Mediaboss Marketing

Life is been governed by laws, principles, or theories. It follows that every business you do in life must be done in accordance with such relevant, established, and natural laws if you sincerely want to succeed.

In internet marketing, just like any other business, theories abound. The first theory in this context is called the theory of speed. This theory states that you must consider how fast your product or service is produced or delivered in comparison to your competitors. This theory is very significant in the management of software development. Software programs are often expected to run fast.

As a matter of fact, if the delivery of your goods and services is faster than your competitors own in the same niche people will prefer your products and services to your competitors. So you must, as a matter of necessity, consider the theory of speed when you are involving yourself in any area of internet marketing.

The second theory is known as the theory of cost. Dear Mr. Internet Marketer, the cost-effectiveness of a product or service you render is a very important determining factor in the school of internet marketing. Believe me, people like cheap products no matter how they pretend. So you must try as much as possible to make your goods and services to be cheaper than your rivals own. I advise you to check out the price of your competitors products and services in order to maintain a reasonable price. Strive as much as possible to ensure that you have a better price.

Thirdly, there is the theory of quality. Are you thinking of delivering inferior products to your customer? Then you should as well be thinking of becoming a failure in your chosen niche. If you ask me, your failure rate is 99.9 per cent; it then means that you are most likely to fail for just selling inferior products or rendering inferior services. Your products and services should be of very high quality if you really expect to make very high amount of money you can only reap what you sow. Only thieves or criminals are known for taking what they do not deserve. Let me warn you before you lose out, even the poorest of all men like high quality goods and services poverty notwithstanding.

Source by Edeh Chijioke

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The Basic Theories of Internet Marketing - JOSIC - Digital Intelligence

The internet is very dynamic, and in order to succeed, you need to be well informed and up to date with the various techniques of marketing on the internet.

Indeed, marketing on the internet has changed considerably over the past few years. Nowadays, methods for promoting products or services on the internet require an increasing selection of multimedia features and capabilities, much different and advanced from days past.

So what are the techniques and you must consider incorporating into your internet marketing efforts in order to increase traffic to your website and boost your sales.

Provide and share expert tips and ideas. Successful internet marketers share various tips and secrets their email lists, or online customers on a regular basis. Some internet marketers offer daily tips which they send through an auto responder. These days, having a trusting and confident relationship with your clients and potential customers is very essential. This boosts your sales and increases your internet marketing business profits.

Publishing e-Books A very popular approach for generating profits and revenue to publish and promote e-book on the topic related to your business. You can give these out for free with links to your website. On the other hand, the internet is now the major source of information. So you can write and publish e-books on any topic. You can sell these online and earn a lot of money.

Educational activities One of the single most important ways to increase your personal knowledge and expertise with any given topic is to get involved somehow with teaching this topic to others. Once developed, separate the materials into small sections for delivery and distribution. There are a number of ways to distribute the materials out to your potential clients. Direct mailings over a period of time, or many successful marketers set the individual segments up into an email marketing auto responder program that sends the messages out to a predetermined list of clients and customers over a prearranged rate. Distributing this information gives you the perfect opportunity to include small snippets of promotion for yourself or various products or services which you sale or promote. You will be amazed at how effective this particular technique is.

Link Exchange Directories Although not everyone thinks of it, you must sponsor a directory website with open invitations for others to include links, banners and promotional advertisements back to their sites. Beyond including your banners, links, and advertisements sprinkled throughout the page; you gain the added benefit of having reciprocal links exchanged with others in the process.

Developing, marketing, and selling of materials utilizing internet marketing ideas and techniques can be fun and profitable. Finding new, creative, and innovative methods for growing your internet marketing business requires some effort. Because the internet is very dynamic, you must always be well informed about the tools for promoting your internet marketing business.

You must be flexible and keen to explore possibilities and new techniques for your internet marketing business. Have fun trying different promotional strategies for your internet marketing business to see what works best for you and your products.

Source by Jeff Casmer

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Tips For Success In Internet Marketing - JOSIC - Digital Intelligence

Common Dreams

Censorship at the Border Threatens Free Speech Everywhere | By ... Common Dreams "The practice that the Trump administration is proposing to entrench and expand offends the First Amendment and the very idea of an open society, and it is a ... and more »

Excerpt from:
Censorship at the Border Threatens Free Speech Everywhere | By ... - Common Dreams

She left Poland twice. First when she went to study at the Film and TV School of the Academy of Performing Arts in Prague (FAMU) on the verge of the so-called Prague Spring. Then when she fled to France before the martial law was imposed in 1981. She always came back.

Agnieszka Holland is the living legend of Polish cinema, one who worked with Krzysztof Zanussi, Andrzej Wajda or Krzysztof Kieslowski. Just like them she is known not to shy away from exploring political and moral issuesin her films shes tackled demons from the past such as the holocaust or communist oppression.

Outside her home country Hollands worked in France, Germany, Czechia or the U.S. where she directed episodes of The Killing or The Wire next to several feature films. After Oscar nominations for 1985s Angry Harvest and 1990s Europa, Europa she has been most recently awarded The Silver Bear Alfred Bauer Prize in Berlin for her latest film, an anarchistic-feminist crime story with elements of black comedy Spoor.

In March Agnieszka Holland came back to her alma mater in Prague where she received the honorary title of Doctor Honoris Causa and on the occasion held a master class.

Read through the highlights going from her clashes with the communist regime to trying to zoom in on the House of Cards.

I believe that its the wrong choice not to get involved. Being passive means you are active against freedom. That said, artists role in society is to make art. And its up to everybody to decide what it means exactly. I dont think it should be defined and specified. An artist should make art. And if he feels like it, he can be civically or even politically engaged. But thats up to him or her. It cant be forced.

I dont care for stereotypes. What I am interested in are the people, their fate and the complexity. Some would say that Poles are like that and the Germans are like this To me the holocaust is not a matter of Jewish-Polish relations or any other relations; its a matter of humanitys experience. Its all about the moment when we were forced to look into the asshole of mankind and realized that the extent of evil in man is immense. And that everybody is capable of evil. I dont see the struggle as inter-nationalafter all the Poles for example played the roles of victims and murderers at the same time. It is definitely about the inner struggle of a man.

With holocaust films I realized people always expect their portrait to be flattering. When you take somebodys picture so that it captures what he really looked like at the moment, he wont be satisfied. Make some changes and suddenly its a good picture. But good isnt true. The highest-grossing holocaust films in Germany were always those with a good German herosuch as Schindlers List or The Pianist. They didnt want to watch films with only evil Germans in them. Its the same with every nation.

I usually talk a lot with the actorsnot just about the role, also about their life experience and all sorts of things really. Sometimes we rehearse a scene or try a little improvisation. But thats before shooting and then, if the casting is done right and the actors trust you and know what the character is about, theres no more talking. In my experience, at that point it would do no good and it would only disturb them. Of course there might be a problem with a scene or a dialog and then its my work to make things clear and better. But usually the actor understands the character more than the director or even the screenwriter so the only thing I have to worry about is not to interrupt the actors inner emotional process.

I dont think there are that many differences. Sure, the medium is different. But quality TV is pretty similar to film. You just have to construct the episodes so that the audience wants to tune in again next week. Ive always loved working for television, its not boring like theatre where you have to rehearse and rehearse forever.

Its interesting to see how popular quality TVs become and how restorative and innovative it is. It could be compared to what happened in the 19thcentury with epic novelsthey were aswell serialized and very popular, be it works of Balzac, Stendhal or Dostoyevsky. The success of quality TV shows us that two hours are not enough for epic understanding.

In the U.S. the real author of a series is always a showrunner who plans and supervises everything. Director is just a hired help, unless hes an executive producer too. So when I am working on a project like that I have to realize that my film-craft is in service of something thats not just mine and I have to forget the usual authorship. I try to deconstruct the overall style of a series and adapt. But of course its never without the ambition to try and do something different or better. When I worked on the House of Cards I always tried to do things differently, use a hand-held camera or a steadicam. I wasnt allowed! And no zoom either. The Wire was something elseI could do pretty much what I wanted and the showrunner David Simon appreciated it enough to ask me to work with him on the Treme series. That would be a nice exercise for film studentsto look for differences between episodes of a multi-director series. Because at first sight there are none, yet the styles differ.

When I came back to Poland from Czechoslovakia in 1971, it was definitely hard but it was also a time of great solidarity among filmmakers, foreshadowing the establishment of the Solidarity movement in 1980. Young filmmakers collaborated tightly with the older ones such as Krzysztof Zanussi or Andrzej Wajda. For example when the authorities were against me working on Wajdas Man of Marble as an assistant director he offered to adopt me. Even if there was censorship I remember those times as the best years of my filmmaking life. And censorship was in a way inspiring as we had to encrypt certain messages that couldnt be stated directly. In connection to that I think the Polish audience was way smarter under the Communist regime than it is nowit was capable of decrypting complex metaphors and symbols. Nowadays there are people who can react to a murder on screen as if it was sort of an instruction, something to imitate. Comfort leads to mediocrity and film is no exception.

We shot every movie knowing it can be banned or censored. There were documentary filmmakers who made five films and all of them were banned. However, I think the ban for A Lonely Woman made the film popular. Even though it was available only on illegal underground VHSes and in a terrible quality, it had a bigger audience than it would without the ban. And weve shown it at least 200 times at our apartment in Paris. Later, my brother-in-law was able to steal a film reel of A Lonely Woman from the corridors of the Polish television building and Huub Bals, the first director of the International Film Festival in Rotterdam took it to Netherlands with him. There he made a 16mm copy of the film which I could screen at festivals.

Emigration was a tragical experience for me. I didnt want it and I had to reconstruct myself. First country I went to was France. Thats where I also started shooting again and I had the opportunity to make a few feature films there. However, there still was this feeling that I am a foreigner. Like if I was invited inside but never got into the living room. My idea of storytelling was different from the French one, too pragmatic and accessible maybe, more Anglo-Saxon than Romance. I guess thats why Americans liked it and after Europa Europa I started getting offers from them. I picked a movie based on a childrens book The Secret Garden. The shooting took place in England and casting was mainly child actorsI thought that way I could work out of sight of Hollywood executives and without big stars and their big demands. Well, I was wrong. I had to fight hard to make a movie I wanted to make. And my experience with Communist censorship was very useful in dealing with studio executives. Anyway, Ive had great experience with American film crews. When shooting in Poland, Germany or France I always have to shout in order to get what I want. In America I dont even have to raise my voice.

Wajda was somebody with his antenna constantly in receiving mode. Meaning he was always looking for things to read or watch, for people to meet, for ideas. Excited about history as well as the future He took a lot from his surroundings and other people. Certain people might even call it stealing but I wouldnt go that far.

Wajda was on my mind when I went shooting winter scenes for Spoor. Everything was ready except it hadnt been snowing. And then, as we started shooting, snow started falling. Andrzej Wajda used to say that good directors have weather luck. So Ive realized Im a good director at last.MM

Agnieszka Holland held her master class as a part of the 24th International Film Festival Prague FEBIOFEST on March 24, 2017.

Originally posted here:
Exiled, Then Exalted: Agnieszka Holland on Communist Censorship, the Holocaust, House of Cards and Spoor - MovieMaker Magazine

WASHINGTON (Sputnik) Googles new fact-checking program is a bid tocontrol the news bythe old and increasingly discredited corporate-owned media establishment.

"I see this asan effort tocontrol news inthe new digital age," Executive Intelligence Review senior editor Jeff Steinberg told Sputnik.

The international fact-checking community currently consists of115 organizations, according toGoogle.

AP Photo/ Virginia Mayo, File

"The ability ofmainstream media toabsolutely control how people think and what facts they take asvalid is much more challenging thanwhen there were three TV networks and a few major daily newspapers [in the United States," he pointed out.

Steinberg expressed skepticism that the so-called "international fact-checking community" Google relied uponwas truly independent and unbiased.

"I am leery aboutthe international fact-check community withoutgetting a better idea ofwhich groups they are. I know the case ofWikipedia and their fact checkers are neocon ideologues who scrub content foranything that deeply critiques their ideology and boosts their enemies list," he said.

Steinberg cited an example a recent website that claimed toidentify "fake news" outlets.

"They noted that the only trustworthy sources of facts are the BBC [British Broadcasting Corporation], the New York Times, the Washington Post, the Wall Street Journal and NPR [National Public Radio]," Steinberg added.

University ofLouvain Professor Jean Bricmont, an eminent philosopher and author agreed that Google was likely touse the New York Times and other major establishment outlets todiscredit facts and interpretations presented byother sources and thereby severely limit freedom ofexpression.

REUTERS/ Goran Tomasevic/Files

The Western media establishment tried toclaim it was incorruptible and unbiased, Bricmont noted.

"This is all based onthe prejudice that mainstream media do not lie, do not make mistakes, do not select information, only alternative media do. This makes this fact checking a tool ofpropaganda ofcourse," he said.

However, Bricmont predicted that the fact-checking plan would fail withthe public.

"I doubt that this sort ofsoft censorship will induce them toregain faith inthe MSM [mainstream media] People do not ingeneral liketo be told what toread and people who trust alternative sites do so because they have lost trust inthe MSM," he said.

Bricmont expressed skepticism that the new Google policy would succeed instrengthening the hegemony ofthe mainstream media.

The rest is here:
Google's Fact-Checker Deemed to Give Corporate Media Power to Control News - Sputnik International