Archive for the ‘Tea Party’ Category

Beyoncs Black Is King Is No Secret, but Still Comes With Mystery – The New York Times

The playbook is familiar, though the particulars are new: Beyonc unveils a new project. Details, though scant, are pored over for clues. Social media immediately bubbles with anticipation and debate.

On Friday, Beyonc will release Black Is King, a visual album connected to Disneys remake last year of The Lion King, on the Disney+ streaming platform. Announced a month ago, Black Is King is a typically ambitious latter-day project for Beyonc she wrote and directed it, and is executive producer that adapts the Lion King story to a wider narrative of African history and heritage. It also represents Beyoncs latest move as a self-directed business figure, aligning herself with a major media partner, as she has done before with Tidal, HBO, Apple and Netflix.

Black Is King, which is based on songs that Beyonc created for The Lion King: The Gift, a companion album to last years remake, carries added weight since Beyonc herself has made a case for its topical significance.

The events of 2020 have made the films vision and message even more relevant, she wrote in a rare explanatory post on Instagram. I believe that when Black people tell our own stories, we can shift the axis of the world and tell our REAL history of generational wealth and richness of soul that are not told in our history books.

Beyonc and Disney have offered few details about the project itself. It was made with an international creative team, including many Africans, and its cast has boldface names like Lupita Nyongo, Pharrell Williams, Naomi Campbell, Jay-Z and Tina Knowles-Lawson, Beyoncs mother. The list of directors who worked with Beyonc on the project includes Emmanuel Adjei, Blitz Bazawule, Pierre Debusschere, Jenn Nkiru, Ibra Ake, Dikayl Rimmasch, Jake Nava and Kwasi Fordjour.

Even basic points remain mysterious. Officially called a visual album, it appears to be a series of music videos linked through a narrative sequence, though it is not clear even how many songs or films are included. Representatives for Beyonc and Disney declined to comment.

But a lack of information has only stirred the pot, as online commentators having seen just two brief trailers have debated topics like whether Beyonc is exploiting African stereotypes, and whether the apparent presence of a white butler at a Black womens tea party is a sign of racism.

In some ways, that reflects one of Beyoncs great talents stoking public conversation with her art, while explaining very little about it.

She is allowing her art to speak for itself, said Treva Lindsey, an associate professor of womens, gender and sexuality studies at Ohio State University, who has commented frequently on Beyoncs work. I always see Beyonc as opening up space for robust conversations. It often says more about us as consumers and critics than it does about her.

What is more clear, however, is Beyoncs media strategy, which she has been developing in plain sight over the last decade. After beginning her career as a teenager in Destinys Child and doing what is expected of all rising stars, like giving interviews by the early 2010s she had largely abandoned the standard pop-star script, and remade herself as a self-contained cultural brand. She now almost never speaks to the news media.

Part of her approach has involved leapfrogging from one platform to another to suit the needs of each project. In early 2013, HBO showed her autobiographical film Life Is but a Dream; later that year, she melted the internet and upended the music business by releasing her album Beyonc on Apples iTunes with no notice.

Lemonade, her 2016 album, was first released on Tidal, the streaming service taken over by Jay-Z, her husband, in which she is a partner, and had a companion film shown on HBO, with segments directed by Mark Romanek, Jonas Akerlund, Melina Matsoukas and others. Last year, Netflix carried Homecoming, the film of her performance at Coachella from 2018.

In this trajectory, Disney+ is simply the next hot media platform with something to offer Beyonc, said Dan Runcie, who writes about the business of streaming and hip-hop on his site Trapital.

This is well within the wheelhouse of the Beyonc empire, Runcie said, given how much shes not locked herself into one particular partner, but thought of herself as a broader enterprise and kept her options open.

With greater control, Beyonc has changed her musical priorities. No longer chasing pop hits, she has used her albums and multimedia projects to explore challenging material, and made issues like gender and race central topics of her art, with the Black experience and Black womanhood, in particular becoming her overarching theme in recent years.

This has, perhaps paradoxically, made Beyonc even more famous and influential, with her every appearance, utterance or Instagram post scrutinized for hidden meanings. That fame can bring more attention to her themes of Black lives and Black struggles like her Black Panther-inspired dancers at her Super Bowl appearance in 2016, or images invoking the toll of Hurricane Katrina from the video of her song Formation said Robin M. Boylorn, an associate professor of communications at the University of Alabama.

Boylorn also pointed to Beyoncs Coachella appearance, where the star performed an ode to the dances and marching bands of historically Black colleges and universities with signifiers that may have gone over the heads of many white people in the audience, though their use by Beyonc drew attention and led to wide media coverage.

Her taking a space like Coachella, that is inherently white, and making it a celebration of Blackness, Boylorn said, speaks to her being able to shift the narrative and also literally shift the face of the conversation. That is just a remarkable use of her platform.

What statement Beyonc makes with Black Is King remains to be seen (at least for one more day). But that statement is likely to come primarily through the film and not any comment.

She says less, Lindsey said, as she has more power.

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Beyoncs Black Is King Is No Secret, but Still Comes With Mystery - The New York Times

Ryan to host Caribbean-themed exhibits virtually in Orlando – Daytona Times

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Weldon Ryan is playing out his story, making strides in cyberspace despite the coronavirus attack.

The artist, a former Flagler County Art League president, joined artisans through Robert Shirk showcasing Men Painting Women Art Exhibit.

Your eyes will focus on stellar female forms, depicted differently by artists Wilson Romero, Leonardo Montoya Perez, Weldon Ryan, Herbie Martin, and Robert Shirk.

Thats happening through Aug. 21, Mondays through Saturdays, 10 a.m. to 6 p.m., at the downtown Orlando Public Library, 101 East Central Blvd., Orlando.

Recently, Ryan rid himself of his studio to work on line from home.

Ive also been working to get my social media with my YouTube channel going for people who enjoy my work, said Trinidad-born Ryan, who mostly grew up in the Bronx.

Ryans popularity has grown since graduating from the High School of Art and Design in 1981 and attending the State University of New York at New Paltz. He later received an associate degree in general illustration from the Fashion Institute of Technology.

He freelanced before landing an Urban Park Rangers job in 1987, painting murals for the New York City Parks Department at Pelham Bay Environmental Nature Center, and afterwards joining the New York City Police Department (NYPD).

Ryans sketches were the poster child for rounding up crooks after his assignment to the NYPD Forensic Artist Unit.

Doing the forensic work and the sketches of perpetrators of crime as you sit there, and speak with individuals, who have suffered a loss, you actually form a bond, and you feel their pain and emotions, he said.

Meanwhile, we trademarked the art of Carnival, between Richlin and myself, he added

His wife, Richlin, an art director and graphic artist, is the mother of the duos two children. Theyve changed their status arriving in Palm Coast in 2004.

Theres not any art related to carnival, except for mine as far as I know depicting the Caribbean side of things, and the way I do it, my realism, he stressed. Although his artwork is realistically illustrative, he allows for a bit of serendipity, reads his vitae.

Were trying also to work on the New York carnival; they are doing a virtual carnival, he added. Members of The Orlando Carnival downtown were also kind and brought us into their family.

PAINTINGS COURTESY OF ARTIST WELDON RYAN

The artist has actualized his dreams through art, and appeared on the Ricki Lake Show, the Geraldo Rivera Show, CNN, and in the April 1999 issue of Nickelodeon Magazine.

Hes treaded shoring up exhibits at the Fashion Institute of Technology, the Bronx River Art Center, the Harlem State Office Building, One Police Plaza, in addition to the Fulton Street Art Fair, the Flagler County Art League, the Hollingsworth Gallery, Mary McLeod Bethune Performing Arts Center, and other venues.

I forgot to mention Calypso Calypso Fine Art, thats our online site where we also want to do a virtual art show. The art of carnival we must keep that going, he explained, while highlighting that the announcement will appear in September.

The images featured on CalypsoFineArt.com accommodate a dynamic spot for cultural exploration.

You are invited to a delightful Virtual Tea Party, July 30 from 7 p.m. to 8:30 p.m.

Ladies 20 to 100 years old are invited to tune in for fellowship, fun, and a hat-fashion contest.

So, wear your favorite hat. Three awards will be granted.

Its the Sacred Sip and Say, hosted by First Lady Karen Wilkerson of St. James Missionary Baptist Church of Bunnell.

First Lady Carol Coffie of Mt. Calvary Baptist Church of Palm Coast will be topping the headlines.

So, Zoom into the party at Meeting ID: 84152653839. Passcode: 325710.

As I am taking a hiatus through midSeptember, I wish the best to all of my readers.

As always, remember our prayers for the sick, afflicted, the prodigal son, or daughter, and the bereaved.

Birthdays wishes to the Rev. Cheryl Daniels, July 30; Annette Preston, July 31;twins Alexis and Alana Williams, Ernest G. Robinson Jr., Aug. 2; Almedia Quarterman, Aug. 3; Gloria Major, Shirley Horne, and Carolyn Snow, Aug. 4.

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Ryan to host Caribbean-themed exhibits virtually in Orlando - Daytona Times

Alice in Wonderland Themed Cocktail Pop-Up Coming to San Diego – Eater San Diego

What is it with themed pop-ups these days? The latest roving event to add San Diego to its touring schedule is billed as the tea party to end all tea parties. Dubbed The Alice, its based on the classic novel Alices Adventures in Wonderland, which spawned countless adaptations including a slew of television shows and movies.

Created by the team behind the Floating Cinema, which will be landing somewhere in San Diego this September, The Alice is an immersive and interactive cocktail experience that takes guests down the rabbit hole and into a fantasy world where they can play croquet with a flamingo, paint the roses red, and solve riddles and challenges. Set in a still-secret location, the pop-up will run for almost a month, from Sunday, November 8 to December 6, with each ticketed session lasting 90 minutes.

Each experience includes two custom cocktails crafted with the guidance of The Mad Hatter host, plus two Eat Me cakes. Pre-register now to be notified when tickets go on sale.

For a more homegrown Alice in Wonderland experience, visit Vin de Syrah in the Gaslamp. Though its temporarily closed due to the indoor dining ban, the Fifth Avenue bar features an Alice in Wonderland, garden party-inspired design.

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Alice in Wonderland Themed Cocktail Pop-Up Coming to San Diego - Eater San Diego

It Had Been My Personal Mission to Have Him Call Me a Loser: Meet the Lincoln Project Video Wiz Whose Ads Are Driving Trump Insane – Vanity Fair

Prior to Donald Trumps 1 a.m. Twitter rant last month raging against the group of RINO Republican...loser types at the so-called Lincoln Project, Ben Howe, a video editor and one of the top creative minds behind the super PACs notorious anti-Trump ads, had avoided associating himself with the group. I didnt publicly acknowledge my involvement until the president went after our Mourning in America ad, Howe told me during a phone interview, referencing a viral Lincoln Project spot blasting the Trump administrations handling of the coronavirus pandemic. Once he did thatwell, it had been my personal mission to have him call me a loser someday. So, I was like, Okay, I cant stay quiet anymore.

Like the Lincoln Projects other members, Howethe creative mind, video editor, and, he said, sometimes narrating voice on many of the groups adsspent years supporting conservative policies and working on various Republican campaigns. In December, in an effort to help ensure Trump doesnt win a second term, Howe joined forces with Rick Wilson, a Defense Department appointee under then secretary Dick Cheney and GOP strategist who contributed to Rudy Giulianis winning mayoral ad campaigns; George Conway, a Washington attorney and husband of top Trump aide Kellyanne Conway who in 2017 was considered for a number of Justice Department posts before turning on the White House; Steve Schmidt, a top strategist for George W. Bushs 2004 bid, operations chief for John McCains 2008 presidential campaign, and campaign manager for Arnold Schwarzeneggers 2006 reelection bid for California governor; and John Weaver, the chief strategist for John Kasichs 2016 presidential campaign. Considered turncoats due to their shared opposition to Trump, the group united under the name of Abraham Lincoln, the first Republican president, and formed a super PAC with the explicit goal of preventing Trump from being reelected by swaying swing voters and moderate Republicansand pissing him off in the process.

Howe first honed his skills as an ad creator working for the anti-Obama Tea Party movement. He launched his political ad-making career after his business, a trademark-research firm, went under during the recession. In 2010, he created a video promoting the Tea Party for RedState, a conservative website where his brother, Caleb Howe, wrote at the time. Following the clips semi-viral success, Howe was contracted by FreedomWorks, a Koch-founded advocacy group that played a major role in astroturfing the Tea Party wave, for another video. His success, he said, resulted in him working with the Heritage Foundation on video proposals of their own. His new company, Mister Smith Media, which he told me is named after the 1939 political dramedy starring Jimmy Stewart, went on to craft online clips and ads for Ted Cruzs inaugural Senate campaign, which has arguably proven to be the Tea Partys most enduring success in Washington.

In subsequent years, Howe told me his company continued to make videos for Heritage, National Review, and Senator John Cornyn, another Texas Republican. He didnt predict, nor was he prepared for, the rise of Trump, but for him it represented a breaking point. During the 2016 election, he vowed to phone bank for Hillary Clinton if Trump won the nomination. He subsequently created an oppo documentary about the Trump campaign titled The Sociopath in January of that year before I even left the party, he said.

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It Had Been My Personal Mission to Have Him Call Me a Loser: Meet the Lincoln Project Video Wiz Whose Ads Are Driving Trump Insane - Vanity Fair

West Phillys Rick Krajewski on Running for Office, Defunding the PPD and the National Leftist Uprising – Philadelphia magazine

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Helped by an endorsement from Bernie Sanders, the activist-turned-politician's victorious primary campaign in West Philly's 188th District is being mentioned with those of Alexandria Ocasio-Cortez, Jamaal Brown and his friend Nikil Saval.

Rick Krajewski announcing his campaign at a Reclaim Philly meeting last fall. Photo by Jason Lozada

West Phillys Rick Krajewski has never been much for the status quo. Raised by a working-class single mother in the South Bronx, hes used his position as an outsider first at an elite New York City private school, then as an engineering student at the University of Pennsylvania to wage a battle for equal access to opportunity and representation in Pennsylvania. The moment that radicalized him, he says, was when the STEM curriculum he developed at West Philadelphias Samuel B. Huey Elementary School was shelved in 2016 after the school was shuttered to make room for a privately run charter academy with a lottery system that left many neighborhood children lacking a high-quality public education. From there, he rose through the ranks of Reclaim Philadelphia founded by former Bernie Sanders volunteers where he fought to elect District Attorney Larry Krasner and spearheaded a successful grassroots campaign to get publicity for progressive judgeship candidates in down-ballot elections.

Now hes flipped the switch, having become the progressive politician whom those fed up with the establishment organized to elect. In Junes Democratic primary, Krajewski ousted 35-year incumbent James Roebuck to become the presumptive state Representative-elect for the 188th District. He ran an unorthodox campaign, pivoting from a classic get-out-the-vote operation to launch a mutual aid program as the novel coronavirus left many in his district unemployed and without food or access to health care. Running unopposed in November in his heavily Democratic district in West Philly, Krajewski has plans to take a platform steeped in direct action, decarceration, and education reform to Harrisburg. Philly Mag spoke with him on the phone to learn more about his plans, his hopes for activism in Philly, and where he falls in the progressive surge overtaking local office.

Philadelphia: Youve been an organizer for a while with Reclaim Philly. What made you want to pivot and run for elected office yourself?

Rick Krajewski: Im supportive of the other progressives that are in the State House, like Chris Raab and Summer Lee, which is why I knocked doors for [City Council candidates] Helen Gym, Isaiah Thomas and Kendra Brooks. Having all of these people in strategic positions has made it more effective for us to push for our issues. Kendra, Jamie Gauthier and Helen just pushed the Emergency Housing Protection Act, which will extend relief for renters throughout the year, for example. That legislation wouldnt have happened without them. What Ive realized while doing community organizing is the importance of having allies in office that will work with you.

Also, Ive spent my whole adult life the past 11 years in Philadelphia, and the majority of that time in West Philadelphia, first as an undergrad at Penn and then as a resident. I love this place. Its my home and its become clear to me that with the current trends around our education system and housing market, I wont be able to have a secure future here. I cant say that Im going to be able to send my child to a well-funded local public school if I start a family. I cant say with certainty that Ill be able to own a home here. That sucks! It sucks to feel like you cant have permanent residency in the place that you call your home. So there are political and strategic reasons that led me to pivot, but also personal ones.

Your campaign had a decarceration plan that was focused first on decreasing state prison funding and then on the effects of COVID-19 on prison populations. How have the events of the last month changed whats politically possible around that issue?

This doesnt change my vision in that I am fundamentally an abolitionist: I envision a model of safety and accountability that isnt upheld through prisons, mass policing, and mass incarceration. Defunding the police is about divesting from police and their militarized violence by investing in the root causes of violence like systemic poverty and putting resources into them. So if anything, this moment has just expedited our ability to win some of these demands. It has made it more politically possible to defund the police and fund communities right now, vs. thinking that its a multi-year agenda. We now even have Republicans that are voting on policing reform bills. You have bipartisan appeals. You have protests happening across the state, even in places where there arent Black people. What that signals is that our movement for decarceration is at its peak. This is the peak of possibility for us, so it has allowed us to act with more urgency.

Rick Krajewski at the June Defund the Police protest. Photo by Matt Barber

Youve recently pushed Mayor Kenney to defund the Philadelphia Police Department by $120 million, which did not occur. [Council and the Mayor passed a budget that reallocated $14 million of PPD funds.] Where does that number come from, and why are so many demonstrators rallying around it?

The $120 million number was pushed by a couple of groups acting on the ground, like the Alliance for a Just Philadelphia. It is how much the PPD budget has increased over Mayor Kenneys administration, so its gone up by 20 percent over the past five years. Its an extreme amount of money that actually does not show a [corresponding] decrease in violence.

All of these protesters are coalescing around defunding the police because its not just that the increase [in police funding] is happening; its that its happening as schools are experiencing austerity cuts. The school I used to teach at was shut down in 2015 and turned into a charter school, and other schools are dealing with asbestos and with lead in their drinking water. So to see this increase not actually accomplish anything when the money could go to all of this other stuff that could actually result in lifting people out of needs-based crime is enraging.

Your plan to defund the police calls for reinvesting funds diverted from policing into education, arts, and other community programs. Whom do you need to work with at the city and state levels to make this happen, politically?

City Council is going to be a big part of this equation because of their ability to engage around the budget. The truth is, were going to need a bloc that goes beyond Councilwoman Brooks, who voted against the recent budget. Were going to need other people who want to step up and be in favor of this issue. On the state level, its going to have to involve other legislators who are advocating for policing reform. Im really encouraged by the work of legislators like Joanna McClinton and Jordan Harris, who have been taking the lead in introducing several policing bills after that direct action when they occupied the House floor. I want all to be passed, and two already have, but we still need a lot more.

As someone who has pivoted from ground-level activism to a presumptive seat in the legislature, what advice would you give BLM organizers who may be considering a similar long game about how to channel the energy of the moment into real momentum?

Ive always thought that this movement was particularly powerful because people are continuously hitting the streets to protest, which raises the necessary public tension. We are not allowing anyone to forget that these are our demands and that defunding the police will live or die based on the activity out in the streets. But what Im really excited about is that there are people who are using that public energy and translating it into the need for officials to capitulate to our demands. So my advice is for us to always take the tension we create with public outrage, like protests, and use it as leverage to get elected officials to do what we want and hold them accountable.

In the same vein, how do we keep white and non-Black allies invested in and advocating for the Black Lives Matter movement?

You have to take their moment of piqued interest and hit them in their gut with how it affects them, too. White people need to understand that under a white supremacist structure, it is the violence and oppression that is being enacted upon Black and brown people. But its dehumanizing anyone who doesnt benefit from the structure, which includes anyone who is not a cis-hetero white dude in their 50s whos a capitalist. So how do you take people from that point of entry? There is that first moment of politicization where you become agitated to think more deeply about your conditions, which should lead you down a path of reflection that causes you to become more committed to the work. White people need to do that and think beyond solidarity with Black lives. Its one of the biggest challenges, because while this work is centered around the Black and brown experience, building cross-racial solidarity is what is going to take us to the next level.

Can you take us back to the moment when you found out Senator Bernie Sanders endorsed you? Was it a surprise?

It was a bit of a roller coaster. I had been trying to work on getting the endorsement for some time because I knew I had friends who were a part of his team. Then I found out Nikil [Saval] got endorsed, and to be frank that lit a fire under my ass. I went into overdrive and kept bumping my emails with his political director. The moment it happened, I was in the CVS right next to my house. I was waiting to be checked out. [Sanderss] political director calls me and shes like, You got endorsed! I started immediately flipping out and was so grateful, so I couldnt wait to tell everyone. We hang up, but Im still in the checkout line. I needed to call my campaign manager and my mom to let them know the news. It has never felt so long being in line as it did in that moment.

The media has begun to mention your campaign in the same breath as those of AOC, Jamaal Bowman, and your friend Nikil Saval do you see yourself as part of this leftist surge?

I do! Because what this surge represents is that our people, our movement, is not satisfied with the way the establishment is doing politics anymore. All of us myself, Nikil, Jamal, AOC all ran on a commitment to go above and beyond what is expected of elected officials. Jamaal Bowman went on a bus tour in the middle of COVID, going around the Bronx to engage with constituents. AOC has been a firebrand whos been willing to hold her colleagues accountable. Both myself and Nikil are holding town halls and did listening sessions about housing, workers rights and mass liberation. Our campaign was also the first to launch a mutual aid program regarding food service in the time of COVID. All of those things are not the normal modes of operation for politicians, and normal isnt working anymore.

As we look to November, when the Democratic party is backing a decidedly centrist candidate in Joe Biden, what do victories like yours and some of the ones weve mentioned say about the dynamics in the broader party? Can the party hold together?

With all of these insurgents winning and taking office, I hope that we can all unite under the left-wing equivalent of the Tea Party, because while their agenda is horrible, there are some things about [that group] that I admire. They know how to be ruthless about what they want and to not compromise, and thats why their agenda won despite their being a small contingent when they started. Our movement needs to do the same thing we need to come together, build a collective agenda, and continue to get people into office while building alliances where we can. We must be ruthless about what we aspire to do, and by that, I mean just simply being courageous and unwilling to capitulate. What Jamal, AOC, Nikil and myself have in common is that we didnt come with some weak shit. We didnt come with a weak platform. We came out strong, and the party was forced to respond. I hope we have enough force that the party must be accountable to us, which will help us move the Democratic establishment back toward its roots as being people-powered.

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West Phillys Rick Krajewski on Running for Office, Defunding the PPD and the National Leftist Uprising - Philadelphia magazine