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Gotham fatigue is real. Over the past 17 years there have been roughly a half-dozen big screen Batmen outings, and all of them, from Christopher Nolans Dark Knight to Zack Snyders Batfleck, have been the same: a weary, hardened hero gearing up to fight another day. That Bruce Wayne is nowhere to be found in The Batman. Instead, director Matt Reeves alleviates the burnout by capturing the Caped Crusader at a different point in his life20 years after his parents were killed, but only two years into his quest for vengeance. Its a time that allows Reeves to build his Bat anew, and craft a compelling standalone story with a distinct style and tone.

And that tone is undeniably, unashamedly My Chemical Romance video circa 2005.

Make no mistake, this is the most emo Batman movie youll ever see. Thats meant as a compliment. Normally, comic book heroes are pretty hard to identify withall muscled super-soldiers or principled scientists. Even the ordinary ones plucked from obscurity by spider bite or radioactive incident have some deep well of courage to draw from that, if were being honest, is almost entirely alien to most people (and thats before you even get to the actual aliens). So early in the film, when Nirvanas Something in the Way kicks in and the Caped Crusader rips off his mask to reveal Twilights Robert Pattinson looking like Gerard Way, with his hair covering his eyes and his makeup running down his face, my 17-year-old self thought: Finally, a Batman I can relate to.

Not since Peter Parker got infected by Venom in Spider-Man 3 has there been a superhero more likely to shop at Hot Topic. This is a vulnerable, sophomore Bat, one in full amateur detective mode, trying to find his feet as he tracks down a mysterious killer targeting Gothams political elite. In showing us this proto-Batman, Reeves explicitly frames Bruce Waynes fight for justice as a misguided coping mechanism for dealing with tragedyalthough, because of Batmans vow never to murder, his teen angst does not actually have a body count. This Dark Knight is far more comfortable in the suit than he is as himselfwhen we see Pattinson venture out as Wayne he looks every inch the awkward adolescent. There are layers of camouflage.

Production on The Batman, out Friday, predates the recent emo revival on TikTok, which sparked a brief resurgence in popularity for the angsty guitar-heavy music, swoopy hair, and skinny jeans that dominated the early 2000s. But the movies emo-ness goes beyond the eyeliner and sartorial choices; its also the general vibe. The rain pours down in sheets. Gothams elite hang out in an underground club (run by the Penguin, a snarling mob fixer playedunbelievablyby Colin Farrell). Andy Serkis Alfred wears a waistcoat and shirt with the sleeves rolled up, like an indie rock bass player. (Youre not my father, Bruce shouts at Alfred at one point, before presumably storming up to his room to scroll tearily through MySpace.) When hes not stomping around the city in his knee-high boots, he broods, vampire-like, in a gothic skyscraper. He keeps a journal.

Theres also the city itself. Reevesperhaps best known for his gritty reboot of the Planet of the Apes franchisehas crafted one of the better renditions of Gotham City ever put on screen. In the Nolan films the metropolis seems like an afterthoughtjust a series of set pieces knitted together. It didnt feel lived in. This one does. Theres a dampness to it, a rot. Old ledgers crumble and flake away. Paint peels off walls. The city pulses with lifeit feels bigger than this rookie Batman, liable to swallow him up.

Even the main villain, played with an unsettling intensity by Paul Dano, has something of the scene about him. Danos Riddlera disaffected man, angry at the city and his circumstanceshas the feel of a singer in a mathy Midwest band: all strange time signatures and quiet-loud dynamics. Its an admirably serious and shockingly plausible take on a very unserious character; this version inspired more by the Zodiac killer and alt-right uprisings than the campy, green-clad source material.

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'The Batman' Leans Hard Into the Emo Revival - WIRED