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The Kooks have previously appeared at Ibiza in 2005 and were the first band to play Mallorca Rocks when it began in 2010.

"We're well excited to be dropping into the magic islands of Ibiza and Mallorca this summer - definitely rocks," the band commented.

Jake Bugg has also worked his way up the line-up over the last few years. Jake supported Ben Howard in 2012 and headlined a year later.

This year he'll be performing in the much more intimate poolside setting of the Rocks Hotels.

"Looking forward to playing Ibiza Rocks for the third year running," Jake said. "It's always a good crowd and a great atmosphere."

Haim, The 1975, Ed Sheeran, Bastille, Clean Bandit, Lily Allen, Madness, Bombay Bicycle Club, Wolf Alice, Breton and Dan Croll are among the acts already announced as performing at series of summer events.

Ibiza Rocks 2014 Line-Up (so Far):

Tickets are on sale now at http://www.ibizarocks.com and http://www.mallorcarocks.com

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Jake Bugg confirmed for Ibiza and Mallorca Rocks

marke@sfbg.com

SUPER EGO Three signs that our nightlife spring has sprung, sure as the annual return of the swallows to Blow Buddies: the Sunset season opener party, Hard French's outdoor re-emergence, and the star-studded LGBT Center gala Soiree.

Our queer old-school soul treasure Hard French (Sat/5, 2pm-8pm, $8. El Rio, 3158 Mission, SF. http://www.elriosf.com) will pack El Rio's patio every first Saturday here on out with the joyous sounds of frugging and jiving. Later, all the drag, queer, and club luminaries will brighten up Soiree (Sat/5, 6:30pm-midnight, $95. City View, 135 Fourth St, SF. sflgbtcenter.eventbrite.com) the proceeds go for job and economic skills training for LGBT youth, many of them homeless. This year's theme is "A jazz tribute to the Beat generation," so don't forget your beret and bongos. Performances galore.

Sunset (Sun/6, 11am-7pm, $5$120. Stafford Lake Park, Novato, http://www.tinyurl.com/sunsetopener2014) is one of our most storied party crews this is its 20th anniversary. And the huge, yearly season opener blast is like one big, very big, family picnic. There are rave babies, and their own rave babies! And thousands of smiles. And of course special surprise guests and a raging afterparty back in the city. Bring your picnic basket.

Good ol' four-on-the-floor house, with a bit of ethereal heft behind it, from this prominent, hunky New York DJ. With the UK's Leon Vynehall, whose glorious "Step or Stone (Breath or Bone)" was one of the best tracks of last year.

Fri/4, 10pm-3am, $10$15. Public Works, 161 Erie, SF. http://www.publicsf.com

One of our own, coming up fast with his Sooo Wavey label and housey Sade edits. He's at one of our sweetest (and least expensive!) parties, Push the Feeling, with local player Cherushii, whose excellent recent Queen of Cups EP can get anyone moving.

Sat/5, 9pm, free before 10pm with RSVP online, $6. Underground SF, 424 Haight, SF. http://www.do415.com/pushthefeeling

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Frankie Knuckles Live @ The Warehouse - 28-08-1981 by R_Co on Mixcloud

Knuckles created a number of dance classics in his own right, notably Your Love (1986), Baby Wants to Ride (1987) and the famous remixes of Chaka Khan's Ain't Nobody (1989) and Sounds of Blackness's The Pressure (1992).

Knuckles began hitting legendary New York clubs The Loft, Sanctuary and Better Days as a teenager and by the mid-Seventies was DJ'ing himself. With his friend Larry Philpot, he worked at two of the most important early discos, the Gallery and the Continental Baths - a multi-room gay bathhouse on Manhattan's West Seventy-fourth street.

By 1977, Knuckles had moved to Chicago and opened his own club, The Warehouse. A unique building on South Jefferson St, the venue would be where Knuckles began honing his own signature style and sound.

At a time when tracks from the Saturday Night Fever soundtrack were saturating the clubs, Knuckles was spinning tunes from independent labels like Salsoul and using reel-to-reel tape machines to re-edit his favorite tracks to extend grooves for the dance-floor.

Frankie Knuckles - WBMX Friday Night Jams 1986 by Sarah Davies on Mixcloud

Knuckles became so hugely popular at the Warehouse that - initially a members-only club for largely black gay man - it began attracting new crowds and the membership scheme was scrapped. Knuckles left in 1982 and opened the Power Plant a few months later.

In 1985, Knuckles made his first recording with singer-songwriter Byron Walford, aka Jamie Principle. The pair's early tracks were recorded in the Power Plant's DJ booth though they soon graduated to local studios. Several of their creations wound up at local label Trax Records, one of the most influential labels on the house music scene.

In the summer of 1987, British DJ's - including Paul Oakenfold - travelled to the open-air clubs of Ibiza and were turned onto a new style of DJ performance. It birthed the idea of the 'rave' in the UK, with the likes of Oakenfold and Danny Rampling typically playing in huge warehouses or open fields. Knuckles wasn't interested and instead took residency in New York clubs the World, the Roxy, the Sound Factory and Sound Factory Bar - teaming up with Judy Weinstein and fellow DJ David Morales to form Def Mix Productions.

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Frankie Knuckles, The Undisputed Pioneer of House Music, Dies Aged 59

hide captionFrankie Knuckles in 2007.

Frankie Knuckles in 2007.

Frankie Knuckles, a legend in the world of dance music and one of the inventors of house music, a steady, beat-driven style played in nightclubs all over the world, died unexpectedly at his Chicago home on Monday. He was 59.

By the mid-1990s, house music was so mainstream that a song by Frankie Knuckles was played in a commercial for Lipton Iced Tea. But it wasn't always that way. Knuckles, born Francis Nicholls in the Bronx, started in the dance music underground. When he was just 18, he got a job as a DJ at a major destination for gay men the Continental Baths in Manhattan. That's also where Bette Midler and Barry Manilow got their starts. In an interview with the BBC two years ago, Knuckles described it as a world unto itself.

"It was more than just a bath house," he said. "There was a boutique. There was an Olympic-sized swimming pool. There was a theater room. There was a salon."

And a dance floor where Knuckles worked eight-hour shifts.

"A lot of people would check in on Friday night and they wouldn't check out until Monday morning," Knuckles said. "They were on their way to work."

Knuckles' signature sets were not about explosive non-stop energy. He structured them, he once said, like stories with internal logic and a certain moody momentum.

Though he got his start in New York, Knuckles became one of the faces of dance music in another city: Chicago. He moved there in his 20s and quickly began working at a new club.

"He was the main DJ he was the only DJ at a club called The Warehouse," says Charles Matlock, another Chicago DJ, who spoke to NPR last year about the origins of Chicago house. "That club ended up lending its name to this genre of music."

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Dance Music Legend Frankie Knuckles Dies At 59