Questions of censorship raised as Dubai expo shows just top of David statue replica – The Globe and Mail
A 3D reproduction of Michelangelo's David is on display at Italy's pavilion of the Dubai Expo 2020, on Oct. 1.
Kamran Jebreili/The Associated Press
One of the most talked about attractions at the worlds fair under way in Dubai is a towering statue made of marble dust thats raising eyebrows just as the original did more than 500 years ago.
At Italys pavilion, a 3D replica of Michelangelos David stands tall, his gaze intense and defiant. For most visitors, though, Davids head is all they will see as they tour the pavilion. Only VIPs with special access will be able to catch a view of the statue from head to toe while its on display for the next six months at Dubais Expo 2020.
The original David is nude and some visitors see the limited view offered as a form of censorship. Others say the way David is displayed at the Expo is a form of artistic expression.
Story continues below advertisement
It is no coincidence that David is not seen from the bottom to the top, as it normally is, but it welcomes people by looking at them in the face, said David Rampello, the director of art at the Italian pavilion.
An art historian in Rome said choosing who can view the statue in full and who cannot creates a hierarchy.
What the rich, the great and the good can see and what the ordinary folk can see shouldnt be two different things, said Professor Paul Gwynne, who teaches medieval and renaissance studies at the American University of Rome.
It took a team of Italian experts 40 hours of digital scanning to create the replica, made with what organizers describe as one of the worlds largest 3D printers. Artists used filaments from recycled plastic material, then a mix of resins and marble dust to create it.
At its home in Florences Galleria dellAccademia since 1873, the original David draws gasps from onlookers to this day. Michelangelos mastery and his passion for human anatomy, from the contracted muscles of Davids abdomen to the flexing of his right thigh muscles, make the piece unforgettable for those looking up at the towering work of art.
In Dubai, those details get lost. David stands in the centre of a narrow octagonal shaft, presented from his chest up and surrounded by replicas of Roman columns. Visitors in the public area can see parts of Davids torso if they lean over a railing.
The rest of his body sits inside a clear partition on the separate floor. His genitals and buttocks find themselves between the floors, though fully visible if an onlooker stands near the partition and peers up.
Story continues below advertisement
That position drew the ire of a La Repubblica reporter writing on Expos opening.
Why cant you see the whole body of the biblical hero, because you only see the head, the magnetic eyes staring at you silently? And where is the rest? an article in the daily newspaper read, at one point referring to Davids beheading.
Davids nudity has been part of a centuries-old debate about art pushing boundaries and the rules of censorship. In the 1500s, metal fig leaves covered the genitals of statues like David when the Roman Catholic Church deemed nudity as immodest and obscene.
Nudity even bumps up against mores in the modern era. Controversy erupted in 2016 when officials erected wooden panels to shield nude statues at Romes Capitoline Museums during a visit by Irans then-President Hassan Rouhani. That spurred some politicians to accuse the government of caving in to cultural submission though Rouhani himself thanked Italians as being very hospitable people when asked about the gesture.
In the wider United Arab Emirates, a few nude artworks can be seen at the Louvre Abu Dhabi, though the museum largely caters to more conservative pieces.
Expo visitor Calli Schmitz from Germany she said she didnt think the way the replica was displayed at the Expo did it much justice.
Story continues below advertisement
I think it was not as exposed as it should have been, she said. I think because of the gold everywhere, people did not really realize it was the statue of David.
Italian visitor Ricardo Mantarano offered another take.
Its a different way of approaching the same sculpture and putting it in another perspective, he said.
Dinara Aksyanova, a 31-year-old visitor from Moscow, however, wasnt as forgiving.
Why was it only half? It makes no sense, she said. The most interesting part is underneath.
Sign up for The Globes arts and lifestyle newsletters for more news, columns and advice in your inbox.
Original post:
Questions of censorship raised as Dubai expo shows just top of David statue replica - The Globe and Mail