It’s easy to become an enemy of the people when speaking truth in historic drama, and today – The Conversation CA
A doctor speaks about events they think will put public health at risk. Instead of responding with gratitude, political officials seek to silence and discredit the doctor. Is this in China, the United States, Canada or a small Norwegian town in Henrik Ibsens 1882 play An Enemy of the People?
These are extraordinary times that require us to come up with new ways to understand and tackle social, economic and health crises. But we can also look to literary texts to help us engage critically with complex social challenges and guide our thinking.
Ibsens play is a telling example of how revisiting classic literature can offer timely, prescient and compelling insights of enduring value. In the play, the character Dr. Stockmann goes public after he discovers that lucrative baths are polluted with a dangerous bacterium. The wrath of town officials and businessmen is swift and fierce.
In December 2019, Chinas Dr. Li Wenliang and his colleagues were among the first to recognize a dangerous new virus. Li was detained and interrogated by local officials for sharing news of the virus through social media and tragically died from the coronavirus on Feb. 7.
Li became a global symbol for how inconvenient expertise may be silenced, although he was posthumously exonerated. National authorities designated him as a martyr the highest official title that can be assigned to a citizen in China who gives their life in the service of the country.
Recently, on this side of the Pacific Ocean, similar patterns have emerged, minus the martyrdom.
In the U.S., Dr. Rick Bright, director of the Biomedical Advanced Research Development Authority (BARDA), had been presiding over the development of a COVID-19 vaccine and was re-assigned.
Bright filed a whistleblower complaint against the Trump administration, alleging that leaders at the Department of Health and Human Services ignored his COVID-19 early warnings. He also said he was fired because he resisted promoting hydroxychloroquine and chloroquine as cures.
Brights description of a political culture that favours politics and cronyism over science is the latest evidence that American experts and authorities are not insulated from the vulgar and avaricious reach of the Trump administration. And its here that Ibsens classic presents the clearest analogue to this historical moment.
Bright is a respected, mid-career medical authority who held wide influence over U.S. public health policy, in a similar way as Stockmann does in Ibsens fictional Norwegian town. Brights soft-spoken demeanour differs from Stockmanns more abrasive tone, but the two share a commitment to professional integrity, accountability and the public good that put them at odds with political leaders who prioritize profits over human health and safety.
In the play, Stockmann writes an article for the towns newspaper revealing the state of the baths to the public. When the towns mayor gets word of the forthcoming public disclosure, he immediately confronts Stockmann and implores him to reconsider. The mayor promptly informs the doctor that repairs to the baths would have crippling costs, take two years to complete and destroy the towns economy. The mayor desperately offers that perhaps the situation is not as bad as you represent
Stockmann has a disquieting response:
I tell you it is even worse or at all events it will be in summer, when the warm weather comes.
The mayor ultimately uses his connections and influence to stop the articles publication. In the plays climax, Stockmann opts to reveal the truth at a town hall. His message is received poorly by the audience and he is promptly fired and labelled an enemy of the people.
Similarly, Brights recent congressional testimony warned that America faces the darkest winter in recent human history. One key difference is that Brights voice was not silenced by the media. And while Bright lost his job, his testimony has been positively received by the American public.
At the same time, the politicization of the pandemic has rendered him a target of the rights culture wars, as the debate over economic closures, death counts and now mask-wearing intensifies.
Similarly, the right has recently repudiated Dr. Anthony Fauci as an agent of economic destruction. Faucis implicit and explicit rebukes of Trumps erratic reopening plans have attracted the ire of the reactionary right and of the president himself.
Crucially, Trump has repeatedly used the phrase enemy of the people to attack critical journalism; now the same phrase has been heard at an anti-lockdown protest.
Right-wing networks and advocacy groups are also supporting open the economy protests. Some protestors have accused government or hospital authorities of fabricating the crisis and health-care workers of being stand-in actors. Such tactics are akin to excoriating people in public service as enemies of the people.
In Canada, Conservative MP Derek Sloans racist attack on Dr. Theresa Tam, Canadas Chief Public Health Officer, provides another example of the political subversion of expertise that is at the fulcrum of Ibsens play.
Racialized challenges to experts and reopening-the-economy protests dominated by white people who wield guns and hold racist symbols are about re-affirming white supremacy and defending an inequitable and unjust status quo.
Read more: Inquiry into coronavirus nursing home deaths needs to include discussion of workers and race
So, what then can we learn from this 19th-century play about how to move forward?
At the end of the play, Stockmann rededicates himself to education in the hopes of winning future battles for the public good. He announces to his family hell start a progressive school at the site of his public debasement the town hall to teach the next generation to reject the towns petty thinking and corruption.
This is noteworthy. Li, Bright, Fauci and Tam have educated the public through their public commentary, testimony or actions, in addition to providing scientific expertise. Fauci, for instance, has publicly committed to wearing a face mask to model responsible behaviour and Tam has patiently explained evolving guidelines in Canada on wearing masks.
In turn, we all ought to recommit ourselves to formal and informal education that emphasizes responsible citizenship, the value of inclusive but rigorous knowledge and the importance of collaboration and, at times, personal sacrifice in the interest of the common good.
Such steps are essential to resisting the plague of neoliberal economic expediency and competitive individualism that endangers so many aspects of our social and environmental life. And perhaps now is also an ideal time to be reading and teaching more Ibsen.
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