Archive for the ‘Media Control’ Category

Animal control debate in Marana – Tucson Local Media

On April 4th the Marana Town Council voted not to renew a contract with Pima County for animal services (enforcement and licensing). This decision was made following nearly a year of research and discussions with Pima County administration on how to best serve our residents and their pets.

Leading up to this meeting were comments from concerned citizens, many of whom had worked directly for or as volunteers with PACC. They spoke passionately on behalf of Pima Animal Care Center (PACC), its no-kill policy, the compassionate care that animals received, and their frustration that the Countys new animal control shelter, paid for with a recent $22m bond voted on by county citizens, would now be unavailable to Marana residents. These are all valid concerns, and I want to explain why I voted for severance from the County in our animal control services.

Maranas relationship with PACC goes back to the Towns founding, but recent problems stem from cost increases the County has imposed partner communities. Pima Animal Control services are paid for with county taxes we all pay, but incorporated areas like Marana, Tucson, Sahuarita and Oro Valley are billed in addition to these taxes. The services that the County provides to Maranas residents are the same as those provided to county residents, but at an increased cost to our towns citizens as a result of this extra billing.

This County billing has increased from $10,000 per year in fiscal year 06-07 to around $230,000 for this year, an increase of over 2300%. During the same period, all County residents were billed through their property taxes. Maranas residents pay County taxes too, so for me this is about equality in what a tax payer is charged for services.

All local municipalities face this imbalanceCounty taxes plus extra billing, with no additional services. Our staff has appealed to the County for a more equitable system but they have been unwilling even to discuss the matter. For instance, when we asked County administration if we could reduce costs by managing individual elements of our contract, we were politely told no.

Under these circumstances, we decided to part ways and establish our own program, contracting with the Humane Society for sheltering, and hiring our own animal control staff to provide dedicated service for our citizens. Marana residents will not see any increase in the Towns expenditures, since these costs would have to be paid to the County anyway. And we know that we can provide better service for the same money.

The County priced itself to a level where Marana can consider running its own program, better, with the same dollars. I believe weve made the right decision and with vigilant oversight, we can look forward to providing excellent animal control services to the residents of Marana.

Dave Bowen

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Animal control debate in Marana - Tucson Local Media

Review: In the middle of the gun control conversation – My Met Media – Met Media

Art has always been an outlet for society to express themselves. Whether it be the oppressed or the oppressors, art is a vehicle that is used to affect change and affect perception of events.

The Gun Show is a new work that points the barrel of criticism at gun rights in America and takes a stance in the middle of the isle.

Mark Collins in the regional premiere of The Gun Show photo credit Brian Landis Folkins

This one man show by playwright EM Lewis both highlights the importance of having guns in society but also bring to light the serious concerns around the gun control debate.

Using her unique experience of growing up in a small Oregon town and her time living in the big cities of LA and New York, Lewis brings to light the ideas that guns can provide protection and that large populations of the country are properly trained and respect guns. Lewis also shares stories about the dangerous and violent side of guns.

The Gun Show is, at its core, a work of storytelling. The show is told from Lewis perspective and from Lewis voice. She is sharing her personal experiences with the audience.

In this production Lewis is portrayed by local actor Mark Collins. Collins does a truly delightful job telling these stories. He is able to bring different emotions and shift his emotions on cue creating an immersive experience for the audience.

The decision to have a male actor as the Playwright did cause some confusion throughout the show. Although it was clearly stated by Lewis early on in the show not to think too much into the decision of having herself played by a man. It did bring some unnecessary confusion to the show. There were moments when the audience needed to remind themselves that Collins is playing a women. The choice distracted from the main point of the show, guns, and the stories that go along with them.

AND TOTO TOO Theatre Company has developed a reputation of producing new work by women playwrights and The Gun Show is a nice and thoughtful addition to that list.

Whether you support gun rights or you feel that there should be more legislation around guns, you can enjoy and appreciate the stories that The Gun Show brings to light.

Mark Collins in the regional premiere of The Gun Show photo credit Brian Landis Folkins

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The Gun Show ** (our of four stars)

The Gun Show now playing at The Commons on Champa in The Studio at 1245 Champa Street. Directed by Susan Lyles. Starring: Mark Collins. Through April 29. For tickets visit http://www.andtototoo.org.

Also playing:

42nd Street- Candlelight Dinner Playhouse

The Robber Bridegroom- Town Hall Arts Center

The Intelligent Design of Jenny Chow- Vintage Theatre productions

Disenchanted!- BDT Stage

Evita- Lone Tree Arts Center

The Drowning Girls- Arvada Center for the Arts and Humanities

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Review: In the middle of the gun control conversation - My Met Media - Met Media

How to get better control over your media spends – Campaign India

These are some tips by FirmDecisions, a firm that champions financial transparency in the client-agency relationship

1. Develop a strong contractual agreement with media agencies, which can deliver complete transparency

2. Emphasize on ownership and control of data. Make sure the contracts contain explicit terms on data ownership, transfer and management

3. Is New Media the new Black Box? Advertisers need to understand the digital media supply chain to increase the efficiency (ROI)

4. Seek direct access to specialties like the agencys programmatic trading desk

5. Awareness towards opaque business practices, cost benchmarking, rebates and agency principal transactions will strengthen relationships

6. Review the contract terms regularly. This will help to track the effectiveness of the market efforts, assess the financial impact at regular intervals and be more responsive to the changing marketplace

7. Establish a rigorous internal reconciliation process and seek explanation of any unclear costs in media plans

8. Engage a trusted third party to support in contract compliance to ensure that it adheres to market standards.

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How to get better control over your media spends - Campaign India

TDP trying to control social media, alleges YSRCP city chief – The Hindu


The Hindu
TDP trying to control social media, alleges YSRCP city chief
The Hindu
YSR Congress city president Vellampalli Srinivas on Sunday accused the TDP of trying to control the social media and warned the ruling party of serious repercussions. Addressing the media here, he said that the TDP, which banked heavily on the social ...

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TDP trying to control social media, alleges YSRCP city chief - The Hindu

Prince Harry story is new twist in the saga of the media and the royals – The Guardian

Prince Harry, who decided to talk about his mothers death and its impact on his mental health. Photograph: Getty Images

Before 11am last Tuesday, there was one story set to dominate the weeks news agenda: Prince Harry and his decision to talk about his mothers death and its impact on his mental health. On the day the prime minister rushed on to Downing Street to announce a snap election, every national newspaper featured the scoop by the Telegraphs Bryony Gordon on their front pages.

For someone so well known to open up about their own mental health, still stigmatised and starved of funding, is news enough. Add to that the memories of his mother, a woman believed to have softened the stiff upper lips of a nation in the first place and the public interest in both senses is pretty clear. Mental health charity Mind reported an increase in calls of almost 40% a day following the podcast, Mad World.

The interview was also a new twist in the long-running but often toxic saga of the media and the royals, particularly the younger generation who not only hold the media partly responsible for their mothers death but were then among the victims of phone hacking.

Despite the interview providing evidence that the younger royals are still prepared to use the traditional media to promote their causes, the podcast underlines their desire to keep control of their own public image. Rather than being a straightforward rapprochement for Harry, the latest intervention simply marks the latest development in the ongoing power struggle with the press that has waged particularly strongly with the younger generation.

In recent years, the Royal family has come down hard on invasions of privacy or inaccuracy by attempting to go straight to the public via social media. Last November, Harry published a highly emotive attack on the media which effectively accused them of hounding his new girlfriend Meghan Markle in the way they hounded his mother, but with racial undertones, too. The letter was posted on the familys Facebook page, where it was viewed millions of times.

Social media is not just used for complaints the royals feel may not be welcomed by the press but for pro-active promotion, too. When Harry sought to act on behalf of HIV charities last summer, he eschewed the televised visits adopted by his mother and livestreamed his subsequent blood test, again on the royal familys Facebook page.

But it is in complaining about press misbehaviour that the younger royals have marked a changing of the guard. Not for them simply relying on the back channels and relationships to sort out the rules of engagement. In three significant instances, they have used social media to go straight to the public.

The first direct appeal to public sympathy was used by Prince William when the Palace publicised pictures of his then girlfriend Kate being hounded by the paparazzi when trying to get to work. The public initially saw images of a beautiful woman looking a bit harried on the way to work, but were then shown her surrounded by huge numbers of men sticking long lenses in her face. William, the royal who is most committed to living as normal a family life as possible when you live in great luxury courtesy of the taxpayer, is particularly adamant that he will not have unauthorised pictures of his children used for commercial gain by the media. In 2015, Kensington Palace issued an unprecedented warning to the media, with vivid descriptions of the lengths photographers would go to to get pictures of George and Charlotte.

Each of these warnings led to comparisons with Diana, called the most hunted person of the modern age by her brother after she was killed in a car crash while being chased by paparazzi in Paris in 1997. Since her death and the subsequent public outrage, British news organisations are meant not to publish paparazzi pictures obtained using any kind of pursuit.

The comparison infuriates much of the British newspaper industry, with tabloid editors in particular moaning that the entitled younger royals are not fulfilling their part of the deal: public support and sympathy in return for access, which leads to popular and therefore profitable content. Royal correspondents, still going strong on most papers despite the impact of the phone-hacking scandal, complain that access is more strictly controlled even though all royal palaces have dedicated and highly professional press teams.

Yet what the press cannot control is the use of social media itself. With more than 3m likes for the joint family account on Facebook (almost twice the circulation of the Sun), 1.7 million followers on Instagram and 850,000 followers on Twitter, some could argue that the younger royals no longer need the support of the press, with its declining print circulation.

This generation are the first Facebook royals: they share seemingly intimate family snaps taken by and curated by themselves, not newspaper editors. Pictures credited to the Duchess of Cambridge, such as those of a toddler George kissing his new baby sister, are just like the ones we all take and share with our friends and family, though typically without the services of a palace press team.

Despite all this, the younger princes still know how important the press can be. Witness the series of attacks in the Sun and Mail over the work-shy William and Kate based on the number of engagements carried out in 2015 and after the press had been warned off snaps of George.

Jason Knauf, the 30-something director of communications for the princes, says that 80% of the inquiries dealt with by his team come from British newspapers. Knauf, criticised in parts of the media for being both American and having worked for the Royal Bank of Scotland, adds: We are still very reliant on traditional media to get our message across.

The princes have only to look at the treatment of their often faintly ridiculed father to see what impact the press can have. Prince Charles himself, lothe ever to complain publicly, knows he needs support from the media for his upcoming 70th birthday in 2018.

Yet while the aggressive complaints may have satisfied the royal household Things changed significantly for the better, said one former courtier it increased the antagonism felt by the press. The Suns veteran royal photographer Arthur Edwards complained about William and Harry to the FT [paywall] last year. Kensington Palace thinks they can control it all themselves. They want to ignore newspapers but the newspapers arent going anywhere. Well still be here when Twitters finished.

As if to reassert control, the Mail filled Thursdays page three with two huge pictures of the Duchess of Cambridge and Meghan Markle with a piece based on the similarities of their hair. Amid huge political turmoil, the relationship between a monarchy and fourth estate will always be symbiotic. After all, they need each other to survive.

Another media story last week where succession issues loom large was the ousting by the Murdoch-owned Fox News of its most successful chat show host Bill OReilly.

The sacking over sexual harassment allegations is ironic: the sexist and misogynist presenter brought low by the reporting of a paper he loathed, the New York Times. Rupert Murdoch was said to be against removing the primetime linchpin simply because it looked like the Times had won.

The radical Fox management overhaul ironic itself given the election of the channels biggest fan to the White House is important for showing the younger Murdochs flexing their executive muscle. In the tense negotiations over OReillys removal, it was the Fox chief executive and youngest Murdoch son James who argued most forcefully for his removal.

Some close to the Murdochs argue that the controversy shows the more liberal-minded characters of the younger men, neither said to be fans of the overt racism and sexism on the channel. Yet, as ever for an executive who argued that the only marker of good business was profit, there is a business rationale.

OReilly might have been the top-rated presenter on Fox but advertisers had started to desert the channel. And then of course there is the Murdochs planned $14bn takeover of pay-TV group Sky. The deadline for media regulator Ofcom to issue its judgment on whether the Murdochs are fit and proper to own the whole of Sky was extended on Friday until 20 June, more than enough time the Murdochs hope for the memories of Roger Ailes and OReilly to be just that.

British broadcasters will have to decide this week what to do about leaders debates in the run-up to the 8 June general election if they are to have time to plan security, format and more besides. The only problem is that the prime minister is refusing to take part and no one seems able to convince her otherwise.

Twice since 2010, the leaders debates have proved useful to the electorate, particularly to a younger generation less likely to watch TV news or read newspapers. With such obvious public interest, why dont we insist on an independent body that can sort the tedious negotiations out just as the US does with the commission on presidential debates?

Partly because no one seems to want it, not even the broadcasters, who rail against any straitjacket and would rather leave it to last-minute voluntary agreements. So in the UK, as ever, its we the media and political people and not we the people at all.

This is the second of a monthly column.

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Prince Harry story is new twist in the saga of the media and the royals - The Guardian