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A romance on the rack

The real thing?: Robyn Windshuttle with Daniel and their son Danielito. Photo: courtesy of Allen and Unwin

Robyn Windshuttle recalls her long affair with a man who was charming, charismatic ... and a major cocaine dealer.

On my very first day in Paris, I met Daniel, a tall, dark, handsome, charismatic Colombian man 10 years older than me. He told me he was a professional photographer and had an impressive Nikon camera as evidence.

The moment I set eyes on him, I sensed instinctively, if fleetingly, that I should remain wary of him. His dominating presence and radiant smile struck me immediately, but his strong, masculine face and his intense, intimidating glare scared me a little. At that first encounter Daniel introduced me to cocaine.

It was 1976 and I was 21 years old. I was a professional dancer, on my way to Portugal with the Bluebell Girls for a summer season at Casino Estoril. I was in Paris for four weeks' rehearsal and it was absolutely stunning that day, all abloom with the scent of spring. I never imagined a city could be quite so breathtaking and I was overjoyed to be there. As far back as I can remember I had big visions about life - of travel, of dancing my way around the world. I yearned for adventure and had a bristling curiosity about life beyond the confines of bland suburbia. And there I was, living and working in a culturally sophisticated world far away from the pristine environment of Sydney's northern beaches, where I grew up.

During those rehearsal weeks in Paris, Daniel and I gravitated toward each other steadily and unavoidably. His affection for me was seductive and tantalising. Our love grew thick and fast; our desire for each other was insatiable; our erotic play steamy, lascivious and sensual. We lived like rock stars, zooming around in prestige cars, holidaying in the south of France, shopping at haute couture boutiques, dining in exclusive restaurants and partying all night at fashionable clubs. Daniel showered me with expensive gifts; gold, diamonds and a Russian wolf-fur coat. I lapped up the glamorous life we were living and his adoration for me.

Eventually it became apparent that the Nikon was not his main source of income, as I first thought, but I didn't see Daniel, or the cocaine-fuelled party lifestyle we were leading, as being bad for me.

In the '70s, cocaine was the party drug of the elite. We kept the company of high-profile lawyers, Swiss bankers, realtors, actors, painters, photographers and models. There was nothing remotely boring about our lives. Everyone wanted cocaine and Daniel and his Colombian compadres had the goods. Cocaine was easy money that came from the fincas in the mountains of Colombia, where poor farmers were paid to work fields and fields of coca bushes.

Interlaced with the extraordinary routine of our lives, I continued to dance professionally and was fortunate to get work in theatre and cabaret all over Europe, including the most prestigious cabaret of all, the Moulin Rouge. The Moulin's international reputation assured a full house every night and it was enormously gratifying to dance on that world-famous stage, awash with spectacular plumage, diamants and exotic costumes, and to hear the roar of applause. I was thrilled, excited and proud to be there. From there, my life with Daniel lurched forward. I was beguiled by my new sophisticated lifestyle and his lavish attention, although he fretted that my unpretentious manner made me vulnerable and drilled me intensely about the way in which I should present myself. Under the guise of love he subtly began to undermine my sense of self-worth. Unwittingly, I allowed him to manoeuvre me into a subordinate role.

Four years later we had a son, Danielito (little Daniel), but our blissful union began to fracture. While I immersed myself in the joyful tasks of mothering, Daniel continued his cocaine-charged social life. He began to leave me alone for long periods of time. Doubts about his fidelity gnawed away in my head. His occasional dalliances with other woman progressed to unbridled infidelity. On one occasion, I was stalked by one of his conquests, a trashy blonde who foolishly assumed she could insinuate herself into our lives. I responded with bilious fury and punched her in the face when she got too close. Disenchantment with the life we were living began to weigh heavily on me and I felt foolish to have fallen prey to such a powerful romantic infatuation.

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A romance on the rack

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Historic London skatepark saved from retail redevelopment

Southbank Undercroft

The iconic skate park has been saved from becoming yet another conclave of chain restaurants

The culture wars are over -- and skateboarding has won. London's Southbank Undercroft, one of the UK's most historically important skate areas, has been saved from being "redeveloped" into another conclave of chain restaurants and retail outlets.

The 17-month battle between the management of the Southbank Centre and Long Live Southbank (LLSB) -- an activist group comprised of the skaters, BMXers, graffiti artists and other lovers of urban culture that call the undercroft a second home -- has come to a surprising end: everyone wins. Both factions have settled and withdrawn respective legal actions, with the result being the skate park remaining as and where it is, while the Centre renovates its Queen Elizabeth Hall, Purcell Room and Hayward Gallery without evicting the skaters.

"Following talks that have taken place over the last three months, Long Live Southbank and Southbank Centre are delighted to have reached an agreement that secures the Queen Elizabeth Hall undercroft as the long-term home of British skateboarding and the other urban activities for which it is famous," the Long Live Southbank campaigners announced. "The agreement has been formalised in a binding planning agreement with Lambeth Council. In the agreement, Southbank Centre agrees to keep the undercroft open for use without charge for skateboarding, BMX riding, street writing and other urban activities."

The Southbank undercroft has been the home of British skateboarding for over 40 years. The area itself is something of an accident of architecture though, the result of several surrounding developments and elevated concrete walkways birthing a space that came to be perfect for skating. Pro skateboarders including Nick Jensen and Geoff Rowley are lovers of the spot, and the location has even made its way into the Tony Hawk's Pro Skater video game series -- Hawk himself being another famour skater who called for the undercroft to be saved.

Although Southbank Centre had proposed moving the skaters 120m along the Thames, offering a purpose-built skate park under Hungerford Bridge, Lambeth Council received over 27,000 complaints at the suggestion. Even London Mayor Boris Johnson, who's likely never even gingerly placed a single foot on a skateboard, objected to the park being relocated.

The movement to save Southbank has been a true example of grassroots activism, and the victory against far richer and more powerful organisations is as historical as the skate park itself. Largely guided by film maker Henry Edwards-Wood, the LLSB campaigners had publicised their plight online, produced documentaries, and gotten all walks of London's community involved in efforts to save the small but beloved patch of concrete. The result has been a win for culture over capitalism, with the Southbank Centre dropping its challenge to the registration of the undercroft as an "asset of community value", and LLSB abandoning its application for village green status for the undercroft.

Lib Peck, Leader of Lambeth Council, which has had to evaluate all the planning applications, protests, and cultural considerations on both sides, said "I'm pleased that Lambeth Council was able to work with both sides and find an imaginative solution to resolve this. Shared public space in London is precious and Southbank Centre is a great asset to the country's cultural life. This agreement is a sensible way of protecting both and we can all now look forward."

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Historic London skatepark saved from retail redevelopment