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The study of censorship blossomed in the mid-1960s, amidst broader cultural and political changes. In the United States, this occurred at the same time that the long-running, self-regulatory Production Code was winding down to be replaced by a Ratings Code in 1968 that is still in use. Carmen 1966 surveys legal decisions up to that point in the United States, Randall 1968 looks closely at the functioning of city and state boards in the United States, while Hunnings 1967 offers a more comparative study (one of the few in studies on censorship, and this is something of a lacuna in current scholarship). The study of legal decisions in the United States is pursued in more recent scholarship: Jowett 1990 offers an excellent overview, DeGrazia and Newman 1982 gives details of a number of court cases (the former was a lawyer actively involved in censorship cases), and Wittern-Keller 2008 helpfully examines the long history of the legal record, using the files of state censors. The broader contexts for battles over the cinema and the functioning of self-regulatory bodies are addressed in two excellent collections of essays: Bernstein 1999 focuses on Hollywood before the 1968 Ratings Code went into effect, and Couvares 2006, an essential collection, covers a longer history, beginning with the emergence of cinema and culminating with the so-called culture wars of the 1980s.

Bernstein, Matthew, ed. Controlling Hollywood: Censorship and Regulation in the Studio Era. New Brunswick, NJ: Rutgers University Press, 1999.

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Very useful collection that carefully gathers together a number of previously published essays, combining them with two newly commissioned pieces, to examine movie censorship in the United States from the Supreme Courts important 1915 decision on the legitimacy of state censorship to the emergence of the Ratings Code in 1968.

Carmen, Ira H.. Movies, Censorship and the Law. Ann Arbor: University of Michigan Press, 1966.

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Account of significant court cases in the United States and the impact of these on the existence and functioning of various city and state censor boards operative in the 1960s.

Couvares, Francis G., ed. Movie Censorship and American Culture. 2d ed. Amherst: University of Massachusetts Press, 2006.

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Couvares insightfully situates movie censorship as a central node within broader culture warsbattles about defining cultural value and deciding what is legitimate to see and hearthat are connected to questions of hegemony and power. Essays examine examples from the United States across the 20th century and are the best point of entry for undergraduate and graduate students.

DeGrazia, Edward, and Roger K. Newman. Banned Films: Movies, Censors, and the First Amendment. New York: R. R. Bowker, 1982.

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Overview of movie censorship that also includes a useful detailed account of 122 court cases involving the censorship of films in the United States from 1908 to 1981.

Hunnings, Neville March. Film Censors and the Law. London: Allen and Unwin, 1967.

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The material here on the emergence and functioning of censorship in Britain is useful, but the book is most valuable for the chapters on the history and (then) contemporary functioning of censorship in other countries, including the United States, India, Canada, Australia, Denmark, France, and Soviet Russia.

Jowett, Garth. Moral Responsibility and Commercial Entertainment: Social Control in the United States Film Industry, 19071968. Historical Journal of Film, Radio, and Television 10.1 (1990): 331.

DOI: 10.1080/01439689000260011E-mail Citation

Good overview of the censorship situation in the United States until the late 1960s by a significant media historian.

Randall, Richard. The Censorship of the Movies: The Social and Political Control of a Mass Medium. Madison: University of Wisconsin Press, 1968.

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Randalls book delineates the legal contexts and the procedures of state and city prior restraint censorship, as well as more informal mechanisms, as they operated in the 1960s. Written amidst the broad social, cultural, and political changes of the 1960s, the book was published the same year the Ratings Code went into effect.

Wittern-Keller, Laura. Freedom of the Screen: Legal Challenges to State Film Censorship, 19151981. Lexington: University Press of Kentucky, 2008.

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Wittern-Keller outlines the judicial attitudes toward film censorship and the responses by individuals and the film industry as they sought to challenge legal restrictions.

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Censorship - Cinema and Media Studies - Oxford ...