Archive for the ‘Media Control’ Category

Conservatives Preach Diversity of Thought Without Practicing It

There's also a lucrative market for telling conservatives what they already believe. It's now theoretically possible to go from evangelical homeschooling to a conservative college where debating abortion is verboten to a job at a conservative think tank, reached via a talk-radio-filled commute. On Fridays you can attend a happy hour hosted by a right-of-center networking organization, start dating a fellow attendee, and marry, at which point you can split a subscription to Glenn Beck TV for evening infotainment. Thirty years later you can both move to a retirement community where Fox News plays 24/7. Epistemic closure is more possible than ever.

Dennis Prager reminded me of this subject. "There is no greater uniformity of thought than at our universities: Their much-ballyhooed commitment to diversity is about race and ethnicity, not about ideas," he wrote in his latest column. "So, too, the great majority of news-media people live in the same bubble, the left-wing herd that covers national and international news. Reading the New York Times, the Washington Post, the Los Angeles Times, Le Monde, or listening to the BBC is essentially reading or listening to the same selection and presentation of the news. One reason that leftists talk to, read, and listen only to fellow leftists is that they are certain there is no other way to think rationally, compassionately, or morally. Therefore, there is no reason to debate conservatives, let alone expose oneself to their ideas."

Credit where it's due: Prager frequently invites people with whom he disagrees, myself included, on his talk-radio show, and his output there is far superior to most people in the medium. He also has a long history of engaging in interfaith dialogue and political debate. But his sweeping statements about academia and media aren't supported by the facts, and he ought to know better than to make them based on both personal experience and easily made observations.

Anyone can see that The New York Times and The Washington Post, whatever their faults, don't publish "only fellow leftists." David Brooks has been at the Times for years. Ross Douthat took over after a short stint by Bill Kristol. William Safire preceded them both. The Washington Post publishes George Will, Charles Krauthammer, and Jennifer Rubin, among other conservatives.The Los Angeles Times, one of the newspapers Prager criticizes for being part of a closed loop including only fellow leftists, has published Prager himself. It's one thing to argue these efforts are insufficient, or to observe that these are generally center-left publications, especially in their cultural coverage. It's quite another to write as if efforts to have diversity of though aren't happening.

Prager's biography states that he is "widely sought after by television shows for his opinions," noting appearances "on Larry King Live, Hardball, Hannity & Colmes, CBS Evening News, The Today Show and many others." He writes that "there is no greater uniformity of thought than at our universities," but his biography also states:

None of this is to deny that there are more liberals than conservatives in academia and media. It is only to say that conservative complaints about how closed those worlds are is dated and exaggerated. Media organizations from CNN to Reuters to NPR actively solicit content from conservative contributors. Ombudsmen are increasingly frequent, in part to field complaints of ideological bias. Calling out ideological bias, when it exists, remains perfectly legitimate. But right-leaning institutions have made nothing like the same effort to ensure that they are ideologically diverse, a quality accorded very little value in their aspirations and business models. This would be less bothersome if conservatives hadn't insisted for so long that diversity of thought is vital if you're to run a quality institution of higher education or mass media.

For a while, conservatives will keep getting away with complaining that liberals control academia and media. But that can't and shouldn't last forever. Folks on the right need to compete for spots in existing academic and media organizations, start alternative institutions of comparable quality and ambition, or else quit the interminable complaints that things are stacked against them. Specific complaints against inaccurate information will always remain legitimate. The sweeping generalizations about liberal universities and media outlets, and how hostile they are to diversity of thought, have already gotten old -- they are certainly prone to groupthink, but not nearly so much as the conservative institutions that have sprung up in reaction to them. And those new conservative institutions are growing big and influential in their own right.

So conservatives, is diversity of thought important or isn't it?

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Conservatives Preach Diversity of Thought Without Practicing It

Media Excel’s Multiscreen Transcoding Solution Chosen by the Three Largest South Korean Telcos

AUSTIN, Texas--(BUSINESS WIRE)--

Media Excel, an innovator of adaptive bitrate, multi-device transcoding for multiscreen video delivery, sweeps the South Korean Telco industry by winning the large-scale multiscreen transcoding projects of the three largest Telcos in South Korea. Combined, SK Telecom, Korea Telecom, and LGU+ serve more than 20 million paid subscribers, compared to more than 18 million paid subscribers for Media Excels US customers.

The three Korean operators utilize Media Excels HERO platform to prepare, package and deliver more than 120 HD live channels over wired and 4G/LTE-wireless networks to all connected devices, ranging from smartphones and tablets to PCs and connected TVs.

Over the last nine months, SK Telecom, Korea Telecom and LGU+ individually performed extensive evaluation tests comparing solutions from all major encoding vendors. Each chose Media Excels HERO multi-screen encoding solution based on its reliability, scalability and extensive feature set.

Given the coverage, depth and duration of the evaluations, these wins are a major endorsement of the HERO product line, as well as a testament to the responsiveness and commitment for which Media Excels Team has been recognized, commented John Hotchkiss, COO, Media Excel. Operators looking for a highly-available, large-scale, multiscreen transcoding solution appreciate the way HEROs management system (HMS) assumes control, alleviating the complexity of their customers SLAs and the associated OPEX.

About Media Excel, Inc.

Media Excel defines the adaptive bitrate, multi-device transcoding standard for multiscreen video delivery. The companys hybrid approach of using software and hardware transcoding solutions power more than 18 million live mobile/tablet TV viewers daily in the US alone. Across the head-end, cloud, or edge video distribution, the companys solutions are used in a variety of markets including broadcast, government, telecom, MSO and CDNs. Founded in early 2000, the company continuously innovates services and offerings for large-scale mobile carrier customers such as AT&T, Sprint, T-Mobile, and Verizon, to high-profile event-driven organizations such as Telstra Australia, NFL, NBA, and the Olympic Games. Media Excel is headquartered in Austin, Texas with offices in Seoul and Silicon Valley. For more information about HERO, please visit the HERO product page. For more information about Media Excel, please visit http://www.mediaexcel.com. To contact Media Excel, email pr@mediaexcel.com.

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Media Excel’s Multiscreen Transcoding Solution Chosen by the Three Largest South Korean Telcos

Stan Lee Media, Which Does Not Represent Stan Lee, Suing For Control of Marvel Characters

Lets clear up something right off the bat: while Marvel Comics founder Stan Lee created the company Stan Lee Media Inc.in the 90s, he has nothing to do with the company now. The end of the dot-com bubble caused the end of Stan Lee Media as an operating entity by December 2000. Peter Paul, co-founder of the company with Lee, even went to jail in 2009 for securities fraud related to actions with the company.

So when you read that Stan Lee Media is suing Disney for alleged copyright infringement based on the use of characters generally considered to be under the ownership of Marvel, understand that Stan The Man Lee is not filing the lawsuit.

Now, on to the details. Warning: theyre ridiculous.

The short form, as THR and Deadline attempt to summarize, is this: SLMI alleges that Stan Lee gave the company rights to all his major Marvel characters, and that despite a clear contract in the late 90s, Lee didnt properly give those rights to Marvel. And anyway he could not have, as the rights werent his to give at the time. So SLMI really deserves the profits Marvel and Disney have been making off characters such as Iron Man, Spider-Man, the X-Men, and various Avengers. So just back a couple trucks full of billions of dollars right over here, please.

(SLMI also says the Disney/Marvel merger was improperly done and so doesnt exist, and so the company should be getting billions and billions of Marvel character revenue.)

The company has filed quite a few other lawsuits over the past few years, and hasnt been successful. Chances are this one wont be successful either, in part because the allegations in this suit could have been addressed in previous lawsuits, and either werent or were dismissed by judges at the time. The short form is that the current controlling interests of Stan Lee Media, Inc. are trying a blatant cash grab and arent likely to get a dime. But its fun to watch.

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Stan Lee Media, Which Does Not Represent Stan Lee, Suing For Control of Marvel Characters

Signiant Adds Media Shuttle(TM) Resellers in Europe and South America

BURLINGTON, MA--(Marketwire - Oct 10, 2012) - Signiant, the market leader in intelligent file movement software for the media and entertainment industry, today named seven leading providers of integrated media technology solutions as new resellers within the company's growing Channel Partner Program. With the recent addition of Media Shuttle software to Signiant's family of secure, accelerated file transfer solutions, these resellers will be instrumental in assisting content creators and distributors across the globe to achieve smarter, faster and more reliable digital media movement.

Signiant's newest solution providers include AD Digital of Brazil, Altered Images in the UK, Fofic Media Solutions in The Netherlands, Mediatrade in Finland, Promovisa in Spain, SAV in France and Visual Unity in the Czech Republic. These partners will offer various Signiant products, including subscription-based Media Shuttle file transfer software delivered from the cloud; Media Exchange, featuring desktop, Web and mobile interfaces for moving file-based media between internal and external users; and Managers+Agents, optimized for automated batch file transfers, advanced resource management and workflow integration.

"By offering the same level of security, speed and control that Signiant is known for in its flagship products in an affordable subscription model, Media Shuttle is driving new business opportunities for our channel partners worldwide," said Rick Cramer, Senior Vice President of Global Operations, Signiant."As traditional content distribution methods give way to more efficient file-based media environments, Media Shuttle provides a powerful solution to address the unmet file transfer needs of a broader base of users and use cases.No other product or service, including free file sharing sites, FTP and other point-to-point solutions, can deliver the same ease of use, simplicity of deployment and performance."

New Signiant resellers include:

AD Digital (Brazil) AD Digital is an integrator of hardware, software and services for the production and broadcast of multimedia content. Its equipment and services portfolio includes system consultation, design, implementation, customization, training and 247 technical support. Some of AD Digital's customers include Globosat, Polishop, BOX Brasil, Esporte Interativo and Record News Santa Catarina.

Altered Images (UK) Altered Images is one of the UK's leading resellers of technology in broadcast, television production, corporate communications and educational markets. They provide complete turnkey solutions from consultative workflow design to the supply and installation of equipment based on their client's needs with full maintenance support. Altered Images prides themselves on technical expertise and a passion for client success.

Fofic Media Solutions (The Netherlands) Fofic specializes in total solutions for the broadcast market. In addition to providing video cameras, tripods and other AV hardware, they deliver turnkey solutions through a dedicated staff of technical experts. As the digitization of audio and video drives demand for more secure movement and storage of material, Fofic is poised to offer the best solutions.Their customers include major broadcasters, corporations and government organizations.

Mediatrade Oy (Finland) Based in Helsinki, Mediatrade is a reseller and systems integrator for digital media production, delivery and management equipment. Serving the production, post-production and broadcast industries, Mediatrade sells and supports hardware and software for non-linear editing, DVD authoring, virtual studios, IPTV w/NPVR, tapeless acquisition and file-based playout. Customers include leading TV broadcasters, production houses, telcos, cable and IPTV operators, as well as public sector facilities.

Promovisa (Spain) With more than 33 years of market experience, Promovisa is a leading broadcast systems integrator, offering professional production, post-production, encoding and transmission solutions from prestigious broadcast manufacturers. Specializing in the most demanding media and broadcast environments, Promovisa's turnkey solutions are supported by strong technical teams in pre- and post-sales, engineering, installation, technical support and maintenance, with on-staff technicians located across Spain.

SAV (France) Established in 1977, Systmes Audiofrquence Vidonique specializes in designing, engineering and supplying video equipment for the broadcast market. From film to broadcast, SAV's team is involved at every stage of the production process with consulting services and a full line to equipment and rentals. Customers include Canal +, Euronews, Eurosport, France Tlvisions, M6, TF1, AMP/Visual, Euromedia/SFP, La Franaise d'images, France Galop, Eclair, Transatlantic, Technicolor, Globecast, TDF and Towercast.

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Signiant Adds Media Shuttle(TM) Resellers in Europe and South America

Sling Media Unveils Two New Redesigned Slingbox® Models

FOSTER CITY, Calif., Oct. 10, 2012 /PRNewswire/ -- Sling Media, Inc., a wholly owned subsidiary of EchoStar Corporation (SATS), today introduces the Slingbox 500 and Slingbox 350, two completely redesigned retail Slingbox products that deliver best-in-class, up to Full 1080p HD-quality, live streaming of your favorite TV shows, sporting events, recorded programming and premium content to smartphones, tablets, laptops and connected devices. In addition, the Slingbox 500 introduces new features, including Wi-Fi and HDMI, as well as a platform for delivering personal content to the TV, a first for any Slingbox product.

To view the multimedia assets associated with this release, please click http://www.prnewswire.com/news-releases/sling-media-unveils-two-new-redesigned-slingbox-models-173423511.html

The latest portable devices and high-speed wireless networks give consumers access to video content wherever they go. Now the Slingbox 500 and Slingbox 350 raise the bar by delivering a superior HD quality video experience, making it easy for them to watch and control their home TV -- virtually anywhere.

"Slingbox is still the best way to extend the entire living room TV experience anywhere," said Sling Media's Senior Vice President and General Manager, Raghu Tarra. "We've redesigned our Slingbox products from the ground up, adding features and enhancements that make them easier to set-up and use while creating the highest performing products on the market. With these new product introductions Sling Media continues to evolve and disrupt the category we created."

With the proliferation of TV streaming services, consumers are finding new ways to watch TV but are confused by the many options in this highly-fragmented market. Only Slingbox delivers your entire living room TV experience regardless of where you are without requiring additional subscription fees. Sports fans can watch their hometown teams' live games from another room in the house on a tablet, or in another country as the action happens. Frequent travelers can keep up with their favorite shows or local news. Busy parents can catch up on recorded shows while waiting for their kids to finish practice or while enjoying what little downtime they have throughout the day. Slingbox makes it easy for consumers to watch their favorite shows on the go, using the portable devices they already own and love.

How They WorkThe Slingbox 500 features built-in Wi-Fi and integrated IR emitters for controlling a set-top box. It has HDMI and component, as well as composite, inputs/outputs. This makes set-up anywhere in the home clean, simple and straightforward.

The Slingbox 500 is the foundation of a growing set of features for Slingbox customers. The hardware platform not only has the ability to placeshift content, making a live content stream available anywhere, but can also receive content and display it on the TV. The first example of this is SlingProjector. SlingProjector makes it easy for anyone to wirelessly display their personal media, such as photos, from their smartphone onto the big screen. Look to Sling Media to provide Slingbox 500 customers with other exciting ways to display content on their television screens in the coming months.

The Slingbox 350 offers Sling Media's highest quality, proven "TV Anywhere" technology at a cost-effective price. The Slingbox 350 features 1080p, HD-quality streaming on compatible devices, making it a value leader. The sleek, industrial design combined with integrated IR emitters makes it a compact, unique and easy-to-use addition to any home entertainment center.

In conjunction with the introduction of these two new Slingbox products, Sling Media is also rolling out new SlingPlayer software clients across its desktop and mobile platforms. In addition, SlingPlayer software for iOS, Android and Windows Phone is now on sale for $14.99, a savings of 50 percent, as part of a special launch offer.

To learn more about these two new products and other Slingbox hardware and SlingPlayer software, visit http://www.slingbox.com.

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Sling Media Unveils Two New Redesigned Slingbox® Models