Archive for the ‘Censorship’ Category

Bledsoes take on censorship

ASHEBORO A less than packed auditorium did not stop New York Times best-selling author and Randolph County resident Jerry Bledsoe from speaking from the heart Thursday night at Randolph Community College (RCC).

Bledsoes topic of choice was censorship.

His talk was part of the seventh season of RCCs Cultural Arts Series and Randolph Reads: Invisible Man community reading initiative. Although Bledsoes RCC lecture was not planned to coincide with it, this is Banned Books Week across the nation.

Ive been involved in censorship for over 50 years, Bledsoe said. Ive written stories that never saw print. That in the newspaper business is called editing.

Bledsoe, author of 21 books, is known for several true crime titles based on murders in North Carolina. His journalism career, which spanned more than 20 years, included newspaper work in the North Carolina cities of Kannapolis, Charlotte and Greensboro, and work at Esquire magazine.

Some people in our country are trying to become visible, Bledsoe said. Im the opposite Im visible and trying to become invisible.

Bledsoe went on to explain a phone call he received from the U.S. Attorneys Office.

I called him and didnt get him, Bledsoe told the audience. Within a few minutes he called me back and we met at the FBIs office. They told me that they had listened to a recording from an informant and told me that they thought someone was going to put a hit on me. At the time I was writing about an officer involved in a national drug cartel. For the next three weeks, my wife, dog and I lived in a safe house.

When you get a hit put on you, that is the ultimate form of censorship.

Bledsoe shared several stories about his writings being censored. His first book, The Worlds Number One, Flat-Out, All-Time Great Stock Car Racing Book, was published in 1975. The book observes the sport of stock car racing and its links to the South. It talks about the driver, the fan and the promoter, and how all of their actions lead to race day. However, the book was banned by Catholic schools in Wisconsin opposed to the language used by the NASCAR drivers.

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Bledsoes take on censorship

Shining a light on stage censorship

Austyn Myers, Ian Littleworth and Cristina Gerla (left to right) in La Jolla Playhouse's "Kingdom City."

In "Kingdom City," the world-premiere drama by Sheri Wilner that's now running at La Jolla Playhouse, a small Missouri town is in an uproar over a high-school theater production.

The seemingly unlikely touchstone of that controversy: Arthur Miller's masterly "The Crucible," a play that's been taught to high school students for decades.

In real life, as it happens, it's hardly rare for school productions of even seemingly inoffensive plays to be protested or shut down or quashed before they ever get going. In fact, "Kingdom City" is based on an actual incident in which a staging of (yes) "The Crucible" was banned, although on somewhat different grounds than in Wilner's play.

Howard Sherman can tell you all about the many forms such censorship can take. And lately, that's exactly what he's been doing.

The arts administrator turned fierce advocate for scholastic theater has been documenting threats to student productions across the country via his blog (hesherman.com), his Twitter feed (@hesherman) and his talks to schools, theater companies and other interested parties.

That mission brings the former executive director of the American Theatre Wing (the organization that founded and sponsors Broadway's Tony Awards) to San Diego on Sunday for a moderated chat at La Jolla Playhouse on the topic of censorship.

The event, part of the Playhouse's "Discovery Sunday" series, takes place after the 2 p.m. performance of "Kingdom City." (The talk is free but you'll need to buy a ticket if you'd like to see the show first: (858) 550-1010 or lajollaplayhouse.org.)

"I never consciously decided this was a cause I was taking up," says Sherman, a longtime arts administrator and producer whose resume also includes a stint as executive director of the Eugene O'Neill Theater Center in his home state of Connecticut.

But the seed was planted in 2011 when he became involved in the debate over a threatened school production of August Wilson's "Joe Turner's Come and Gone." The issue at hand: Wilson's multiple uses of the "n" word in dialogue.

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Shining a light on stage censorship

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