Archive for the ‘Jordan Peterson’ Category

Jordan Peterson is the Red Skull: Secret Wars – Book and Film Globe

In the 25th issue of Ta-Nehisi Coates run as the writer on Captain America, a side story follows the main event where the titular superhero speaks at the funeral of a Korean immigrant lawyer named Sung Jin Jeong. The story of the humble lawyer falls somewhat afoul of stereotypes, leaning rather heavily on the antiquated overqualified immigrant trope and not really using an appropriate ethnicity for that kind of story besides, given that South Korea is a developed democracy with an infamously byzantine legal code.

But for this brief story, Coates nevertheless does a good job staking out his ideal vision of what the United States is and should be. Then, a mere three issues later, we get the surreal visual of Red Skull corrupting the youth with a Jordan Peterson-style media empire.

Such is the great irony of our social media moment, when Peterson reacted with bewilderment on Twitter when a fan informed him of the comic in question. Ta-Nehisi Coates and Jordan Peterson were two of the more important political thought leaders of the teens, but no one would have expected their names to come up simultaneously in this, of all contexts. The shock would be particularly harsh for those who havent been paying attention to them for the last few years. Coates went from meditating on race in The Atlantic to writing superhero comic books. Peterson went from a conscientious objector on the topic of referred pronouns to a self-help guru. So why are they having a spat now?

The answer is more intuitive than you might expect. Both men are still hard at work in the culture war, theyre just doing so from a passive angle now. Coates works in comics because of the abiding belief in liberal circles that pop culture is a direct influence on proper culture, and that social-justice-oriented themes can trickle down to the masses. Peterson has a more direct approach. He observes that people in the United States, and young people in particular, are quite depressed. So he puts out motivational videos and encourages his fans to build up their self-esteem.

His famed 12 steps involve such harmless platitudes as trying to be articulate, making supportive friends, and telling the truth. This aspect of Petersons career is quite unobjectionable on its own. To liberals, the main charge that can be leveled against Peterson is that he uses his genuinely good life advice as a Trojan horse to infect the masses with objectionable right-wing beliefs.

So its easy to see how Coates ended up concluding that turning Red Skull into a Peterson-esque figure was socially relevant, absurd though that idea may seem out of context. But even in the context of his Captain America series, which has visited this theme previously in less bombastic ways, the delivery has fallen flat. With Red Skull previously in the background, Selena Gallio had emerged as the previous high-profile politically themed villain. A nigh-immortal psychic with vampiric abilities, her master plan involved building a cult styled on the old America and farming the gullible humans who joined up for their life energy.

The people who populate this outland village are an obvious template for economic anxiety. They bemoan their lack of opportunities and are grateful for having the chance to just do hard work in a larger community. All of the various normal people who have been turned against their own interests by the villains in Coates Captain America run are like this. The closest Coates gets to convincingly representing them as bad people is via obvious toxic masculinity. They resent the fact that they cant protect their women, or that women have to do the fighting for them, and can even be seen attempting to beat women up.

Coates likely wrote this ambiguity intentionally, to try and avoid overly demonizing his subjects. The problem is, as the absurd Red Skull Peterson climax demonstrates, this has created a world where encouraging people to try and take their life in their own hands and show initiative is evil. Captain America and his superhero co-stars are both incapable of and apparently completely disinterested in trying to push a competing vision.

In all fairness, given that Captain America came out as a Nazi prior to Coates run, their incompetence in this regard is understandable. This too can work at cross purposes. One economically anxious character cites watching helplessly as HYDRA marched through the streets to show his frustrations with the apparent impotence of modern American culture. Its clear that whatever supervillain people end up rallying behind, the chief motivation is less the charisma of the supervillain and more the general despair of everyday life.

Despite framing the ideas these people have for self-improvement as based on displaced nostalgia, Coates himself engages in far greater whitewashing of the past crimes of the United States than the antagonists of his own comic book. Coates introduces the Daughters of Liberty, a group of women from the eighteen century inspired by Enlightenment ideals to fight for freedom. This also includes freedom for slaves, with Harriet Tubman appearing as a member.

Coates should know better than to suggest that liberal thought of the 18th century was conducive to anti-slavery, given how the practice flourished under the watchful eyes of its biggest proponents. Harriet Tubmans own sense of purpose widely understood to derive from her religious conviction, with the Underground Railroad relying heavily on people with more loyalty to God than the United States government.

While Coates is comfortable calling certain idealogues wrong and even expressing sympathy for them, hes frustratingly vague as to what is right. At one moment Captain America shows sympathy with disaffected young Americans, comparing himself with a young man who was unable to join his elder brothers in the NYPD. There is obvious irony in citing the police as a bedrock for solidarity, given the scrutiny they are under both in the real world as well as in the comic universe.

The story of Sung Jin Jeong sticks out chiefly because its the closest Coates Captain America comes to endorsing a certain kind of behavior. But even then, the story is about Sung Jin Jeong rather than Captain America, with the title character coming off as a bit of an afterthought even in the main story. When Red Skull accuses Captain America of standing for an amorphous dream of nothing, the critique hits far harder than it should. Captain America is, literally and figuratively, a fetishization of patriotic World War II era propaganda. Hes just not relevant to our daily lives.

Yet rather incredibly, Peterson is. Hes the whole reason were talking about the Coates run on Captain America at all. Considering that Coates just got a deal to write a new Superman movie and Peterson is still recovering from severe pneumonia, maybe Coates is right to see Peterson as such an ideological threat to his vision of America. Unluckily for Coates, the real Peterson isnt a Nazi, and cant be discredited by just applying red makeup to make him look more evil.

Read the original:
Jordan Peterson is the Red Skull: Secret Wars - Book and Film Globe

Comic villain just needed some therapy | Opinion | jonesborosun.com – Jonesboro Sun

A careless comparison meant to skewer Jordan Peterson is backfiring in a big way.

The psychology professor expressed astonishment when Twitter followers alerted him to obvious parallels between him and the Red Skull, the supervillain in Marvel Comics Captain America franchise.

In the comics latest edition, published March 31, the masked evildoer leads men astray through online lectures. One panel shows the Red Skull promoting 10 rules for life and references chaos and order, apparent allusions to Petersons bestseller 12 Rules for Life: An Antidote to Chaos and its sequel, Beyond Order: 12 More Rules for Life.

Writer and social commentator Ta-Nehisi Coates, whom Marvel hired in 2015 to write the Black Panther comics, is the current Captain America series author. While Coates hasnt acknowledged Peterson as the inspiration for Caps nemesis, the similarities are too on-the-nose to be mere coincidence.

Coates Red Skull is an information-age pied piper for disaffected young men whose mind-warping viral videos convert a legion of disciples ready to wreak havoc upon his command. Thats not a far cry from the bad-faith critiques of Petersons work that persist despite thorough debunkings.

Writing for online magazine Slates Brow Beat culture blog, Matthew Dessem describes Peterson as a self-help guru to the alt-right. In fact, Peterson is a steadfast opponent of that movement, who eschews the identity politics of the far right and the woke left with equal vigor and aplomb.

I think the whole group identity thing is seriously pathological, Peterson said during an August 2017 question-and-answer exchange.

Progressives bristle when he traces intersectionality to its inevitable conclusion: The process of differentiating people by their disadvantages and privileges can only be repeated so many times before you reach the irreducible number of one.

Regarding the individual as the ultimate minority may be anathema to the modern left, but it also obliterates collectivist canards on the right wings outer fringes. The Southern Poverty Law Center says alt-right adherents embrace white ethnonationalism as a fundamental value. Thats incompatible with Petersons appeals to personal responsibility.

Pundits who caricature Peterson as a gateway drug to white supremacy only beclown themselves, and Coates jumps into this trap with both feet, suggesting the self-help author or his supposed comic book alter ego is assembling an army of like-minded sycophants. In reality, Peterson addresses a diverse amalgam of readers and viewers who dont march to the same drumbeat.

Hot takes on the Captain America kerfuffle were similarly sloppy. A Daily Mail article reported that Peterson was angry to learn of the resemblance, while entertainment website Uproxx said he was downright pissed. Red Skull, thin skin, tech blog Boing Boing crowed.

While Petersons initial tweets expressed surprise at the discovery, hes clearly bemused rather than upset. Instead of objecting to the idea of Coates casting him as a villain whose Marvel origin story is head of Nazi terrorist activities trained by Hitler himself, Peterson took ownership of the character and promptly put him through reform school.

In memes shared on his Twitter page, the Red Skull now parrots Petersons philosophy of self-improvement. If you cling desperately to an ideology, or wallow in nihilism, try telling the truth, one reads.

The contrast between exaggerated comic book imagery of a red-faced, glowering menace and practical advice for leading a fulfilling life underscores the absurdity of painting Peterson as a malign influence better than a sober YouTube lecture or an exhaustive written rebuttal ever could. If Coates meant to make the professor a cautionary tale, Peterson turned the tables with pitch-perfect parody.

Twitter followers are in on the joke, too. One imagined Peterson as Lobsterman, a reference to the first chapter in 12 Rules that compares humans and lobsters physical response to defeat, noting that the mood-regulating hormone serotonin affects dominance hierarchies in both species.

Peterson embraced the lobster motif, tweeting an illustration of a red-and-black shield featuring a stylized six-legged crustacean fit for display on a caped crusaders chest.

Coates overlooked the downside to writing a rival into a timeless tale, rendering him immortal in a narrative sense. A villain can always become a hero; redemption arcs, after all, are as much a comic book trope as the heel turn.

Corey Friedman is an opinion journalist who explores solutions to political conflicts from an independent perspective. Follow him on Twitter @coreywrites.

Read more here:
Comic villain just needed some therapy | Opinion | jonesborosun.com - Jonesboro Sun

The Captains of Culture: Peterson, Weinstein and Shapiro – Chicago Monitor – The Chicago Monitor

In my last piece, I took the Left to task for relying on esoteric approaches to social problems and institutions. Meanwhile, tradition, the family and the sacred foundations for a classical liberal culture are seriously challenged, but not by the forces usually identified as the threat. North American advocates of tradition and by extension an idea of something called the West, on the one hand, maybe the only ones who can redeem a coherent social view out of the current mess of bad ideas now in circulation. On the other hand, the crew of thinkers and writers that form the classical liberal caucus needlessly carry around dead weight; amidst them are arrogant weak links that undermine the appeal of tradition and freedom in the larger discourse.

The Captains of Culture

Progressives today are committed to laying bare the supposed latent meaning of things. Social institutions, according to this worldview, are not what they claim to be, but perpetrators of inequality. For example, if our education system claims to edify in a plain and relatively objective way, progressives might argue that education actually obscures and serves the interests of a particular class or group of people at the expense of most. In other words, progressives argue we are not who we claim to be and there is merit to this view.

Meanwhile, folks that defend tradition and freedom insist that our values should be taken at face value and that those values are good; there is a certain literalism to this take. And notice I am not referring to conservatives per se, but the popular band of classical liberals who inveigh against the decline of culture: Jordan Peterson, Bret Weinstein, Ben Shapiro and the like. Though these thinkers are very different, they have in common epistemological assumptions and most importantly, enemies.

The first value they share is that contemporary western values are good and they should be treated according to their manifest purpose, not some latent purpose; the latter approach to values that they represent the interests of only a particular group of people, while claiming otherwise, for example is often foundational to the Left. Secondly, these thinkers value culture as a wisdom tradition, inimitable in guiding us and endowing us with purpose, goals and roles. In other words, culture is fulfilling and life without a coherent culture of enduring resonance leaves the individual bewildered and depressed.

Ben Shapiro is an ideologue, openly and unapologetically committed to Judaism and perhaps the larger Judeo-Christian or should I say Western canon. I refer to Shapiro as an ideologue, not to disparage but to highlight that this is a perfectly reasonable position to take. He values some things on the basis of reason and other things on the basis of faith, and he feels these things are good for humanity. But you cannot, I doubt, change Shapiros mind on Judaism nor should one try. Naturally I do not agree with Shapiro on all things and politically we would be at odds, but that does not make his worldview unreasonable.

Bret Weinstein brings a bio-evolutionary analytical frame to his take on culture. As such, he sees culture as having inherent value; culture is not arbitrary or necessarily oppressive, but evolves according to its utility to us, human beings. The irony of Weinsteins view is that he values culture as having innate value due to its origins and impetus, but the fact that culture changes actually increases the value of the original source materials from which these changes emerged. If you want to change the world for the better, you do not do it by throwing out the baby with the bath water; it is ineffective to tear down culture whole cloth, while ostensibly and failingly trying to articulate new cultural values sui generis.

Jordan Petersons greatest appeal is his indefatigable and relentless defense of the concept of the sacred, at least in my mind. And the sacred is passed on and expounded upon by and through culture. But in addition to their varied defenses of culture, these thinkers also value freedom, at least now and in so far as they may invoke freedom as an almost transcendental western norm, against the rising tide of politically correct authoritarianism that threatens to trample critical thinking. And on this point, I agree with them.

We need culture, the meta-institution that guides our behavior and more importantly allows us to inhabit a common world. The decline of culture today is directly proportionate to the break down of discourse and the inability to agree to a common reality. I have never seen a people more divided, in peacetime, than Americans. If you supported Trump, Biden stole the election. If you supported Biden, Trump stole the election four years before with the help of Russia, even though there is no evidence for either proposition. So, in effect, disagreeing on reality leaves all parties delusional.

The captains of culture rely on a certain faith in the perpetual purpose of institutions that we inherited from our past and in this case those institutions happen to be of Western provenance. But what I have found is that the over emphasis on the Western, unnecessarily and illogically, quite frankly alienates many people who might otherwise sympathize with their views. The sacred, tradition, the family are not only Western concepts.

The insistence on the Western nature of enlightened tradition is even more problematic when one admits that the world is getting smaller through technology and globalization. Capitalism, the global free-market is a driving force of a shrinking world of more concentrated diversity. One might add that the immigration scare so often invoked by the larger Right is driven by the demands of capital as well, not neo-Marxism. These seeming contradictions are always unaddressed by conservatives.

There is nothing inherent in the thinking of the three men that I listed, which makes me feel as if their projects are inherently racist or ethno-centric (yes, I say this even of Shapiro, as an Arab man, regardless of some of his now-apologized-for comments in the past). In their respective defenses of tradition, the family unit or the sacred, one would think they could accommodate, quite comfortably, a diverse world wherein peoples of Asia, Africa and South America also, by and large, value tradition, the family and the sacred. But for some inexplicable reason there seems to be impermeability to the classical liberal caucus. They evangelize the virtues of freedom and tradition outward, but cannot integrate the diverse world inward; a dead weight of unnecessary western-centrism surrounds them insulating them into a self-referential and dead-end discourse.

No one exemplifies this dead weight more than Ayaan Husri Ali and Sam Harris, famous members of the crew. Ali and Harris offer absolutely nothing to the greater discussion of culture, the sacred and the shared values of all humanity. Further, their worldviews are internally and demonstrably incoherent. Harris is no Christopher Hitchens; he lacks the intellect, wit and knowledge of his late predecessor. And Ali is simply ill equipped: She is not trained as an academic or scholar. She cannot even maintain a coherent conversation. Her analysis is always anecdotal and I cannot think of any reason why Peterson or others would seek her expertise on Islam, when she is no such expert by any standard measure.

The Weak Links of Popular Classical Liberalism

The Harris/Ali problem is not one of simple disagreement, their inclusion into the defenders of tradition or the intellectual dark web, as Weiss referred to them, in a somewhat self-congratulatory manner, threatens to undermine the whole project. One cannot value freedom and yet scoff at non-westerners exercising freedom in western society. Ali, in her new book, basically advocates for the authoritarian state in relation to western Muslims; she argues they should be surveilled and compelled to believe things by the state. She clearly never read Lockes A Letter Concerning Toleration, but I find that unsurprising, since when I listen to her speak it becomes difficult to believe she has ever read anything at all.

Harris is an even more insidious writer, with a PhD in neuroscience, he is simply obsessed with Islam, regardless of what he claims, as he speaks out of both sides of his mouth all the time. If I were to pile up the contradictory statements, bad faith arguments and double standards that Harris spews, the Tower of Babel would be envious of its height. He is simply full of shit, to address him otherwise would be an insult to the dozens or hundreds of experts in the fields of history, anthropology, religious studies or even political science who actually know things about Islam and the Muslim world.

Strangely, actual experts are also rarely invited to the stage. I recently came across a talk featuring Harris, Peterson and Weinstein; they discussed Islam at length and though Peterson and Weinstein were more cautious, Harris opined, unchallenged on the uniquely problematic nature of Islam. Neither Peterson nor Weinstein objected by saying hey, what a minute, as academics it sure would be nice to have an actual expert on Islam or Islamic history here to discuss this. (Weinstein recently hosted Irshad Manji on a welcomed discussion, so credit is due, but again Manji is not an expert.)

I can think of no other field where novices, frauds and amateurs can pontificate on the nature of something and be celebrated for it by actual academics and experts in other fields. These frauds are celebrated, of course, because their highly racialized, politicized views on Islam are useful; they are useful to war, to the security state and to the politics of Judeo-Christian fundamentalists. It is no coincidence that Harris real fame was directly aligned with the invasion of Iraq, where the image of a ubiquitous Muslim boogeyman sustained by the likes of Harris was strategically deployed to convince America to go to war with a Muslim country that had nothing to do with 9/11. It is difficult to decipher what Harris position on the war was, because he always talks out of both sides of his mouth, just like when he says we might need to preemptively nuke Muslim countries.

Harris and Ali offer these highly pseudo-structural approaches to Muslims, where they concentrate heavily on doctrines in Islam, taken out of context. They then impose those doctrines on Muslims in ways that Muslims rarely do themselves. Or, Harris and Ali focus exclusively on outliers that prove their point of view. The Islam they argue with is one made up in their own minds (the same with the concept of God in Harris case) and they need this imaginary Islam, otherwise they would have no significance at all. When these guys speak, they speak as if Edward Said never existed; these are not blind spots, they are blinds. When Harris and Ali present their views, they want you in the dark on the issue of Islam, otherwise they are exposed. And they offer nothing to the larger discussion of family, the sacred and tradition.

These dispositions for sophistry bleed into conversations on race in America as well; an issue of central importance, yet most middle class blacks that might sympathize with classical liberalism turn away because Harris and some associates are more obsessed with questions of race and IQ. I am not saying Harris is the cause of our current race crisis, obviously, but the disposition he exemplifies is one reason why Democrats can claim a near monopoly on black votes in America, which is not good for anyone, especially American blacks. Though Harris opposed Trump and is probably a liberal, his views are typical amongst Republicans.

Personally I do not get the appeal of the race/IQ question, but Harris insists, in useless positivist fashion, that if we know the facts on the issue that will somehow yield greater knowledge. How exactly? Are we to discover that African-Americans score lower on IQ tests than White-Americans? And then we can finally conclude, Hey, maybe American history has something to do with it! Well Sam, most of us already know that because we apply a humanistic frame, whereas you, like the Left I criticized in my last article, engage in esotericism presented as social science.

Ayaan Husri Ali and Sam Harris association with the Petersons, Weinsteins and Shapiros of the world is not innocuous. It undermines the appeal otherwise decent ideas might have in terms of more common grounds than imagined amongst minorities, immigrants and others we interact with more frequently amidst our shrinking, diverse world. Jordan Peterson recently lamented criticisms directed at Ali as simply reactions to her break with the progressive orthodoxy. It is so ironic to hear someone like Peterson, a white man who defends tradition and the sacred in the west, complain about the orthodox media. Brother, if you think you have stories about media orthodoxies and causes de jour, I look forward to telling you mine. Try being a man who also happens to be an Arab/Muslim in the United States in the years 2001-2003; I saw Harris all over the place, those of us who opposed the war were systematically shut out, regardless of our expertise. I am sure African-Americans have similar stories.

But, again, I prefer to see commonality rather than exclusivity. I currently believe that mainstream media in the west is too quickly and recklessly characterizing white conservatives as potential domestic terrorists. I recognize the pattern, it is the same pattern that Harris and Ali apply to Muslims, focus narrowly on anecdotal cases that support your point and zealously edit out every thing else. This is why Harris, Ali and their likes must be dropped from the circle of classical liberals, their methods have come back to haunt them, the chickens have come home to roost. The world is shrinking and diversity is a fundamental fact of life, fearing the other is an asset to no one. And the litigious nature of Harris and Ali, who are determined to win debates is useless and increasingly boring. There needs to be more true conversation between different human beings and less debate between positions, if you want more of the latter, go on Twitter. In my next piece I will offer solutions to this problem we now all face, by placing more emphasis on the personal, the local and conversation, as opposed to debate. Humanism opposed to social science.

The views expressed are those held by the author and do not necessarily reflect those ofThe Chicago Monitor.

Read the original here:
The Captains of Culture: Peterson, Weinstein and Shapiro - Chicago Monitor - The Chicago Monitor

Meet the 2021 All-Flint Metro League Stripes Division girls basketball team – MLive.com

FLINT League champion Flushing put five players on the All-Flint Metro League Stripes Division girls basketball team selected by the coaches.

Larry Ford was named Coach of the Year after leading the Raiders to a 9-0 record.

Despite finishing third in the standings, Fenton put two players on the first team.

Here is the team selected by the coaches.

Korryn Smith (left) as one of two Fenton players named to the All-Flint Metro League Stripes Division first team. (Jake May | MLive.com)Jake May

Alex Long, Flushing, senior

Korryn Smith, Fenton, senior

Emma Tooley, Holly, senior

Saniaa Walker, Kearsley, senior

Adrie Straib, Fenton, sophomore

Paige Leedle helped Linden finish second in the Flint Metro League Stripes Division standings. (Cody Scanlan | MLive.com)

Sarah Rambus, Flushing, sophomore

Paige Leedle, Linden, junior

Keeli Lindstrom, Flushing, senior

Hunter Weeder, Holly, senior

Kelsey McLennan, Linden, sophomore

Flushing's Larry Ford was named 2021 Flint Metro League Stripes Division Coach of the Year. (Cody Scanlan | MLive.com)

Brooklyn Grissom, Flushing, senior

Kyla Lynch, Fenton, senior

Fabie Andre, Swartz Creek, junior

Jordan Peterson, Linden, senior

Kaleigh Shaker, Fenton, junior

Linnearia Richards, Kearsley, junior

Olivia Mawhinney, Linden, freshman

Mallory Lehmann, Fenton, senior

Lauren Brokaw, Flushing, junior

Alyssa Johnson, Kearsley, senior

Delanie Prince, Linden, senior

Ashley Hubbard, Swartz Creek, junior

Larry Ford, Flushing

.

MORE:

All-Metro Stars Division girls basketball team

All-Saginaw Valley boys basketball team

All-Saginaw Valley girls basketball team

All-Saginaw Valley hockey team

Continue reading here:
Meet the 2021 All-Flint Metro League Stripes Division girls basketball team - MLive.com

AUDIO: Power of Song, A Conversation with Peter Case – American Songwriter

Welcome to The Power of Song, Episode 2, our new podcast celebrating songwriting and the songwriters who do it. For this show there would be few better guests than the great Peter Case, a songwriter who started great and yet keeps expanding. As does his legacy.

Peter, like his pal John Prine and other genius songwriters, started writing quite amazing, brilliant and tuneful songs right from the start. First in his band The Nerves, then with his band The Plimsouls (most famous for A Million Miles Away) and then ever since on his solo journey. And like Prine, the greatness of Peter Case has been something which has been expanding incrementally over the years of perpetual great songwriting. Lest anyone still presume wrongly the great songs were some fluke, here is 30 years of seriously solid songwriting of all kinds to show you whats true.

Along those lines of preserving and celebrating the legacy of great songwriters, its heartening to know that the great director Fred Parnes has teamed up with songwriter-producer Chris Seefried to make a documentary about Peter, which has been in the works for several years. Fred is a serious music lover, as affirmed by his beautiful movie about The Persuasions, Spread The Word. No doubt this will be a great film, and expand further this songwriters legacy of powerful, inspirational and never-boring songs.

We did this interview back in May of 2019, a few weeks after his great 65th birthday concert at McCabes in Santa Monica (which Fred and his crew filmed for the movie.)

The first time I ever interviewed Peter was back in the previous century, more than three decades ago. Which doesnt seem possible, as thats a big chunk of time, and yet it seems like no time has passed. Since then weve had many more of these conversations (which I wisely recorded) about songwriting, music, art and all related issues. Which includes everything. As Tom Waits said, anything at all a songwriter absorbs he will someday secrete.

Yet every time, even if we speak for two solid hours, as we did during this interview we never reach the bottom of the well. Because its an endless conversation. Because, like all seriously great songwriters, hes serious about songwriting. But never has he concluded hes figured the thing out. Quite the opposite. But hes forever fascinated by the process, and by different strategies and routes, or as we call it here ways of tricking yourself into writing songs. Which, in itself, is both serious and a joke. Asked if he always falls for the trick, he said no. Which is when he has to invent a new trick.

And though he puts himself down for not yet cracking this code, its in that very journey that hes written amazing songs through the years, songs which do everything songs can do. He tells stories, he lifts our hearts and he shows us this world now in a way only a master songwriter can do. Had he figured the thing out 30 years ago, it seems hed never have written all these great songs. Because its all founded on the exploration itself: what he will find that he can bring back. Its not about expressing what he thinks at all. Its about realizing what the song is saying.

Youve got to keep going, he said, until you get to some place where its surprising you. See, I like to have a song that surprises me, and tells me something I dont know. I dont want it just to be what I think already, because I already know that.

Thats the essence of a true artist: to always be striving to reach beyond ones own grasp. Not to express ones own understanding, but to use the exploration of making art as a means of expanding understanding.

The brilliant psychologist-author Jordan Peterson, writing about art and artists, expressed this very truth:

The artist shouldnt be able exactly to say what he or she is doing, said Peterson. If you can say what youre doing, youre not producing art. Art bears the same relation to culture that the dream does to mental stability. Your dream doesnt say what its about, it just is. The dream is something that extends you beyond where you already are

Thats one aspect of many covered in our conversation, which you can listen to in our second episode of The Power of Song.

But first a few other highlights from the expansively compelling Mr. Case:

PETER CASE: Being a songwriter, if youre not famous or if youre not exquisitely successful, you have to go through a certain amount of heavy lifting just to even show up at the starting gate.

Ive heard that if you have great fame, for example, that theres a sense of weightlessness. .. because you dont have to convince yourself. The world is doing the heavy lifting on a lot of things.

Theres something the matter with me, because theres a whole side to my mind and my life that I dont have access to even now. Im kind of tongue-tied in the face of life

My dad, he used to go, What do you have to say for yourself? Because I got in trouble when I was a kid I went off the track.

What do you have to say for yourself? And cause of the atmosphere there, I didnt have a lot to say for myself I started writing poetry when I was a kid and songs on things. And I began to get this feeling that I would know what I think, and I would know what I felt when I wrote the song. Like I wouldnt really know what I was doing until I wrote it. And Im still like that. And so thats never changed.

And if I go through periods where I dont write, I really do become kind of alienated from myself. Theres something I lose. Its like I lose the trail. And so I write all the time, not even songs anymore. Im kind of a scribbler, and I got notebooks and I write all this stuff.

Somebody said that music enables you to feel things that you dont know you feel till you hear it in the music. If you listen to Blue in Green, by Bill Evans and Miles Davis and Coltrane, he has these chords.,..They used to tell you in school that happy songs are major key. So what is Bill Evans music saying? And its this mixture of emotions and all these different kinds of chords. And it reminds you of things that you could almost hardly talk about. But then when he says it with those chords, its really revealing. Thats what I mean, I suppose.

Original post:
AUDIO: Power of Song, A Conversation with Peter Case - American Songwriter