Archive for the ‘Media Control’ Category

The American Media – 38 North

At this moment, the media must devote greater attention to crisis-reduction coverage.

In the current political environment, hard news reporters and particularly news commentators face a grave responsibility to pay more attention to how they discuss North Korea. Media cant control what key players say or do, but they can amplify or diminish certain actions, decisions, statements and events in helpful or unhelpful ways. Unfortunately, much of the media commentary in the US has hyped the North Korean threat and made it more difficult to ease tensions between Washington and Pyongyang.

The United States last stumbled into a land war in Asia with a fairly complicit media.[1] However, unlike the Vietnam War era, the American media landscape is now tumultuous, diverse and highly politicized, polarized and partisan. Despite these conditions, the mainstream and right-wing media both must take a few key principles to heart to help avoid a tragic set of errors on the Korean peninsula.

Of particular note, reporters and commentators at this moment have a responsibility to:

The first element is important because North Korea has been building in a number of conditionalities and off-ramps into its statements. Yes, Pyongyang is blustering and dramatic. Yes, Pyongyang should exercise more caution given the military capacities they now wield. But Pyongyangs statements can be framed in alarming ways or in nuanced ways.

For example, the Newsweek headline NORTH KOREA THREATENS TO STRIKE U.S. WITH POWERFUL NUCLEAR HAMMER may technically be true. But it obscures the fact that this phrase was part of an if/then conditional sentence: Should the U.S. dare to show even the slightest sign of attempt to remove our supreme leadership, we will strike a merciless blow. The article does deal with the context and background of the current crisis a few paragraphs down, but the headline is what leaves an impression with general readers and the news-obsessed Commander-in-Chief. By conveying the impression that North Korea is poised to conduct a nuclear Pearl Harbor, it encourages unwarranted panic among Americans and helps drive combative rhetoric from the White House.

Another problem is the medias obsession with technical issues. Of course, these details are important, but they are often presented without context, which also adds to the atmosphere of fear. This five-minute ABC News segment, for example, worries about President Trumps rhetoric, but then mostly dwells on North Koreas capabilities. ABCs analyst uses fancy graphics to show what North Koreas weapons could do and potential US military responses. There is no discussion, however, of what North Korea is trying to do with its weapons. Is Kim waiting to negotiate only after feeling that he has enough military might? Is he hoping to have cover for skirmishes and other kinetic actions across the border with Korea? Does he think he is deterring the US from toppling his regime?Instead, audiences are left withthe overwhelming impression that the Norths growing capabilities are simply to start a nuclear war.

This is amped up by the idea that Kim Jong Un is crazy and thus presents a unique threat to the United States. But in reality, Kim is not crazy and there are many learned people available to explain this to people like, say, Joe Scarborough, who refers multiple times to Kim as a madman in this segment from last month.

The media should instead explain that the United States is not in danger of suffering a nuclear first strike. North Korea will never intentionally start a nuclear exchange with the US since it knows it would suffer obliteration. Moreover, Pyongyang will never have enough nukes to do that. But what it does have now is a tool that can potentially drive a wedge in the US-ROK alliance, a very real strategic goal of Pyongyangs nuclear weapons and missiles. In that sense, the medias hyping of the North Korean nuclear threat is exactly what Kim Jong Un wants. That wedge is happening already.

Senator Lindsey Grahams, If thousands die, theyre going to die over there, comment is the most egregious expression of the idea that South Korea can be sacrificed in this crisis. When US leaders imply or openly threaten to bring a devastating war to Korea because Pyongyang now may have the potential to hit America with an intercontinental ballistic missile, South Koreans understandably start to view the United States as an unreliable ally and patron. What good is the US nuclear umbrella if it doesnt stop aggression? What good is the alliance if the mutual prosperity it once supported can be so quickly unraveled?

Several people in South Korea whom Ive spoken to fret that President Trump is the person pushing the peninsula towards war. (Though according to Gallup, 60 percent of people here think there has been no increase in the chance of war32 percent think it has become more likely than before.) It is not beyond imagination that South Korean public opinion could rapidly shift against the United States in a way that might permanently damage the US-ROK relationship and, by extension, Americas position in Northeast Asia.

The US media landscape is atomized today like never before, often attracting self-proclaimed experts with many opinions but little knowledge or expertise. News writers and producers should actively seek to balance the more heated, panicked rhetoric with more sober voices among its pundits and commentators as well as more experienced policymakers and experts with deeper knowledge of North Korea. Covering North Korea has never been easy to do well, but the stakes are now just too high to go about business as usual.

Read this article:
The American Media - 38 North

CNN to Trump campaign: No ‘enemies’ ad, thank you very much – Washington Post

President Trump's reelection campaign committee released a new television ad attacking Democrats and the media as "the president's enemies." (Donald Trump)

CNN cannot control President Trumps Twitter impulses, which actuate him to retweet a meme of CNN getting pounded at a wrestling event or being overwhelmed by the Trump train. Nor can CNN control Trumps imprudent outbursts, like the way he told CNN correspondent Jim Acosta on Monday at the White House, I like real news, not fake news, you are fake news.

CNN, however, can indeed control the advertisements that are sent over its airwaves.

And its not going to traffic in a promotion from the Trump presidential campaign that features a rather typical bit of media-bashing. The theme of the ad is Let President Trump Do His Job, and it inventories alleged triumphs of his young presidency. Then it flashes a screen populated by head shots of mainstream-media figures, including ABC Newss George Stephanopoulos, CNNs Gloria Borger, CNNs Anderson Cooper, CNNs Don Lemon, MSNBCs Rachel Maddow, MSNBCs Mika Brzezinski, MSNBCs Joe Scarborough and others set against this audio: The presidents enemies dont want him to succeed, but Americans are saying, Let President Trump do his job.'

So: Not only does the ad recycle a Trump slander that the media is the enemy; it also suggests that media figures arent even Americans.

In a statement released Tuesday, Michael S. Glassner, executive director of Donald J. Trump for President, Inc., issued a statement regarding CNNs treatment of the ad: Today, CNN provided further proof that the network earns this mistrust every day by censoring President Trumps message to the American people by blocking our paid campaign ad. Clearly, the only viewpoint CNN allows on air is CNNS, notes the statement. The ad highlights President Trumps many achievements despite the media attacking our President and career politicians standing in his way. While CNNs censorship is predictable, this will not stop or deny our message that President Trumps plan is working for the American people.

Asked about the Glassner statement, a CNN source indicated that the network didnt, in fact, reject the ad. Rather, the network says it asked for some changes, which the campaign requested in writing. Before it received those requested changes, says a CNN source, the campaign issued its statement.

Barbara Levin, a CNN spokeswoman, issued this statement on the changes: CNN would accept the ad if the images of reporters and anchors are removed. Anchors and reporters dont have enemies, as the ad states, but they do hold those in power accountable across the political spectrum and aggressively challenge false and misleading statements and investigate wrong-doing.

Could it be that the Trump campaign people delight in prompting CNNs ad-redaction sensibilities? Maybe so after all, a similar scenario played out in May, when the campaign was promoting an ad that called the media fake news. CNN wasnt having it.

CNN and other broadcasters reserve the prerogative to kill ads that violate their standards or that attempt to humiliate an organization of nearly 4,000 news professionals.

More:
CNN to Trump campaign: No 'enemies' ad, thank you very much - Washington Post

The Basch Report: New Media created to control bankrupt GateHouse – Jacksonville Daily Record


Jacksonville Daily Record
The Basch Report: New Media created to control bankrupt GateHouse
Jacksonville Daily Record
That's because New Media was created just four years ago to take control of the newspapers owned by GateHouse Media Inc. in a prepackaged Chapter 11 bankruptcy restructuring. New Media was formed by a real estate investment trust called Newcastle ...

and more »

Continue reading here:
The Basch Report: New Media created to control bankrupt GateHouse - Jacksonville Daily Record

Grey Acquires Control of Hug Digital – MediaPost Communications

In a bid to strengthen its digital offering in the Middle East region, Grey Group has acquired a majority stake in independent digital agency hug digital, based in Dubai and with offices in Egypt and India.

Terms were not disclosed.

According to Grey, the agencys service offering includes digital campaigns, social media, content, influencer and experiential marketing, web and mobile app development, media planning and buying as well as digital research and analysis.

The shop, with around 145 full-time staff, has a client roster of more than 70 brands, including Americana (Hardees, TGI Fridays, Krispy Kreme), automotive group Al-Futtaim (which includes Toyota, Honda, and Lexus distribution in the region), Commercial Bank of Dubai, Dubai Tourism, HMD Nokia, Shell, Nestles Maggi and Clorox.

The agency was founded in 2009 by Oussama Jamal (Chairman) and Tim Baker (Chief Executive Officer).

Grey indicated that Jamal and Baker will continue to head the hug digital operations while working with Nirvik Singh to set the overall strategic digital growth plan for the region. Singh is Chairman and CEO of Grey Group Asia Pacific, Middle East and Africa.

advertisement

advertisement

The rest is here:
Grey Acquires Control of Hug Digital - MediaPost Communications

911 call reveals how panic ensued as stuntwoman riding motorbike died on set of new Deadpool 2 movie – Mirror.co.uk

The audio of a 911 call after a stuntwoman suffered a fatal motorcycle crash on the set of the new Deadpool 2 movie reveals how the shoot went horribly wrong - and how panic subsequently ensued.

The recording reveals how the tragedy on the set of the Ryan Reynolds film in Vancouver - initially described as "an actor on a stunt set who has gone through a window" - happened.

In a chilling description of events to emergency services, an unidentified male caller says: "The actor lost control, went across the street, over a curb and through a glass pane window into a building across the street."

The Mirror earlier reported how the rider successfully completed the stunt four times in the Canadian city's Jack Poole Plaza, before disaster stuck on the fifth attempt.

Local media reports the "the throttle somehow engaged" and the rider lost control while 'stood' on the motorbike.

Video Unavailable

Click to play Tap to play

Play now

Witnesses said the bike flew through the air and crashed though glass window on the ground floor of the Shaw Tower.

In the 911 recording, the emergency services call handler says: "The actor went through the window of vehicle, or something?

A male caller says: "No, the actor lost control, went across the street, over a curb and through a glass pane window into a building across the street."

Another voice says: "Just so that guy is aware, the stunt actor was airborne through the building."

A voice sounds as though they describe the actor as "hasn't been moving".

The recording was publish by Hollywood gossip website TMZ .

Onlookers thought the crash was part of filming but quickly realised it was a serious "unplanned" crash, they told TV crews.

There was said to be no sound of brakes before the crash.

People were running on the sidewalk, the motorcycle comes flying across the street, looks like from a ramp because it was in the air, one witness told Global News .

[The rider was] standing on the bike, slams into that building, clearly hit and out-of-control and clearly not planned.

It was so out-of-control, it looked like an accident.

The incident is said to have occurred about 8.20am local time (4.20pm UK time).

Police and ambulance rushed to the scene and the rider was put in an Advanced Life Support ambulance.

However, the vehicle remained at the scene for 45 minutes - and eventually left for the hospital without lights and sirens.

The movie stars Ryan Reynolds as the Marvel Comics character Deadpool.

It is unclear if Reynolds was on the set today but he was photographed on set filming last week in the city.

The film is the sequel to the first film which came out to massive critical acclaim last year - and grossed $783.1million (604million) worldwide.

Vancouver Police tweeted: "A stunt driver has died on the set of Deadpool during a stunt on a motorcycle.

"VPD & WorkSafeBC investigators are at the scene."

WorkSafeBC spokesperson Trish Knight Chernecki said the agency has launched a long-term investigation into the accident and has a total of five officers currently on the scene.

A spokesman for Fox did not immediately respond to a request for comment.

The incident comes 24 hours after Tom Cruise fell on the set of Mission: Impossible being filmed in London, injuring himself.

In July veteran stuntman John Bernecker died from injuries on the set filming scenes for The Walking Dead in Atlanta.

Read more:
911 call reveals how panic ensued as stuntwoman riding motorbike died on set of new Deadpool 2 movie - Mirror.co.uk