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Despite the numerous AI platforms which serve up routes to auto-generate functional music, many artists who have overtly worked with AI have approached the concept via more individual means.

Take Holly Herndon, the Berlin-based composer and musicologist who recently created her own intelligent musical accomplice. Dubbed Spawn, this vocal-sample generator was taught by Herndon and partner Mat Dryhurst to reproduce a bank of vocal-types (including her own) via months of training its complex neural network. Spawn was able to organically add vocals to tracks presented to it.

Though, as Herndon told Art in America, the process is still finding its feet: AI is not that smart, its very low fidelity, its not real time, its very slow and unwieldy. Spawn can take more than 24 hours to process someones vocal input. On the other hand, it has some unique capabilities that are pretty exciting-slash-scary. The AI can extract the logic of something outside its operators own logic and re-create it. This is entirely new for computer music.

Herndons approach to upturn the often predictable creative choices of the human musician, and hack out new musical avenues of exploration is a commonality shared across numerous artists who have worked with AI.Alex Da Kids collaboration with IBMs Watson was triggered by the Grammy-winning producers interest in whether it was genuinely possible to make a song with a virtual colleague.

Watson uses an accumulation of data gathered by a web of smart APIs. These include Watson Alchemy Language, which studies five years of media to determine current pop cultural themes, Watson Tone Analyser, which similarly analysed around 26,000 lyrics, and, crucially, Watson Beat, which determines the best chords, keys and frameworks to correspond with a certain theme. With the track Not Easy, the pair explored the theme of heartbreak and produced a stunning statement, that also saw interjections from Wiz Khalifa, Elle King and the X Ambassadors. The brilliant end result was popular enough to top both the iTunes and Spotify charts.

While Alex and Hollys involvement with AI was driven by a desire to research the potential of AI, YouTube star Taryn Southerns stunning I Am AI LP was conceived when the singer/songwriter was finding it difficult to realise the musical ideas she had in her head. Using a combination of AI-music generators Amper Music and Aiva as well as Googles Magenta and IBM Watson, Taryn created a new musical toolkit with which to work. As Southern told Digital Trends, her approach was to use the fine-tuning tools of software like Amper to deviate from her original ideas, download the stems and then rearrange the end results in her DAW.

These artists, each venturing further down the AI rabbit hole, albeit differently, are at the vanguard of a new paradigm for creators. Its almost a question of when as opposed to if AI will cease to be regarded as an industry buzzword and become an everyday facet of music creation. Via their work, these artists are laying the foundations for the fruitful absorption of AI into the creative process.

While these examples only scratch the surface of how AI has been applied by artists in various genres and contexts (see our list of ten AI-built records), in other areas, AI has already fully started informing our daily lives.

Its entirely suffused itself into how we listen to our music. Pervading streaming platforms and music-listening services are algorithms which smartly serve up similar tracks to the ones we regularly play, building cleverly curated playlists based on the data imparted by our listening habits.

Spotifys Discover Weekly smart playlists were designed in collaboration with French AI startup Niland. This smart neural network determines how to best populate these lists by scanning other users playlists that feature these tracks, as well as analysing the waveforms of the tracks to determine musicological similarities. Were working on a number of ways to elevate the experience even further.

Spotifys research lead, Rishabh Mehrotra explained to AI News, Reinforcement learning will be an important focus point as we look into ways to optimise for a lifetime of fulfilling content, rather than optimise for the next stream. In a sense this isnt about giving users what they want right now as opposed to evolving their tastes and looking at their long term trajectories.

Well take the liberty of skirting around the numerous prophecies of doom foretold by those fearing AIs encroachment into their financial territory. Lets instead consider the alternative, that while online AI platforms can easily create the type of utilitarian music which accompanies a simple YouTube video or a podcast, for genuine soundtracking requirements, real human composers will certainly be needed.

Feeling, heart, soul and also the story of the soundtracking process are all essential to modern film, television and video game soundtracks. In production terms too, theres so much that AI can bring, as opposed to take away, from the modern producers workflow. Will AI take away all mixing jobs? Definitely not, says Sonibles CMO Alexander Wankhammer.

Will it change the way the industry is working in some fields? Definitely yes. I think people should not be afraid of the new possibilities AI is creating they should remain curious and see AI as a new, really exciting tool that will (up to a certain extent) shape the future of music production.

While not strictly speaking AI in the modern sense, Bowies use of the Verbasizer software to concoct new lyrical ideas was something of a digital continuation of the randomising cut-up technique hed relied on for earlier works. Many of the tracks on Bowies hidden gem Outside were mapped out of these computer-suggested ideas.

A collaboration between Dr Dre and Eminem producer Alex Da Kid and IBMs cultural learning and idea-forming digital intelligence, Watson. Told to investigate the theme of heartbreak, Watson provided Alex with a suitable rhythmic, lyrical and chordal foundation. The stunning results also featured Wiz Khalifa, Elle King and X Ambassadors.

Created by Iranian composer Ash Koosha in conjunction with artificial intelligence Yona, Return 0 is a sometimes beautiful, sometimes challenging work that emphasises its innovative conceit in its futuristic arrangements. Capable of generating melodic sequences and even its own lyrics and singing, were very keen to see what Yona does next.

Built in tandem with commercially available AI soundscape designer Endel, American producer and songwriter Toro Y Moi built up a series of four tracks for the purposes of promoting Glaceau Smartwater. The Smartbeats EP contains the tranquil and emotive fruits of his and his virtual assistants labours.

Harnessing Spawn, Herndons self-trained AI vocal generator, Protos melding of the characterful artistic sensibilities of Herndon, and the twisting, rule-bending Spawn result in a captivating listen. Its glitchy, computer-ised textures battles against Hollys creative persona in fascinating ways, ultimately leading to the aural equivalent of the merging of the two.

Examining the space between human composition and AI-driven arrangements, Oakland-based duo The Cotton Modules debut is a remarkable listen. Working with machine learning decision-maker Jukebox, the record swims in ambient, evolving textures and loops. In making the record, the duo came to regard this other sentience as an instrument that they needed to learn how to work with.

Benoit Carr presented Sony CSLs Flow Machines with ideas, which the AI then built out. He took that and made a solid pop record. Rather than a neural network, Flow Machines used Markov chains, probability equation generators that need less data to work.

Perhaps the most high-profile AI-built record on the list. YouTube superstar Taryn Southerns eight-track LP was constructed with music composition fine-tuner Amper. Southerns work received widespread press.

A novel idea, to encourage musicians to speak openly about mental health. The 27 Club used AI to make new tracks, based on the music of those famous, epoch-making musicians who oddly all left us at the age of 27. With real vocalists replacing the late singers, this is AI used for the human act of remembrance.

Similarly to The 27 Club project, this album was created by an AI which studied the typical structure of the rap metal quartets canon and generated short samples, which artists AI Kittens carved into robust guitar workouts.

Read more from the original source:
10 tracks that harness the power of artificial intelligence - MusicRadar