Holding Inc. Roxanna Weber, CEO of Mindpix stated, "This is the first of several media licensing agreements that are being signed by eMax Media Group and enables them to monetize their media holdings with royalty income. This contract should generate a minimum of three Million dollars in sales to the partnership over the next year. The extensive music and media libraries owned by eMax Media Group are growing each day."

Starfest Direct and eMax Media Group will jointly market downloadable music through the Starfest Direct Network. Starfest Direct is a direct sales company. The media marketing and distribution licensing agreement allows the Starfest Direct network to merchandise 500 songs from the eMax Media's music catalog. eMax Media plans to add more music titles to the agreement throughout each year. This marketing agreement allows both Starfest and eMax Media Group to promote the songs throughout their networks and to add more entertainment content to their delivery systems. Ed Vakser, CEO stated, "Our team is extremely excited to include this new content into our catalog. In the world where Content is king, this is great content and a great business opportunity for our new venture. We are very excited to launch the content as part of our ever expanding catalog. Our joint venture will create one of the largest "on Demand" content systems for the direct sales industry. The vast content and our sales software will be the catalyst of a new global direct sales model."

One of the major enhancements to the Starfest Direct system is the ability to sell digital products. The new download system includes technologies that will control all access to the downloadable product through the use of encrypted keys; allowing the enforcement of download rights, including limiting the number of downloads within a certain period of time. The digital content will be stored directly in the database for even more protection. This prevents someone from "giving away" a download link which would allow someone to download Starfest's new digital product without paying for it.

About PBS Holding Inc.

PBS Holding Inc. is a Publicly Trading Company trading on OTC Markets under the symbol PBHG, http://www.pbsholdinginc.com. The company is focused on growth by mergers and acquisitions of technology, media, multimedia, television, Film productions and content development. As a wholly own subsidiary, Starfest Direct Inc is utilized for its high end Direct Sales Technology EnterpriseSystem. Starfest Direct is a virtual product and services catalog system designed to facilitate sales, membership accounting and maintenance http://www.starfestdirect.com

About Starfest Direct:

Starfest Direct is a direct sales company featuring an aggressive compensation component for professional distributors in network marketing. Using proprietary software andtechnology, the Starfest Direct plan features a unique custom binary and unilevel combination plan with additional lifestyle, team, and executive bonuses.

About Artfest International, Inc.

Artfest International, Inc. brings together artists, investors, decorators, designers, private collectors and art galleries. Artfest International's corporate site is http://www.artfestinternational.com. Artfest's subsidiaries are Art Channel, Inc. (www.artchannel.tv), and PBS Holding Inc., ( PBHG) Starfest Direct, Inc. (www.Starfestdirect.com), offering the most exciting product and rewards program in the history of direct sales marketing. And Tradestar Resources Corporation, (TSRR) a sports and entertainment production company.

eMax Media Inc.

More here:
Mindpix Corp. Announces Music Licensing Agreement Between Subsidiary eMax Media Group and Starfest Direct

Social Media Privacy: 3 Questions to Ask Before Authorizing Third-Party Apps

Jamie Becklandis a digital and social media strategist at Janrain,where he helps Fortune 1000 companies integrate social media technologies into their websites to improve user acquisition and engagement. He has built online communities since 2004. He tweets as@Beckland.

Never completely off the radar, privacy concerns recently stepped back into the spotlight.

[More from Mashable: What Was Super Tuesdays Top Social Media Moment?]

In the past months alone, privacy issues have emerged from all corners. The California Attorney General is twisting arms for better app disclosures, and startup Path apologized for scraping address books. And during February's OpenDialogue, CEO of Thornley Fallis Joseph Thornley claimed that Facebook violates our privacy day by day, because its impossible to give informed consent. But the privacy conversation has shifted in an important way. In the past, identity providers like Facebook and Google were blasted for their obtuse and complicated privacy policies. Questions still remain on that front, but by and large, identity providers have given users more control, and the uprisings have quelled for the moment. Consider the difference in the response to Facebooks 2007 Beacon program vs. the new Facebook Open Graph protocol. The former was lambasted as a gross violation of user trust, was built without disclosure in mind, and was killed. Eventually Mark Zuckerberg admitted that it was a mistake. By contrast, the frictionless sharing capabilities of the new Open Graph protocols have not seen any serious backlash (despite protests from Marshall Kirkpatrick, who maintains that it doesn't make sense to roadblock a link). The good news is that authorizing third parties to use an existing social identity is a one-way flow of information: from the identity provider to the application that the user has authorized. User profile data from a brand website or app is not shared with Facebook, Yahoo, LinkedIn or any other identity provider. Your browsing paths are not suddenly available to social networks, and your behavior after authentication is only available to the website you are actually on. But increasingly, the privacy conversation has widened to ask what apps are doing with the permissions they request, and how the information is actually being used. In order to understand what is actually happening with user data, we need to answer three separate questions.

Different identity providers offer differing amounts of information about a user, and require different access credentials. For example, Google delivers a verified and authenticated email address with a basic permission, while Twitter does not deliver any email address at all. My company has indexed the critical data elements and permissions available on more than 20 platforms. On top of what is available, app developers must determine which permissions and data elements they will request from the identity provider. This is implemented on an app-by-app basis; therefore, users can expect no shortcuts when reviewing the now commonplace permission screens that appear when we authenticate through social channels.

[More from Mashable: How to Allow Subscribers on Facebook]

Users can grant apps permission to access field-level information, but if those fields are blank, the identity provider will return a blank value. For example, if the birthday field is not filled out on LinkedIn, users can still use LinkedIn to authenticate, but the application will not be able to automatically send those users free coffee on their birthdays, for example. This is a crude line of defense, but its important to remember. Even when a list of permissions looks long and possibly intimidating, since people use specific identities for different purposes, some of the data may not be available. And with more identity providers offering distinct views into a users identity, its less likely that a complete picture of a user is available from any app in particular.

Its impossible to know exactly what information gets dropped into an applications database, but the reality is that social profile data is incredibly complicated to store and manage. Even when applications receive a data payload from the identity provider, there's no guarantee that the data is being collected somewhere.

However, any profile data that is presented back to the user within the app experience is clearly being stored. If a user sees a list of her friends who also use the app, its clear that the social graph has been shared to the application. For app developers, then, the decision about what permissions to ask for becomes easy: Only ask for what you will use in the experience you are designing. If there is not an immediate use case, dont ask for permission at that time. Its possible to go back to users and ask for additional permissions and data when they want to interact with a specific experience. Align what the user is giving up (his data) with what you are giving him (a valuable way to use his data). Each user will weigh privacy concerns differently, both for himself and for the brand that is requesting the information. The brand relationship, though, ends up being the most important consideration.

In a complicated environment, with so many privacy factors to consider, users often fast-forward their decisions about whether to share social profile data based on soft factors like brand trust. If a user trusts Coke (or the Washington Post, or Zynga), he will likely assume that the brand will use personal data responsibly and for the users benefit. What brands do you trust with your data?

View original post here:
Social Media Privacy: 3 Questions to Ask Before Authorizing Third-Party Apps

Instantis Introduces Social Networking Breakthrough for Enterprise PPM

SANTA CLARA, CA--(Marketwire -03/08/12)- Instantis, the leading provider of cloud-optimized Enterprise Project Portfolio Management (EPPM) software used by IT and business process leaders to improve strategy execution through more effective work and resource management, introduced today Instantis EnterpriseStream for "seamless" communication, collaboration and social networking among users of the EnterpriseTrack project and portfolio management solution.

Instantis EnterpriseStream is purpose-built for project and portfolio environments and fully integrated with the EnterpriseTrack system. This contrasts sharply with competitive alternatives that depend on a third-party general-purpose enterprise social networking platform such as Chatter, Jive or Yammer. As a result, EnterpriseStream social communications are context sensitive and collaboration is optimized for project-intensive environments. Further, there is virtually zero effort to set it up, start networking and collaborating, and see immediate productivity results.

"Instantis EnterpriseStream brings together the inherently social and collaborative nature of project-centric work with relevant social networking concepts and technology," said Dr. Prasad Raje, Instantis founder and CEO. "Enterprises will see immediate and compelling business benefits in terms of improved project team and stakeholder planning, communication, collaboration and cohesiveness that will translate directly in to accelerated strategy, program and project execution."

Key features of seamless social networking that differentiate Instantis EnterpriseStream from competitive offerings for PPM environments include:

"Instantis EnterpriseStream continues our long track record of usability innovations," said Dr. Raje. "EnterpriseStream is purpose-built and seamlessly integrated with EnterpriseTrack and is not a bolt-on of an off-the-shelf social networking tool, no other competitive PPM solution can claim to offer these advantages."

About InstantisInstantis is the leading provider of cloud-optimized Enterprise Project Portfolio Management (EPPM) software used by IT and business process leaders to improve strategy execution through more effective work and resource management. Leading global corporations like Abbott, Baxter, Credit Suisse, DuPont, France Telecom, Lilly, National Grid and Xerox rely on a single system called EnterpriseTrack to fulfill the distinctive requirements of their strategic project portfolios such as PMO, IT, New Product Development, and Lean Six Sigma.

Visit link:
Instantis Introduces Social Networking Breakthrough for Enterprise PPM

As digital, film and music worlds gather for SXSW media zoo, ‘convergence’ is annual buzz word

NEW YORK Increasingly, the media zoo that is SXSW looks more like todays overlapping media world.

The annual South by Southwest Conference and Festival, which begins Friday, gathers thousands of creators, performers, media and industry members for 10 days onto the boozy downtown streets of Austin, Texas. Its really three festivals Interactive, Film and Music in one, but each bleeds into the other.

The annual buzz word at SXSW is always convergence. Just as the tech and entertainment worlds physically descend onto Austin, media forms, too, are diverging. Many of those technologies and companies that might be found at SXSW Interactive have greatly altered those at SXSW Film (video-on-demand, Netflix, Hulu) and at SXSW Music (Apple, Spotify, Pandora).

Its a place where the question is always whats next and one has the impression of meandering hordes traipsing the streets of Austin searching for answers to a confusing and ever-evolving media landscape. There will be hundreds of panel discussions, countless predictions and even man vs. machine competitions that pit algorithms against curators.

Its like stepping into a temporary world for one week where youre maybe two or three or five years in the future, says Amber Case, wholl be making her fourth trip to SXSW as a keynote speaker for Interactive. Shes a cyborg anthropologist who studies the relationship between humans and machines, and founded the location-sharing platform Geoloqi.com.

Each realm of SXSW will have its own superstars. None will be bigger than Bruce Springsteen, this years music keynote speaker. (NPR Music and SXSW.com will live stream the event.) Interactive, though, will have its own rock stars, including Napster co-founder Sean Parker (famously portrayed by Justin Timberlake in The Social Network).

Many others will be there, too, often promoting new projects, including Jay-Z, Willem Dafoe (The Hunter), Richard Linklater and Jack Black (Bernie), Jack White, Joss Whedon (The Cabin in the Woods), Lena Dunham and Judd Apatow (HBOs Girls), comedy podcast star Marc Maron, the Magnetic Fields and a few thousand more.

SXSW, effectively a trade show for industry and media members, has been around since 1987 and has historically been primarily a music event where labels showcase their acts and young bands seek their big break. Film and what was then called multimedia were added in 1994.

After some lean years supported financially by the music side of SXSW, the Interactive part of SXSW has in recent years swelled to become the largest aspect of the event.

Its not all that apparent what were doing different now, but knock on wood, says Hugh Forrest, director of SXSW Interactive. Theres lots of reasons for the growth, but the general reason that encapsulates it all is the growth of social media and social networks.

See the article here:
As digital, film and music worlds gather for SXSW media zoo, ‘convergence’ is annual buzz word