Image via Wikimedia Commons/Francesa      Lissoni    
    In 2011, asurvey    report by the Wikimedia Foundationput numbers behind    what many had long suspected: Wikipedia is largely the product    of cis white men.  
    The survey found that only 8.5 percentof Wikipedia    editors identify as female, and less than 1 percentas    transgender. The startling report echoed the conclusions of    researchers at the University of Minnesota, who found that this    lack of diversity among editors creates noticeable content    disparities: Wikipedia articles on topics that are typically    gendered as feminine tend to be shorter and less developed than    articles on subjects related to men, and women artists are less    likely to have lengthy, in-depth entries on Wikipedia.  
    More recently,The Atlanticreported    onmale editors harassing female colleagues, and noted    that many women feel unwelcome due to content thats hostile    toward them. (Movie entries, for instance, often refer to rape    scenes as sex scenes or even making love.)Meanwhile,    internal efforts at Wikipedia to fix the gender gap have, by    admission of the sites own founder,completely    failed.  
    And gender imbalance isnt Wikis only problem.  
    The racial demographics of Wikipedia editors remain under    studiedthe Wikipedia page for Wikipedians doesnt address    race at all under its demographicssectionwhich is    itself rather alarming. But the Wikimedia report does note that    Wikipedia editors are disproportionately from countries in the    Global North, largely North America and Europe.  
    Content disparities further suggest that editors often overlook    the narratives of people of color. Wikipedia lacks entries for    many notable people of colorfor example, only nine of    Haitis 37 first ladies have Wikipedia articles, whereas all 45    first ladies of the United Stateshave entries. Similarly,    the entry for theHistory of    Montana(with 90 citations) is far longer and more    thorough than that oftheHistory of    Botswana(3 citations). Other prominent people of    color lacking Wikipedia articles includeJudy    Juanita, a novelist and playwright who served as editor in    chief of the Black Panther Party newspaper in the late    1960s;Milton    Allimadi, publisher and CEO of TheBlack Star    News; and Zambian-born writer and graphic    novelistEfemia Chela,    who was nominated for The 2014 Caine Prize For African Writing.  
    Considering that Wikipedia receives273    million page views perday, these disparities matter,    ensuring that a large swathe of the population is exposed to a    very limited view of the world.  
    Fortunately, activists are working to correct this lack of    representation by writing women and people of color into    Wikipedia.  
    It may seem counterintuitive to use Wikipedia as a platform for    activism. After all, according to the sites owncommunity    guidelines, articles must be written from a neutral point    of view and shouldavoid    advocacy.But given the sites popularity and    crowdsourcing model, its also an ideal way to broaden the    artistic canon that so often excludes women andpeople    of colorespecially in the current political climate.  
    In 2014, Wikipedias potential as a tool for change inspired a    group of artists, academics, and activistsSin Evans,    Jacqueline Mabey, Michael Mandiberg, and Laurel Ptakto    launch Art+Feminism, an organization dedicated to increasing    the visibility of marginalized artists by expanding and adding    Wikipedia entries related to feminism and the arts.  
    Since then, Art+Feminism has been working to reshape    Wikipedias demographics and content by hosting edit-a-thons,    events that encourage people of all genders to edit the site.    In the last three years, Art+Feminism has hosted more than 280    events around the world, welcoming anyone and everyone    interested in learning more about editing Wikipedia, regardless    of experience, gender, or background.  
    The organizations founders believe that editing Wikipedia can    be an empowering act. Mandiberg, who had taught Wikipedia    editing to his students at CUNY, found that collaborating on    editing stubsunderdeveloped articles lacking citations and    detailed informationwith experienced Wikipedians showed    students just how valuable their knowledge could be to a wide    community of readers.  
      Art+Feminism event in Lima, Per (Image      via Wikimedia Commons/Lapalabranecesaria)    
    This March, I attended Art+Feminism Wikipedia Edit-a-thon at    the Modern Museum of Art Archive andLibrary in New York,    where community membersmost of them womengathered for a    day of trainings and panels. Throughout the day, volunteers    from Interference Archive, a group that studies how art and    culture intersect with social movements, andAfroCrowdand Black Lunch    Table, organizations that host Wikipedia Edit-a-thons focused    on increasing the visibility of black people and people of    African descent, led break-out sessions and discussions.  
    Arriving in the librarys airy lobby, I registered, made a name    tag, and picked up a badge showing a version of the woman power    symbol with the raised fist wielding a paintbrush, then joined    the other attendees loitering by the coffee stationmost of    whom were women.  
    Most of the people I met at the edit-a-thon, like me, had never    edited Wikipedia before. Many seemed to have arrived almost by    chance;one student told me shed decided to join the    event after attending a panel on feminism the previous    week.Later, I spoke with an illustrator who had spotted    the event on Facebook, or maybe Eventbrite. Many of the women I    met with told me they were seeking out new forms of activism in    the months following the election and the Womens March. Darla    Elsbernd, an architect who I spoke with during lunch, told me,    It seemed to be the right time to take action and get involved    in a meaningful way. This idea was echoed in a statement from    Art+Feminisms current lead coordinators, Evans, Mabey,    Mandiberg, and Mckensie Mack, who told me:  
      When you have a government actively pushing alternative      facts, improving the reliability and completeness of      Wikipedia is an important act of everyday resistance. And      people seem to recognize this and responded to our call to      action.    
    I was surprised to discover that many of the event    participants, including Art+Feminism co-founder    SinEvans, were librarians. Academics often regard    Wikipedia with suspicion, and many students are taught never to    use it. (In high school and college, I had been vehemently    warned away from Wikipedia by teachers, librarians, and    professors.) But many librarians and academicsat least those    involved with the edit-a-thonexpressed a different view.  
    As I sipped my coffee at the event, I found myself chatting    with Helen Lane, an Emerging Technologies Librarian at the    Fashion Institute of Technology, who uses Wikipedia to teach    students how to conduct research and think critically about    sources. Lane asked, What better way to teach research and    critical thinking skills than to have students research and    write articles that require citations from verifiable sources    and which undergo a very public peer-review process?  
      Art+Feminism event in Taiwan (Image via      Wikimedia Commons)    
    In the past two years, Lane has hosted two edit-a-thon events    at FIT, one inspired by Art+Feminism and one officially    affiliated with the organization. Her aim in hosting the    events, she said, was to encourage our mostly female student    body to engage with technology. Lane values Art+Feminisms    mission, in part, because her work as a librarian has shown her    how gender bias has historically led to the devaluation of    fields like fashion history. She explained:  
      It was considered, until a few decades ago, a frivolous,      feminine topic not worthy of academic pursuit. This could      even be seen in the collection policies of major university      libraries. Why hold on to old copies of Vogue? Be sure to      weed out the old books on beauty when the featured makeup      trends pass. In the case of fashion and costume history,      however, I think that academia is ahead of Wikipedia in its      serious coverage of the topic.    
    Wikipedias crowdsourcing model gives it the potential to cover    topics that have been marginalized in traditional academia.    Unfortunately, as Lanes comments on fashion history show, that    potential remains largely unfulfilled. Wikipedias gender gap    has led to the replication of gender biases in academia and    traditional publishing on Wikipedia. During the training    session I attended, Evans explained that community guidelines    ask editors to flag and delete entries that do not adequately    cite third party sources that are considered reliableand    even on Wikipedia, reliable generally means mainstream. As    a result, entries for women and minority artists who have not    been reported on by mainstream publications or referenced in    multiple peer-reviewed works are at risk for deletion.  
    At the same time, some argue that Wikipedias anonymous,    crowdsourcing model is detrimental to the work of women and    minority scholars. Lane told me:  
      The most resistance I have received at FIT to my      involvement with Wikipedia Edit-a-thons has come from an      individual who had to fight to be recognized as a scholar of      merit because she was a woman and because her field of      research is costume and textile history. She is deeply      offended by the idea that anyone can write for Wikipedia and      that the entries are anonymous, because she feels that it      undermines the work of women who are fighting to be      recognized as authorities and scholars. I actually understand      where shes coming from. Its too bad she wont join us. We      could use her knowledge.    
    I have to wonder if Lanes colleague has a point; too often, in    academia and in so many other aspects of our society, the    contributions of women and people of color go unnoticed or    overlooked. Its a privilege to be able to afford to volunteer    ones work (and editing Wikipedia articles certainly is work)    without any kind of recognition. And yet, Im also drawn to the    notion that Wikipedia can be a platform that makes the stories    of marginalized people more visible.  
    Art+Feminism is still growing and developing as an    organization. In a joint statement, the organizations lead    coordinators told me, We believe that feminism is praxis,    ideas enacted as an everyday ethical practice, and part of that    practice is constant reflection. The organization is committed    to intersectional feminism, and this year, with the support of    a $100,000 grant from the Wikimedia Foundation, it has expanded    its leadership team with the intention of becoming more    international and inclusive. Consultants Daniela Capistrano and    Brittany Oliver are working with Art+Feminism to improve    outreach to queer communities and communities of color across    the United States,and Art+Feminism now has project    ambassadors based around the United Statesand in Ghana,    Peru, Canada, and Europe.  
    There is no doubt in my mind that edit-a-thons are making a    positive mark on Wikipedia. Over 2,500 participants at more    than 200 events around the world participated in Art+Feminisms    fourth annual Wikipedia Edit-a-thon, creating or improving    nearly 6,500 articles on Wikipedia, almost twice the output of    the 2016 events.  
    Though anyone with an internet connection can edit Wikipedia,    such events create a sense of camaraderie and purpose among    individuals who might not otherwise become Wikipedians.    Wikipedias power as a tool for activism lies in its    crowdsourcing model. As Art+Feminisms lead coordinators told    me, Wikipedia is something that belongs to all of us.  
    This piece is published in partnership withThe    Establishment.  
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How Activists Are Diversifying Wikipedia One Edit At A Time - GOOD Magazine