Music provides a powerful form of expression that at its most    basic level helps to entertain while containing the power to    cause revolutions -- both cultural and political. Musics    inherent power scares some people who are afraid of the    powerful potential to shape attitudes and beliefs. The banning    of music sets a dangerous precedent for the censorship of other    forms of expression -- with dangerous consequences for a free    society.  
    Why is music censored? Factors may include clashing moral    values, racial motivations, generational value gaps, and fear.  
    Music has historically been, and continues to be, censored in    an attempt to enforce morality. Its not a coincidence that    music censorship in America began to accelerate during the    1950s, when traditional and conservative values began to    unravel. At the time, order, strict obedience to authority, and    conservative values were part of the accepted mindset. With the    advent of rock n roll, however, young America began to loosen    attitudes on issues relating to morality. Technology also    played an important part in shaping the moral power struggle in    the 1950s. For example, the 1920s era saw similar complaints    against flappers and jazz musicians; however, radio wasnt as    dominant at that time. In the 1950s, radio provided access to    new types of music that challenged traditional morality and    created the dynamics for music censorship.  
    Moral authorities aim to determine what behavior is    acceptable for individuals and for society. Drugs, violence,    and especially sex are topics moral authorities attempt to    regulate. The end of the 1950s witnessed many members of    society, particularly young adults and teens begin expressing    new attitudes about these topics: Sex and drugs were no longer    hidden and secretive acts, but something to be exposed and    celebrated. This shift in outlook began breaking down the    traditional moral order in many aspects of society  especially    music.  
    Race may seem a strange factor in music censorship, but it has    played a significant role. In particular, the 1950s and early    1960s saw a new genre of music -- rhythm and blues -- emerge    onto the national music landscape. R&B music included    freely expressed sexual desires, clear drug references, and    other features that were not as prevalent in other forms of    popular music. R&B was  and still isdominated by black    musicians and traditionally was enjoyed mainly by black    audiences. When its audience expanded to include mainstream    white youths and young adults, this was a problem for many    older whites who considered R&B music as a threat that    corrupted young people and promoted immoral behavior.  
    This phenomenon prompted moral authorities to take action. In    1955, for example, Houstons Juvenile Delinquency and Crime    Commission banned more than 30 songs  many by black artists. A    Chicago radio station promised to censor any controversial    music, especially R&B, after receiving letters from angry    listeners. (Sparrow)  
    Racially motivated music censorship is not a practice limited    to the past. More recent cases involve MTV refusing to air    videos from many black artists in the infancy of the network.    In 1983, during a live interview, David Bowie suddenly asked,    Why are there practically no black artists on the network?    (Why it Took MTV So Long) Michael Jacksons Billie Jean    from the album Thriller, released in 1983, is credited with    being the first black video aired on MTV in heavy rotation.  
    The argument can be made that racial motivations also played a    large role in the FBIs 1989 letter to the rap group N.W.A.    (Nuzum) The F.B.I.s intent was to notify the rap group that    their song Fuck Tha Police wasnt appreciated by the    government. N.W.A. supporters argue the group was only    expressing the frustrations of inner-city blacks and holding a    mirror to their everyday reality. While no legal action took    place, the example helps give context to the pressures behind    government and music censorship.  
    Generational value gaps are a large factor in music censorship.    Older generations use their power to try to censor the music of    younger generations because the new music doesnt reflect the    values of the old. The R&B and rock n roll of the 1950s    and early 1960s contrasted greatly with the values of the    greatest generation, which grew up during the Great    Depression, fought in World War II, and started the production    that led to Americas global economic dominance. As a result,    obedience, respect for authority, and order were important    values for this generation. Conversely, the music being made    during the mid-1950s and early 1960s reflected attitudes    craving individuality, questioning authority, and exploring    freedom, drugs, and sex. In fact, many times the music flaunted    these things to societys elders.  
    For example, in 1965, the Rolling Stones and the Who were    banned from radio stations nationwide because of sexual    references in their songs. (Sparrow) In 1968, The Doors song    Unknown Soldier was banned from many stations because of its    anti-war theme. (Sparrow) In 1971, the FCC threatened to take    away broadcast licenses from stations playing songs that    glorified drugs. In the same year, songs by John Lennon and    Jethro Tull were changed without their knowledge or consent.    Lennons music was changed by radio station themselves while    Jethro Tulls songs were changed by their record label    Chrysalis Records. (Nuzum) Its interesting to consider whether    entering a museum and painting over an artists paintings would    be considered acceptable.  
    The generational value gap continued in the 1970s and 1980s,    when heavy metal rock and rap music were particular targets of    moral authorities. A Prince album caused controversy at a 1984    PTA meeting in Cincinnati, Ohio. (Sparrow) The incident helped    spark the debate for government censorship of music. The    National Coalition on Television, which monitored the level of    violence in music videos, asked for the federal government to    regulate rock music on television. (Nuzum) Although the request    ultimately wasnt acted upon, the demand demonstrates the push    from some segments of the population, mostly conservative, for    federal governmental action.  
    The following year, the Parents Music Resource Center (PMRC),    pushed the music industry and the government to create a rating    systems evaluating the content of artists. The PMRC also hoped    for radio stations to become conscious about airing    controversial content which would in turn censor artists hoping    to become played on the radio. The PMRC was led by Tipper Gore    and very influential wives of politicians and businessmen    living in Washington, D.C. As a result of testimony before the    U.S. Senate, the Recording Industry Association of America    (RIAA) began labeling albums that may be objectionable,    including the infamous black-and-white label Parental    Advisory: Explicit Content, created in1990 and still in use    today.  
    Generational value gaps continue to influence music and music    censorship. Today the focus is largely on gangster rap and    sexually explicit hip-hop lyrics. In each case, the music being    censored is typically regarded as the music of youth and    features values different from those of previous generations.  
    At the root of all of the factors that lead to music censorship    is fear. There is a fear by the authorities pushing for    censorship that the music will affect young people negatively    and prevent them from achieving a morally acceptable life. Many    believe that without censorship, society itself will be changed    significantly, and not for the better. Because the unknown    creates uncertainty, fear of change remains common among those    who attempt censorship, even when music merely reflects, rather    than causes, changes in society. For example, country icon    Loretta Lynns 1975 song The Pill was censored at many radio    stations more than a decade after oral contraceptives became    popular. (Sparrow)  
    From the Vietnam War to todays Iraq War, and from the advent    of the sexual revolution to todays culture wars, music is    recognized as a potential source of power to change values,    ideas, and beliefs  as well as to influence actions. Those who    fear this change try to stop it by censorship, even when, as    history has shown us, censorship is futile when change is    inevitable.
    -- R. Andre Hall, Journalism '09  
    Lombardi, Victor. "Music and Censorship." Noise Between Stations. 1 Dec. 1991. 22 Sep.    2009 http://www.noisebetweenstations.com/personal/essays/music_censorship.html.  
    Nuzum, Eric. "A Brief History of Banned Music in the United    States by Eric Nuzum." Parental Advisory    Music Censorship in America. 22 Sep. 1986 http://www.ericnuzum.com/banned/.  
    Sparrow, Kelly. "Music censorship (part 1) : A brief history."    Examiner: Inside Source For Everything    Local. 22 Sep. 2009 http://www.examiner.com/x-16046-Lexington-Live-Music-Examiner~y2009m8d26-Music-censorship-part-1--A-brief-history.  
    "Why It Took MTV So Long To Play Black Music Videos ."    Find Articles at BNET. 9 Oct. 2006.    22 Sep. 2009 http://findarticles.com/p/articles/mi_m1355/is_14_110/ai_n16807343/.  
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