Archive for the ‘Media Control’ Category

Installations and Revisions of Traffic Control Signals in various Connecticut Towns – CT.gov

CTDOT Press Releases

05/09/2022

The Connecticut Department of Transportation (CTDOT) is developing plans to upgrade existing traffic control signal equipment or install new traffic control signal equipment to meet current standards at 15 locations in the cities and/or towns of Colchester, East Lyme, Groton, Montville, New London, Norwich, Salem, Stonington, Windham, and Woodstock.

At applicable locations, pedestrian control features, such as countdown pedestrian indications, accessible pushbuttons, and sidewalk ramps), will be upgraded to improve accessibility and pedestrian safety.

CTDOT will coordinate with the local municipality during the design phase.

The following intersections are included:

The intersections below consist of new signal equipment being installed at existing signalized locations:

The intersection below consists of new signal equipment being installed at an existing unsignalized location:

It is CTDOT policy to keep the public informed and involved when such projects are undertaken. It is important that the community share its concerns with us to assist in the projects development. At this time, it is anticipated that an informational meeting or formal public hearing will not be necessary.

The design plans for this project are expected to be completed in May 2023 with a tentative advertising date of July 2023.

Anyone interested in requesting information on these projects may do so by contacting Gregory R. Palmer, Project Manager at (860) 594-2748 or via email at Gregory.Palmer@ct.gov. Please refer to Project No. 0172-0501.

FOR MEDIA INQUIRIES:OFFICE OF COMMUNICATIONS860-594-3062CTDOTMedia@ct.gov

Twitter: @CTDOTOfficialFacebook: Connecticut Department of Transportation

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Installations and Revisions of Traffic Control Signals in various Connecticut Towns - CT.gov

The media treated me and Britney unfairly: Paris Hilton takes control of the narrative – Sydney Morning Herald

Hilton says she prefers to work with brands she uses in her life: When I got the call about this [she gestures to the set for the Uber Eats commercial she is filming], I was like, yes, I use this. And to be working with the Irwin family [Robert and Bindi Irwin also appear in the ad], I felt really aligned with my own brand.

If you ... do something positive with your brand, then its a good thing, Hilton says.

In her podcast, I Am Paris, she tackles subjects she thinks do not have enough mainstream media attention. In her conversation with actor Amy Schumer, for example, the pair talked about the autism spectrum, therapy and cancel culture.

What I love about the podcast is having my voice, Hilton says. I feel like growing up in the early 2000s, the media treated me and Britney Spears and a lot of those girls really unfairly. I feel like [with the podcast], I can tell the truth and speak about what I want to speak about. Its powerful to have that voice.

Hilton has also taken on a very personal cause: the abuse of students in Americas private behavioural education system. Hilton was a victim of such abuse herself, she says, revealing in the 2020 documentary, This Is Paris, she had been subjected to strip searches, force-fed medication, watched in the shower and confined in isolation as punishment.

Hiltons production company produces a podcast series, Trapped in Treatment, hosted by abuse survivor Caroline Cole and investigator Rebecca Mellinger. And now, Hilton, having successfully campaigned in several US states for new laws protecting teenagers in private schools with behavioural and mental health issues, is taking her crusade to Washington, DC.

Paris Hilton leads a 2020 protest calling for the closure of Provo Canyon School in Utah, where she has testified she was abused as a student.Credit:AP

Everything happens for a reason, and maybe I had to go through that, and maybe I was given this gift so that I could use my voice and make a difference, to stop it from happening to other children, Hilton says. In a way, this is my mission in life now. And its the thing that has the most meaning because I am making an impact.

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My whole life, its been a lot of fun and Ive done a lot of stuff: The Simple Life, all that, and playing a character, she says. But that was just the fun part. This is something thats really serious and making a difference in saving lives. That means everything to me.

Hilton believes the public persona of Paris Hilton the selfie-obsessed airhead is one she created as a coping mechanism for the abuse she went through as a teenager at Provo Canyon School.

It was just such a traumatic and horrible experience that I just didnt ever want to think about it again, she says.

I think I invented this bubbly Barbie-type, perfect life fairytale, so I didnt have to think about what had happened. And then it ended up being this whole brand, and then it became me, but it was never really me.

I am actually a pretty shy person, she says. [This other persona] is a mask I wear ... Im just playing someone else. The real me is a lot more serious. Im not a dumb blonde. Im just very good at pretending to be one.

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The media treated me and Britney unfairly: Paris Hilton takes control of the narrative - Sydney Morning Herald

The War in Ukraine, as Seen on Russian TV – The New York Times

To Western audiences, Russias invasion of Ukraine has unfolded as a series of brutal attacks punctuated by strategic blunders. But on Russian television, those same events were spun as positive developments, an interpretation aided by a rapid jumble of opinion and falsehoods.

Much of Russian news media is tightly controlled by the Kremlin, with state-run television working as a mouthpiece for the government. Critical reporting about the war has been criminalized.

Russian televisions convoluted and sometimes contradictory narratives about the war are not solely intended to convince viewers that their version of events is true, disinformation experts say. Just as often, the goal is to confuse viewers and sow distrust so audiences are not sure what to believe.

The New York Times reviewed more than 50 hours of television footage to show how the war was being presented to Russians through the countrys news media.

Russia faced a significant loss when its flagship missile cruiser, the Moskva, sank after being damaged in mid-April. Ukrainian officials said the ship was struck with two Neptune anti-ship missiles. The New York Times reported this week that the United States provided intelligence that helped Ukraine locate and strike the ship. Independent Russian news media based outside the country reported that about 40 men died and an additional 100 were injured.

Moskva, a Russian missile cruiser, moored in a Ukrainian port in the Black Sea in 2013. Reuters

On Russian state-controlled media, though, news programs downplayed Ukraines strategic attack with a narrative that has shifted over time.

At first, Russias Defense Ministry said the ship was damaged after a fire on board had detonated ammunition. The ship was being towed back to shore and the crew was safely evacuated, the report continued.

Russian media later reported that the ship had sunk while being towed during a storm. A segment also showed a lineup of healthy Russian sailors, describing them as the Moskvas crew, alive and well.

Ship described as sinking in a storm.

Russian sailors, reportedly from the Moskva.

For the Kremlin, the loss adds to its growing challenges in conveying a positive impression of the war at home. While Russian news media has repeatedly dismissed or downplayed Ukrainian civilian casualties, Russias own casualties and the grieving families left in their wake are harder for the Kremlin to ignore.

Russia acknowledged the overall death toll for the first time in March, making clear to Russian viewers that the war would involve domestic losses as well. But even those reports underestimated the Russian casualties, according to U.S. experts. Though it is difficult to get exact casualty figures during a war, Western intelligence agencies estimate Russian military losses could be as high as 10,000 killed and 30,000 wounded.

As Russian forces retreated from the region surrounding Kyiv, graphic images circulated showing bodies of dead civilians lying in the streets. In Bucha, a suburb of Kyiv, some civilians were found with their hands bound or with gunshot wounds to the head. The images prompted renewed calls for war crime charges against Russia.

Tatiana Petrovna, 72, mourned in the garden where three civilian bodies lay. Daniel Berehulak for The New York Times

On Russian television, the discovery was cast instead as a hoax, with television presenters analyzing images and video for signs of fakery.

In one clip, Russian journalists noted that clothing on some dead civilians was too clean to have been in the streets for days, implying they could not have been killed during Russias occupation. A statement from the Ministry of Defense, aired on the nightly newscast Vremya, said the bodies lacked signs of decay and that blood in their wounds had not coagulated.

All that is irrefutable evidence that the photos and videos from Bucha are yet another staging by the Kyiv regime for the benefit of Western mass media, the ministrys statement said.

Unblurred photographs run by Western media outlets, however, showed the bodies had clear signs of decay.

Another news report indicated that footage from Bucha showed some of the bodies moving, which was cited as proof the dead bodies were staged. One clip showed a body in a rearview mirror that appeared to move after the car drove by. But several photographs taken on the ground by Western photographers showed bodies in the area had clear signs of decomposition. The impression of movement appeared to be caused by distortion in the mirror, which was also seen affecting the buildings surrounding the body.

A Russian television report claimed the body seen in the rearview mirror on the right-hand side was moving.

The claim that the bodies in the streets were part of a staging collided later with an entirely different narrative pushed on Russian television: that the civilians were indeed killed, but that it was Ukrainian troops who had killed them.

To make that case, the Russian state-run station Channel 1 presented a convoluted alternate timeline, selecting footage to support the claim that no one was killed until days after Russian troops fled the region.

March 30

March 31

April 1

March 31 to April 2

April 2

Disinformation researchers say scattershot narratives like this can overwhelm viewers, sowing doubts even if audiences arent persuaded by any specific claim.

Russia drew international condemnation after a maternity hospital was bombed in the southern port city of Mariupol. Images of injured pregnant women, carried across charred hospital grounds or ushered down battered staircases, made clear to Western audiences the civilian cost of war.

Marianna Vyshemirskaya walked downstairs in a maternity hospital damaged by shelling in Mariupol. Evgeniy Maloletka/AP Photo

In Russia, though, the attack was dismissed as a hoax.

In a flurry of claims over several days, Russian television dissected footage and raised numerous doubts about the Western account, often using the same imagery seen in the West to advance very different accounts of what happened.

Images of two women in particular were widely circulated in Western media. One, an influencer named Marianna Vyshemirskaya, survived the attack and later gave birth to a girl. Another woman, who has not been identified, was photographed on a stretcher and was later reported by The Associated Press to have died. In one segment, Russian journalists claimed the two were the same woman. Ms. Vyshemirskaya later denied being the woman seen on the stretcher.

In another segment aired on Russian television, victims being carried away from the hospital were described as soldiers from Ukraines far-right Azov Battalion, a unit of the Ukrainian National Guard with ties to the countrys neo-Nazi movement. But images captured by Western journalists showed the victims were women, with some wearing khaki-colored clothing that vaguely resembled troop uniforms.

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Ms. Vyshemirskaya later gave an interview to Denis Seleznev, a Ukrainian blogger who backs the separatist movement in Ukraines eastern Donbas region. The portions that aired on Russian television focused not on her injuries but on the Azov Battalion, with claims that the military group occupied the hospital before the strike took place.

There was no evidence reported by Western journalists on the scene that Azov was using the building as a base, and an April report by the Organization for Security and Cooperation in Europe classified the attack on the hospital as a war crime.

In airing Ms. Vyshemirskayas interview, alongside a video she posted to Instagram, Russian news media focused on her description of Azov soldiers, casting them as belligerent occupiers who demanded food.

They said they havent eaten for five days, she said. They took our food away and said, You can cook more.

An interview with Ms. Vyshemirskaya aired on Russian television.

The Kremlin and Russian media have frequently focused on Ukraines neo-Nazi movement as justification for the invasion. President Vladimir V. Putin of Russia said that one of his central aims was the denazification of Ukraine.

Though the Azov Battalion was founded in 2014 out of Ukraines ultranationalist and neo-Nazi groups, experts say the group has quelled much of its extremist side under pressure from authorities. The neo-Nazi movement is not a significant force in Ukraine, according to experts who track the far right, who point to Ukraines election of President Volodymyr Zelensky, who is Jewish, as evidence.

Russian forces advanced on Europes largest nuclear power plant in early March. A skirmish with Ukrainian forces ended with a fire on the compound, which Mr. Zelensky warned could result in the end of Europe. The fire was later extinguished, but Ukrainian officials accused Russia of nuclear terrorism.

Surveillance camera footage captured the attack near the Zaporizhzhia nuclear power plant. Zaporizhzhya Npp/Zaporizhzhya Npp Via Reuters

But Russian audiences were told another story: that Ukrainian soldiers had attacked the facility, setting fire to the building before fleeing. Russian forces were described as defending the facility from Ukrainian saboteurs, according to a government statement repeated in state media.

A Russian television report says that Russian soldiers were defending the power plant from Ukrainian small arms fire.

In footage released weeks later, the power plant was shown functioning normally, with drone shots showing workers arriving at a spotless facility and passing through security checkpoints in an orderly fashion.

While the special military operation is underway, the nuclear power plant hasnt stopped working for a second, said Aleksey Ivanov, a reporter for Vremya, the Channel 1 evening news broadcast. And now it has even grown in strength.

Mr. Ivanov also said that Russian guards do not interfere with the work of the plant.

A soldier interviewed at the facility said that employees of this plant show a certain amount of respect and that workers maintain order and discipline in their work.

The idea that Ukraine is faring better under Russian control continues to be a frequent claim on state television, bolstering the dubious argument advanced by Mr. Putin that Russian troops were sent in to protect Ukrainian citizens.

A Russian state news report describes the Zaporizhzhia nuclear power plant, which was recently captured by Russian soldiers, as functioning normally.

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The War in Ukraine, as Seen on Russian TV - The New York Times

Daniel Preston wins NSF CAREER Award | Rice News | News and Media Relations | Rice University – Rice News

By Patrick KurpSpecial to the Rice News

Daniel Preston, an assistant professor of mechanical engineering at Rice University, is the latest of eight young researchers in the George R. Brown School of Engineering to receive a National Science Foundation CAREER Award, making 2022 a record-setting year for the honor.

In all, 12 Rice faculty members have won the prestigious award so far this calendar year.

The director of the Preston Innovation Laboratory was awarded a five-year, $600,000 grant for his proposal, Textile-Based Wearable Robots with Integrated Fluidic Logic. Some 85 million adults in the United States who live with physical functional limitations could potentially benefit from the proposed work.

When theyre incorporated into wearable robots, Preston said, soft fluidic actuators provide assistive, rehabilitative and even superhuman capabilities while having advantages over hard exoskeletons. They are lightweight and safe, and they feel comfortable when worn in close contact with the body.

Soft fluidic actuators pose problems of their own. They rely on bulky, hard components, such as valves and electronic control systems that increase weight and decrease comfort when integrated into wearable robots. They sometimes require cumbersome tethers to external devices, making people with mobility limitations less likely to adopt the technologies.

To address these problems, Preston proposes the development of a platform for completely textile-based, non-electronic computation that can be integrated directly into the structure of wearable robots. This would eliminate the need for rigid control systems and enable soft wearables that look and feel like everyday clothing.

Our first objective is to develop a fundamental understanding of this approach, starting from the circuit level, by designing textile-based fluidic analogs to resistors, capacitors and relays, he said.

Second, Preston proposes using these circuit elements as building blocks for fluidic digital logic, engineered for high performance in terms of speed and other computational metrics. Finally, he aims to integrate textile-based fluidic computers, along with textile-based input/output devices and actuators, directly into the structures of wearable robots.

Preston earned his master of science degree and Ph.D. in mechanical engineering from the Massachusetts Institute of Technology in 2014 and 2017, respectively, followed by two years of postdoctoral research at Harvard University. He joined the Rice faculty in 2019.

Laura Schaefer, the Burton J. and Ann M. McMurtry Chair in Engineering, professor of mechanical engineering and department chair, noted that every junior faculty member in her department has won an NSF CAREER Award. In addition to Preston, the recipients are Matthew Brake, Pedram Hassanzadeh and Geoff Wehmeyer, all assistant professors of mechanical engineering.

Patrick Kurp is a science writer for the George R. Brown School of Engineering.

https://www.nsf.gov/awardsearch/showAward?AWD_ID=2144809&HistoricalAwards=false

https://news-network.rice.edu/news/files/2022/05/0509_DOE-1-web.jpg

Daniel Preston. (Credit: Jeff Fitlow/Rice University)

Preston Innovation Laboratory: https://pi.rice.edu

Department of Mechanical Engineering: https://mech.rice.edu

George R. Brown School of Engineering: https://engineering.rice.edu

Located on a 300-acre forested campus in Houston, Rice University is consistently ranked among the nations top 20 universities by U.S. News & World Report. Rice has highly respected schools of Architecture, Business, Continuing Studies, Engineering, Humanities, Music, Natural Sciences and Social Sciences and is home to the Baker Institute for Public Policy. With 4,052 undergraduates and 3,484 graduate students, Rices undergraduate student-to-faculty ratio is just under 6-to-1. Its residential college system builds close-knit communities and lifelong friendships, just one reason why Rice is ranked No. 1 for lots of race/class interaction and No. 1 for quality of life by the Princeton Review. Rice is also rated as a best value among private universities by Kiplingers Personal Finance.

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Daniel Preston wins NSF CAREER Award | Rice News | News and Media Relations | Rice University - Rice News

From farming to pest control – drones could change the way we work – 1News

From sheep herding to pest control, and even crop spraying, drones could play an increasing role in the future.

Workshops have been held in Pukeawa, South Otago, to show farmers some of the options that could help them on the paddock.

Some drones linked with GPS can map challenging terrains, such as paddocks with rocks or dense bush.

Bill Paterson from Aerial Agri Solutionz has been using the technology for around six months.

"It takes a series of photos, depending on how high you send it will determine how many it takes, then all those photos get stitched together and then we use the spray drone to follow the lines that we make of that picture," says Paterson.

He says drones can also be used for both precision spraying and seeding.

"It's got a variable nozzle on it so it's just dropping the spray straight down onto a spinner, and that spinner we can adjust the RPM (rotations per minute) and it'll give us a really accurate droplet size we can go anywhere from rain to really fine mist that you can hardly see."

This precise control helps prevents spray from drifting into waterways, or unintentionally cross-spraying other crop types.

The drone field days were set up by local water care group South Otago River Care (OSRC) with the help of $1.8m in funding from the Ministry of Primary Industries (MPI) over three years as part of its Sustainable Food and Fibre Futures Fund.

OSRC's Rebecca Begg is a big driver of the project.

'We went to out catchment groups and were asking them what innovation would they like to see, and drones kept coming up," says Begg.

She believes it's a vital opportunity for workers to ask questions, get advice, and talk through innovative ideas with others in the sector.

"Farmers love talking to other farmers and that's where they get their good ideas from," she says.

"They love looking to see what's happening over the fence.

"So if we can get the drone technology to be something that's a bit more normal, and a little bit more visible, then I think there'll be a lot more trust in it as an innovation that you can use."

But the technology isn't just for farmers.

The demonstration days saw interested attendees from police search and rescue, regional councils, forestry groups and the Department of Conservation.

Department of Conservation (DOC) threats adviser Keith Briden says drones could be incredibly useful for pest control.

"We're doing quite a bit more work with [wallabies] now, they've been spreading and we want to... make New Zealand wallaby free in the future and we're going to need tools like drones," he says.

"Wallabies are a nocturnal animal, they're very hard to see during the day, they hide in the scrub and pine tussocks."

A solution, he says, is to fit a drone with a thermal camera.

"At night time you can fly it fairly high and spot the wallabies."

He says DOC is even looking at developing drones that can detect wilding pines using artificial intelligence, developing techniques that would be safer and more efficient than traditional practices.

"Some contractors can use a drone to fly an area before they go in and start their work and they can see what the hazards might be."

Organisers hope more regions around the country will hold similar demonstration days, providing more businesses with the opportunities offered by the technology.

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From farming to pest control - drones could change the way we work - 1News