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The Customer-Generated Content (CGC) Software Market researchexamines market estimates and predictions innicedetail. Itadditionallyaidswithin theexecutionof thosefindings by demonstrating tangiblebenefitsto business stakeholders andbusinessleaders.eachcompanyshouldanticipatehowevertheir productare going to beutilized inthe longer term. Giventhislevel of uncertainty caused by the COVID-19state of affairs, thisanalysisisessentialforhigherunderstanding previous disruptions and increasing readiness forsuccessivesteps in decision-making.the foremostrecent studymakes an attempttoaltertheadvancedmarketplace forcompanyexecutives by providing strategic insights and exhibiting resiliency insuddenconditions. The insightswillassist all potential readers indistinguishingnecessarybusinessbottlenecks.

The primary objective of the report is to educate business owners and assist them in making an astute investment in the market. The study highlights regional and sub-regional insights with corresponding factual and statistical analysis. The report includes first-hand, the latest data, which is obtained from the company website, annual reports, industry-recommended journals, and paid resources. The Customer-Generated Content (CGC) Software report will facilitate business owners to comprehend the current trend of the market and make profitable decisions.

Market Leaders Profiled:

Report Analysis & Segments:

The Customer-Generated Content (CGC) Software is segmented as per the type of product, application, and geography. All of the segments of the Customer-Generated Content (CGC) Software are carefully analyzed based on their market share, CAGR, value and volume growth, and other important factors. We have also provided Porters Five Forces and PESTLE analysis for a deeper study of the Customer-Generated Content (CGC) Software.The report also constitutes recent development undertaken by key players in the market which includes new product launches, partnerships, mergers, acquisitions, and other latest developments.

Based on Product Type Customer-Generated Content (CGC) Software is segmented into

Based on the Application Customer-Generated Content (CGC) Software is segmented into

The report provides insights on the following pointers:

1 Market Penetration: Comprehensive information on the product portfolios of the top players in the Customer-Generated Content (CGC) Software.

2 Product Development/Innovation: Detailed insights on the upcoming technologies, R&D activities, and product launches in the market.

3 Competitive Assessment: In-depth assessment of the market strategies, and geographic and business segments of the leading players in the market.

4 Market Development: Comprehensive information about emerging markets. This report analyzes the market for various segments across geographies.

5 Market Diversification: Exhaustive information about new products, untapped geographies, recent developments, and investments in the Customer-Generated Content (CGC) Software.

Schedule a Consultation Call With Our Analysts / Industry Experts to Find a Solution For Your Business @ https://www.marketresearchintellect.com/ask-for-discount/?rid=198909

Various Analyses Covered:

Regional assessment of the Customer-Generated Content (CGC) Software has been carried out over six key regions which include North America, Asia-pacific, Europe, Latin America, Middle East, and Africa. Moreover, the report also delivers deep insights on the ongoing research & development activities, revenue, innovative services, the actual status of demand and supply, and pricing strategy. In addition to this, this report also delivers details on consumption figures, export/import supply, and gross margin by region. In short, this report provides a valuable source of guidance and clear direction for the marketer and the part interested in the market.

North America(United States, Canada)Asia Pacific(China, Japan, India, South Korea, Australia, Indonesia, Others)Europe(Germany, France, United Kingdom, Italy, Spain, Russia, Others)Latin America(Brazil, Mexico, Others) The Middle East and Africa

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Customer-Generated Content (CGC) Software Market Size And Forecast to 2028 |Wikipedia, Fandom, Facebook, Automattic (wordpress), Twitter Designer...

Lately, Ive been having what I call based-on-a-true story fatigue. I first used that admittedly inelegant phrase in March, when a mini-boom of shows about headlining scandals in relatively recent history premiered in the span of a month, with splashy premises that fizzled on arrival. Those shows Hulus The Dropout, Netflixs Inventing Anna, Showtimes Super Pumped, Apple TVs WeCrashed, Peacocks Joe v Carole varied in quality (The Dropout, on starring Amanda Seyfried as corporate fraudster Elizabeth Holmes, was the only one to transcend mere dramatization and balance entertainment and clarity) and were all weighted by an awkward, often tiresome relationship to truth.

Since then, the number of shows that double as Wikipedia rabbit holes have cascaded into a full true story boom. An incomplete list of shows released this spring that have turned headlines into scripted television: FX on Hulus Under the Banner of Heaven, Hulus The Girl from Plainville, Starzs Gaslit, Showtimes The First Lady, Hulus Pam & Tommy, HBOs Winning Time, Peacocks The Thing About Pam and HBOs The Staircase. Theres not one but two mini-series on the 1980 axe murder of Betty Gore by her friend Candy Montgomery Hulus Candy, which premiered this month and stars Jessica Biel as Montgomery, and an upcoming HBO series from Big Little Lies creator David E Kelley with Elizabeth Olsen.

Without exception, these reality-based shows boast decent production budgets and an embarrassment of riches: prestige casting, extensive costumes with occasional prosthetics, moody scores, the leeway to indulge in multiple timelines over several hours. Theyre almost all well-made, with solid, sometimes showy direction and remarkably committed performances. But they have mostly fallen flat there is, it turns out, a high bar for overcoming the distracting, basic tension of what really happened versus whats on screen, what the real people looked like versus what the actors are doing, and very few of these shows clear it. All spring, with every new release and announcement of yet another installment in the headline-to-series pipeline, Ive found myself asking: why more? And why do these shows, for the most part, pale in comparison to both speculative, unfettered fiction or the real thing?

The timing for this reality-based spring flood mostly boils down to Emmy nomination season the prestige TV version of Decembers Oscar bait and the fact that portraying a real-life figure, particularly a famous one or a tragic one or both, is reliable awards material. See: the success in 2016 of Ryan Murphys The People v OJ Simpson, which arguably heralded the scripted true crime boom (and interest in re-evaluating the 90s) from the connoisseur of the glamorous, celebrity-filled riff on reality. The majority of these spring shows could be classified as true crime some far more violent (Candys axe murder) than others (the theft of Pamela Anderson and Tommy Lees sex tape) which seems like the natural evolution of the true crime documentary boom in the 2010s fueled by streaming platforms with money to burn and viewers to hook.

Though my reaction to real-life, and particularly true crime, stories of late has been generally please, no more, there are numerous good reasons to watch a ripped-from-the-headlines show. They can offer course corrections to outdated narratives, particularly for women (as in last years Impeachment: American Crime Story, made with the cooperation of Monica Lewinsky). The veneer of fiction can maneuver cultural knots too tight for real-life discourse or flesh out existing reporting, as in The Girl from Plainville, which uses daydream sequences to illustrate Michelle Carters capacity for self-delusion. Television offers room to complicate that non-fiction does not; the Under the Banner of Heaven creator Dustin Lance Black, for example, invents a fictional, pious Mormon detective (Andrew Garfields Jeb) who investigates a real double murder by fundamentalist Mormons in 1984 Utah. The investigations toll on his faith in goodness, in obedience, in the church illustrates the cognitive dissonance of religion and the tension of belief and intuition more than allegiance to the facts probably could.

Theres also something baseline compelling about watching an actor take on a known quantity who has not immediately Googled a role to see how the celebrity compares to photos or videos or even loose pop cultural memories of a different real person. That gap can be provocative, teasing out unknown dimensions of the person or layers of the persona; the best, such as Seyfrieds portrayal of Elizabeth Holmes, do both, melded with the ineffable charisma that makes for a crackling screen performance. But it can more often be a distraction, uncanny or unnerving. In almost all of these portrayals, the actor is more conventionally attractive symmetrical, smoothed, adjusted, whatever you want to call it than the real figure, another snag on ones attention. Jared Leto as WeWorks messianic founder Adam Neumann in WeCrashed, for example, nails the Israeli accent, but looks more like Jared Leto having a romp than the 6ft 5in founder.

All of these shows are also dogged by ethical questions of how much creative license to take with true stories, whose perspectives to soften or simplify or shade in, whose facts to privilege. How much responsibility should a show take in crafting the narrative that will almost surely, by the fact of wide availability and the compelling power of fiction, become the default one? (Who cares about the real story behind the early days of Facebook? In the public eye, The Social Network is the only record that matters.)

That, too, drags down a series. Take the recent controversy over Winning Time, the fourth wall-breaking, HBO drama about the Showtime-era Los Angeles Lakers that has drawn the ire of the actual Lakers. Last month, former player, coach and general manager Jerry West accused HBO and producer Adam McKay of character assassination for its depiction of West as a volatile, vindictive alcoholic; the legal letter demanded a retraction from HBO meaning the network would have to say its portrayal is false and threatened a legal case going up to the supreme court. (HBO responded in a statement that the series and its depictions are based on extensive factual research and reliable sourcing.)

The real-life context can be messy, contested or just plain confusing; it can undercut a series from the jump. How do we view Pam & Tommy, a show sympathetic to Pamela Andersons traumatic invasion of privacy, when we know she didnt consent to it being revisited? (I couldnt keep watching.) The Girl from Plainville, based on the 2014 texting suicide case in Massachusetts is sensitive, well-made, and loaded with psychological nuance but struggles to overcome the queasy fact that its making watchable entertainment out of the deeply tragic union between two unwell teenagers.

The messiness of competing narratives, of who controls attention, is why The Staircase a meta series about death and an afterlife in media is one of the best of this genre. The limited series from Antonio Campos eschews the impulse to make sense of how a wealthy North Carolina business executive, Toni Collettes Kathy Peterson, died at the base of a staircase at home in 2001. Did she slip and fall? Did her husband Michael (an excellent Colin Firth) kill her? The series is less interested in certainty than sensational attentions ripple effects on a family, the sprawling interpretations of truth, and the construction of narrative; the French documentarians whose 2004 series chronicled Michael Petersons trial and served as a touchstone for many films to come after are characters in the series. The work of picking and choosing which information to include, which to set aside the work any true-story adapter must do becomes part of the story.

This unsettling collage of unanswerable questions is what sucked me in despite fatigue with all this semi-reality. Watching The Staircase is, like any other true crime show, a freighted experience there are Wikipedia searches to do, other reports to watch, long-form articles to read, comparisons to make, first-person testimonials to consider. The show is inconclusive enough curious and critical enough of true crimes attention magnet to make such context fun, an added bonus. But thats the exception. For much of this TV season, the scripted story feels like added weight on the real one.

Originally posted here:
Same old true story: why have TV shows turned into Wikipedia entries? - The Guardian

Here are some missing person cases that are creeping out Buzzfeed users.

Wikipedia links are underlined in the headlines.

One missing persons case that kept me disturbed for days is the Andrew Irvine case. He was a British mountaineer who climbed Mount Everest in 1924 with a fellow Brit, George Mallory, but they never made it back down.

Mallorys body was found 70 years later, but Irvines body was never found. Andrew Irvine is the most heart-wrenching Wikipedia rabbit hole Ive ever fallen into.

Maura Murrays disappearance still bothers me after watching a multi-part Oxygen series about it a couple years ago. I think what gets me is how little information there is to go on how can a person get into a car crash, then just disappear off the face of the Earth and leave barely any clues behind?

I still wonder whether she was murdered or maybe ran off and is living a different life somewhere. Murray was a 21-year-old nursing student who got into a car accident in upstate New Hampshire. The strange thing was, prior to disappearing, shed told professors that she would be taking a week off due to a death in the family. However, her family later told authorities that there had been no death.

He was seen entering a bar, but there was no security footage of him leaving when the night was over Like, HOW CAN THAT HAPPEN?!

Brian was a medical student in Ohio last seen going up an escalator to a popular campus bar, but the video never showed him leaving. Foul play has still not been ruled out.

My first ever missing persons case that triggered my love for true crime was the story of Amy Bradley. She went missing from her cruise ship in the 90s, and there were multiple sightings of her years afterward in different countries, but nobody ever helped her.

There was even a situation in 1999 where a US Navy man visited a brothel overseas and had a woman approach him, begging for help and telling him that her name was Amy Bradley and that she was being held hostage, but he didnt do anything about it for fear of anyone finding out where he was at the time.

Heather Elvis, who was a cosmetology student, mysteriously vanished after shed arrived home from a date. No one ever talks about her or her disappearance.

She went missing in 2013 in Myrtle Beach, South Carolina, and a couple was recently charged with her kidnapping, but shes still never been found. That poor family will never get closure.

Emma Fillipoffs disappearance sent me down a rabbit hole for months. Lots of drama and red flags surrounding her story she disappeared outside of the Empress Hotel in Victoria, British Columbia, after being seen talking to the police.

Her Wiki page will give you the chills, and if youre into documentaries, theres an episode about her disappearance on the Fifth Estates YouTube channel. If podcasts are more your thing, almost every true crime channel has covered her. I feel so bad for her family theyre still actively looking for her.

The McStay familys disappearance freaked me out. How they could vanish without a trace? I am glad (but in a very melancholy way) it was solved and their extended family got closure, though.

Joseph, his wife, Summer, and their sons, Gianni and Joseph Jr., disappeared from their home in Southern California in February 2010. Their bodies were found three years later in November 2013, over 100 miles north in Victorville, California.

A year later, a man named Charles Chase Merritt the fathers business partner was arrested, tried, and found guilty of brutally murdering the family. He was sentenced to death in January 2020.

The craziest one I know of is from Philly. Richard Petrone and Danielle Imbo were seen leaving the Abilene bar on South Street, and driving in Petrones Dodge Dakota heading back to Imbos house, and then not them or the truck were ever seen again. The rumor was a drug debt had something to do with it, and the lone person of interest killed himself in prison.

This one always stuck with me as someone who used to walk around Myrtle Beach as a teenager, alone, and we were the same age. She was just leaving her hotel and disappeared.

Years later, a prison inmate had told authorities that Drexel had been abducted and killed, but it still hasnt been solved.

The disappearance of Natalee Holloway always gets me. She was a few years older than me when she disappeared, so it felt like something like that can happen to me or someone I know.

Even when I went to Aruba on vacation as an adult (26 years old) with my boyfriend, my parents worried the whole time.

Read more:
10 Wikipedia Pages About Missing People That Are Really Creepy - Twisted Sifter

Molly White has been making stands on principle since her early teens. Now her scrutiny of crypto is earning her national acclaim.

The Washington Post recently profiled White as the cryptocurrency worlds biggest critic. Via her website, Web3 is Going Just Great, White investigates and exposes scams and other questionable practices in the opaque and largely unregulated industry.

Molly White is a gem of Northeastern University, a Northeastern student posted on Reddit, a social media aggregation website, in response to the Post story.

It feels important to me to make information available to people, especially when other groups are trying to present a very different and I think unrealistic story, says White, a 2016 Northeastern graduate in computer science. Especially with crypto, I see a lot of real people being hurt by itpeople who dont have the money that they can lose who were sold the dream of financial freedom, or a ticket out of having to work two jobs, and then getting put in even more desperate situations.

Cryptocurrencies, which can be circulated digitally without government oversight, are vulnerable to volatile price swings as well as unreliable (and sometimes predatory) traders. White devotes her site to web3the blockchain foundation for cryptocurrenciesin recognition that everyday people are being exploited by outlandish investment schemes.

It feels like, as someone who is able and willing to do the research, that I have an obligation to do it, she says.

Born and raised in Maine, White was drawn to Northeastern by the promise of co-ops. She participated in two of them at HubSpot in Cambridge, Massachusetts, leading to six years of full-time employment as a software engineer before she left the company last month.

She began developing an online presence in her early teens as an editor and writer at Wikipediafirst about music, and later in praise of women scientists.

I discovered that anyone could edit Wikipedia when I was 13, White says. I have this sort of weird brain: I really enjoy documenting and archiving and collecting information. And I also have always been very passionate about free and open knowledge and access to information. I became a pretty active editor in high school and then continued to do it through college and afterwards.

After the 2016 presidential election of Donald Trump, Whites focus shifted to the alt-right, which exposed her to online vitriol and prepared her for the blowback that she has endured more recently from the crypto industry. She says she experienced online harassment as a result.

Its unpleasant sometimes, she says. Theres also a gender aspecteven before I started to edit in those topic areasof being a visible woman on the internet with opinions that tended to draw a fair amount of attacks. So I wish it was different.

She has found that those attacks have strengthened her resolve.

Im a very stubborn person by nature, she says. Being harassed online, or targeted in some ways, tends to make me angry that its happening, but also more determined to stick with it. I do what I can to minimize it and to protect myself and my family, but it feels important to continue doing what Im doingeven more so when there are people who try to stop it.

Her resilience is a family trait of which she is proud.

It was not a surprise to my family to have another stubborn daughter, White says, laughing.

White sees her efforts as part of a larger movement.

How can we move the web in a better direction? she asks. I think a lot of people look at me and think shes a crypto critic, she wants to stop crypto, she wants to tamp [innovation] down.

But White says she shares a lot of the same goals as some of the people who are working in the web3 spacefreedoms that include access to information and online communities around shared goals.

I worry that crypto and web3 are moving us in the opposite directionof limiting access to information and to communities, and financializing a lot of the interactions that we have online, she says. My goal is to open the web and make it a better place. Thats really the drive more than the hope to stop crypto.

Soon, she says, she will renew her less-famous career as a software engineer because writing software is my favorite thing.

But shell continue to watch over the crypto industry on behalf of those who are being exploited by it.

I just try to keep doing what I feel is impactful and helpful, White says. I imagine that will continue to be the goal, regardless of what shape it takes at any given point.

For media inquiries, please contact media@northeastern.edu.

See the rest here:
'Gem of Northeastern,' Molly White Takes on Crypto - News @ Northeastern - Northeastern University

Wikipedia is huge. As of 19 May 2022, there are 6,500,765 articles in its English version, containing over 4 billion words and 55,804,737 pages. It's so big that no person can possibly expect to scroll through everything on their own. We need help. Someone who can sort out the good stuff and present it in byte-size tidbits. Someoone like Annie Rauwerda.

In April 2020, then-sophomore at the University of Michigan, Rauwerda got bored being stuck at home and ended up spending countless hours on the internet.

Passing the time, she came up with an idea for a spontaneous quarantine project and created a new Instagram account, called 'depths of wikipedia.' Flash forward to now, and her online baby has upwards of 800,000 followers, spread across multiple social media platforms.

But its core concept remains the same: Rauwerda curates funny, silly, and weird snippets from Wikipedia and shares them with the world.

More info: depthsofwikipedia.com | Instagram | Twitter | TikTok

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40 Times People Stumbled Upon Something Hilarious On Wikipedia And It Ended Up Being Shared In This Online Group - Bored Panda