Archive for the ‘Censorship’ Category

Opinion Journal: Censorship on Campus – Wall Street Journal

1/27/2017 3:17PM WSJ Opinion Picks of the Week 1/27/2017 3:24PM Opinion Journal:Tax Reform, Not Tariffs 1/27/2017 3:19PM Opinion Journal:The FCCs Free-Market Chief 1/27/2017 3:19PM Opinion Journal: The Opioid Crisis: Lessons Learned So Far 1/27/2017 3:17PM Opinion Journal: Censorship on Campus 1/27/2017 3:17PM Opinion Journal: Building the Wall 1/26/2017 4:05PM Opinion Journal: A Renewed Special Relationship? 1/26/2017 4:05PM Opinion Journal: Million Dollar Graffiti 1/26/2017 3:51PM Opinion Journal: Trump Trolls the Media 1/26/2017 3:50PM Opinion Journal: Yes, Voter Fraud Is a Problem 1/25/2017 2:27PM Opinion Journal: Pipelines to Prosperity 1/25/2017 2:27PM 'A Dogs Purpose': From Best-Selling Book to the Big Screen 1/27/2017 3:40AM

With a main character reincarnated as multiple dogs over the course of five decades, A Dogs Purpose is, as the title suggests, about a dogs reason for being. Based on the best-selling book by W. Bruce Cameron, the movie was directed by Lasse Hallstrm as Mark Kelly reports. Image: Universal Pictures

President Trumps executive order temporarily barring some immigrants and refugees from entering the U.S. led to mixed messages from government officials and stoked confusion among green card holders unsure if the policy applied to them. Photo: AP.

When it comes to making tea, you may be doing it all wrong. Stephen Twining, a 10th-generation Twinings heir, and who drinks at least nine cups of tea per day, demonstrates the proper way to prepare tea on Lunch Break with Tanya Rivero. Photo: iStock

During a joint press conference with British Prime Minister Theresa May, President Trump emphasized Americas close ties with the U.K. and said a decision had not been made regarding lifting sanctions on Russia. Photo: AP

"Becoming Warren Buffett," a new HBO documentary, chronicles the life and philosophy of the Berkshire Hathaway CEO. The show's director, Peter Kunhardt, discusses the project on Lunch Break with Tanya Rivero. Photo: Getty

Snapchat parent Snap is wooing major ad firms ahead of its initial public offering, hoping to land lucrative advertising deals that could bolster the IPO. WSJ's Lee Hawkins explains. Photo: Richard B. Levine/Zuma Press

At the 2017 New York Boat Show, bigger is usually better. But this year, two of the most outstanding watercraft came in smaller packages. Photo: Jeff Bush

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Opinion Journal: Censorship on Campus - Wall Street Journal

Scientists Are About to Be Censored. They Shouldn’t Censor Themselves. – Slate Magazine

Was the National Park Service censored, or did it self-censor?

Photo illustration by Slate. Images by National Park Service, neyro2008/Thinkstock and ConstantinosZ/Thinkstock.

The fears about a Trump presidency are many and varied, but one of the most persistent has been the threat of censorship over science. Remember, Trumps climate change denialism goes beyond the common refrain of Im not a scientisthe basically suggests that no one is a scientist, except maybe that uncle of his who was a professor at MIT. His administration has already announced that it will try to undermine climate data collection and is likely to try to adjust critical calculations like the social cost of carbon. Were on high alert because we should be lets not forget that as soon as Trump took office, all mentions of climate change were scrubbed from the White Houses website.

Into this climate came the bizarre dispute between Trump and, of all things, the National Park Service.* The brief recap is that the National Park Services main Twitter account retweeted side-by-side photos of the inauguration in 2009 and 2017, which plainly show that Barack Obamas first-term crowd was larger. The account also tweeted about the disappearance of the White Houses webpages on climate change when the site turned over to Trumps team.

The tweets were deleted within hours and described as mistaken the next day:

An internal memo from the organizations Washington office was sent to employees asking everyone to immediately cease use of government Twitter accounts until further notice.

This seems like a hasty (and jerky) reaction from an office in transition, one that might be a bit apprehensive about getting under its new boss famously thin skin. But reporting from the Washington Post, via sources with inside knowledge of the situation, provided frightening clarity on the situation. In an unbelievably self-absorbed move, it turns out that President Donald Trump woke up on his first day in office and decided that one of his first moves as leader of the free world would be to call the acting director of the National Park Service to complain about the photos that showed small crowds and admonish him for the tweets (which, remember, had already been deleted).

From the Washington Post:

That Donald Trump seems to have spent a good portion of his first week in office obsessing over his supposed ratings is a terrifying indication of his mental stability and fitness to lead our country.

But another frightening part of the story is how the action seems to be influencing other government employees.

On Monday, news was leaked about an apparent gag order issued to the U.S. Department of Agriculture. It would be completely in character for the Trump administration to do such a thing, but frighteningly, it seems that this directive didnt come from inside the White House. In fact, the USDA gag order came from the USDA. As Science magazine reported Thursday, Firestorm over supposed gag order on USDA scientists was a self-inflicted wound, agency says. The memo that got so much grief was a poorly worded effort by career officialnot anyone appointed by Trump. This particular gag order has since been rescinded.

And consider the other National Park Service Twitter account to get attention this weekthe Badlands National Park, which tweeted four links about climate change on Tuesday afternoon that were subsequently deleted, prompting extensive outrage and several alt Twitter accounts. On Tuesday night, National Park Service officials said the Badlands was not told to remove the tweets but choose to do so on its own. The gag order that was issued to National Park Service accounts on Friday had apparently been lifted on Saturday morning. Press Secretary Sean Spicer said he hadnt heard of specific bans and declined to comment.

Many took this to mean that the Trump administration had gone full censorship and was also lying about ita frightening and also totally understandable reaction given, well, everything.

Despite Spicers otherwise appalling performance, I dont think the Badlands debacle is evidence yet of an administrationwide attempt to muzzle scientists. (Im not saying that will never happenand maybe it has happenedbut that evidence seems thin.) Its a tough line to draw given that we are living under a president with authoritarian tendencies who does seem to set more store by Twitter than most rational humans. But my fear is that the Badlands reaction and the USDA debacle are indicators that something far more insidious is already happening: self-censorship.

Its completely reasonable for government employees to assume that tweets about climate change would bother Trump, who is a denier. It is terrifying that they would start censoring themselves so as not to upset him.

All government entities are going through transitions, and its a tense time, to say the least. They may even be accurately intuiting Trumps wishes. But as we continue to fret about freedom of information, wed be well-served to remember how censorship tends to manifest. Often, it doesnt come down from the top. The mere threat of censorship, and the accompanying fear of reprisal, can do the trick.

So far, Trump seems to get most incensed over what he sees as personal slights against himsomething the National Park Service seemed to intuit when they removed the tweets in the first place (self-censorship!). Let him stew there. Make him, or his deputies, censor climate change information themselves. (Also make them censor critical tweets about the president himself!) And if or when that happens, please email us at tips@slate.com.

*Correction, Jan. 27, 2017: This story originally misidentified the National Park Service as the National Parks Service. (Return.)

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Scientists Are About to Be Censored. They Shouldn't Censor Themselves. - Slate Magazine

Rogue National Park Accounts Emerge On Twitter Amid Social Media Gag Orders – NPR

The official Twitter account of Badlands National Park in South Dakota was the first to tweet climate change facts in defiance of the gag order placed on the Environmental Protection Agency. Francis Temman/AFP/Getty Images hide caption

The official Twitter account of Badlands National Park in South Dakota was the first to tweet climate change facts in defiance of the gag order placed on the Environmental Protection Agency.

If Twitter accounts fall silent in the woods, can they still make a sound? Turns out, yes lots.

Tuesday afternoon, a new Twitter account called "AltUSNatParkService" appeared and began tweeting out facts about climate change, support for the National Parks and comments in opposition of President Trump, who has called climate change a hoax created by China.

All this came in response to the news of new orders to limit outward contact with the public, including bans on social media postings, at the Environmental Protection Agency, the Department of Agriculture, the Department of Health and Human Services and the Interior Department, which oversees the National Park Service. The EPA was ordered to enact a temporary media blackout as the Trump administration transitions its team into the agency roles.

The rogue tweeting started at the Badlands National Park in South Dakota, as the park's verified Twitter account tweeted in defiance with facts about climate change, such as: "Today, the amount of carbon dioxide in the atmosphere is higher than at any time in the last 650,000 years. #climate."

The messages took Twitter by storm, but were later removed. This led to a public outcry over what many took to suggest was censorship of the accounts. The National Park Service responded with a statement that blamed "a former employee who was not currently authorized to use the park's account":

"The park was not told to remove the tweets but chose to do so when they realized their account had been compromised. At this time, National Park Service social media managers are encouraged to continue the use of Twitter to post information relating to public safety and park information, with the exception of content related to national policy issues."

In true Twitter fashion, the removal of climate change tweets from the official account gave rise to a wave of rogue accounts, including "BadlandsNPSFans" and "BadHombreLands NPS" the latter referring to Trump's "bad hombres" comment during a presidential debate.

Both accounts post about science and climate change, as well as in opposition of Trump's policy proposals, with BadlandsNPSFans directly skewering Trump and his team. In both cases, it is unclear who is running these accounts.

The AltUSNatParkService account, for its part, grabbed the spotlight on Wednesday, racking up some 600,000 followers in the span of 24 hours. The account claims to be run by current park rangers, which NPR could not confirm. The location of this group is also unclear as they made references to Mount Rainier in Washington as well as the local Washington, D.C., time.

NPR reached out to the self-proclaimed "unofficial resistance team" for a comment, but did not hear back. The official National Park Service communications office also did not respond to requests for further comment.

The official NPS Twitter account found itself in hot water last week, too, when it was asked to stop tweeting after sharing images comparing the crowd size of Trump's inauguration to that of former President Barack Obama in 2009.

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Rogue National Park Accounts Emerge On Twitter Amid Social Media Gag Orders - NPR

The Frame | ‘Salesman’ director says working around Iran’s … – KPCC – 89.3 KPCC

This interview with Iranian filmmaker Asghar Farhadi took place a few days after the November election. There was a question of whether Farhadi would be able to attend the Oscars ceremony due to President Trump's temporary ban on travel from seven Muslim-majority countries, including Iran, but on Sunday, Farhadi told the New York Timeshe will not attend the ceremony, even if exceptions are made. His full statement is here. Before Farhadi made his statement, an Academy spokesperson responded in this statement:

"The Academy celebrates achievement in the art of filmmaking, which seeks to transcend borders and speak to audiences around the world, regardless of national, ethnic, or religious differences. As supporters of filmmakersand the human rights of all peoplearound the globe, we find it extremely troublingthat Asghar Farhadi, the director of the Oscar-winning film from IranA Separation, alongwith the cast and crew of this year's Oscar-nominated filmThe Salesman,couldbe barred from entering the country because of their religion or country of origin."

Iranian filmmaker Asghar Fahardi is no stranger to American audiences and Academy Award voters.

He wrote and directed the 2011 movie, A Separation, which won the foreign language Oscar. And his new movie, The Salesman, was just nominated in the same category for this years awards.

The main characters in his new movie include a theater troupe that's mounting an Iranian production of Arthur Miller's "Death of a Salesman." The story also includes the sexual assault of the lead female character, named Rana. The Frame's John Horn spoke with Farhadi several weeks ago in Los Angeles, just days after the U.S. presidential election. Farhadi speaks English but is much more conversant in Farsi so his answers were translated by Dorna Khazeni.

The most important section of "Death of a Salesman," the one that had the strongest impact on me, was precisely the scenes you're referring to about his relationship to New York City. In the same way that New York at that time was undergoing change, Tehran too is undergoing this very rapid change. In the story, Willy Loman, who can't make his piece with the rapid rate of change is getting left behind. What's true of Tehran today is that the roots are not being modernized. It's only the appearances that are being modernized. A lot of modern building have been made, so much so that when a person comes to Tehran for the first time someone from abroad they're shocked at the appearance. But the actual tradition and the inside of people hasn't changed, and there's a discrepancy there between those two things.

The people of Iran have a great deal of information about the people of America. As opposed to the people of America, who know very little about the people of Iran. I had to spend a few hours at the airport in Tehran [recently] and I was watching people at the airport. And I realized that they were all intently watching all the TV monitors and they were all looking at their mobiles, following the election news from America. This is actually a very positive curiosity, to want to know one another. But not through the media. In Iran, Arthur Miller is extremely well-known. Other American writers and playwrights are extremely well-known, as are American filmmakers. Maybe one reason for this is, since the politicians are warring with each other, the people have on the contrary tried to find a way of approaching each other.

What has occurred the phenomena is that the picture they have of Iran has to do with Iranian politics, and they impose that on the notion of the people of Iran. But these are two very different images. The people are utterly different. It is my belief that each film has the capacity to show a small section of the society in which it's made to the rest of the world. Of course this is a relative picture of that society. But with a number of films, you can arrive at a multidimensional, fuller picture of that society.

A certain number of commercial films get made that are just for pure entertainment. They rarely have problems. There are a number of independent films that are made as well. Some of them meet with some difficulties. This is a challenge between the filmmakers, vis-a-vis the system, to make the film that they have in mind in spite of the limitations. These very limitations have resulted in the filmmakers developing a very unique language over the years that stands out compared to films made elsewhere. Just by way of example, in [my] film, I could not have shown the scene with Rana in the shower and the man entering. But, unconsciously, by virtue of not being able to show that scene, it turned into my discovering a new film language. This is not meant as approbation of the limitations. In the long-term, limitations are always going to destroy creativity. But we can't deny that it has also led to some original filmmaking.

This story has been updated.

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The Frame | 'Salesman' director says working around Iran's ... - KPCC - 89.3 KPCC

Cut & Paste: What constitutes censorship in art and how it affects artists and the community – KBIA

St. Louis-area artist Fabio Rodriguez was devastated when a very personal piece of his work was removed from an exhibition. But did that action rise to the level of censorship?

The idea of reacting to public outcry against a work of art captured the conversation in St. Louis last fall after community advocates demanded that the Contemporary Art Museum remove a Kelley Walker exhibition.Since then, two Washington, D.C. incidents with local connections have kept a spotlight on the subject. One involved an historical painting, the other, the work of a teenager artist.

In our latest Cut & Paste podcast, we explore issues of censorship with Rodriguez and Washington University art history professor Angela Miller.

Willis Ryder Arnold and Nancy Fowler talk with St. Louis artist Fabio Rodriguez and Washington University art professor Angela Miller about what censorship is and how it affects artists' work.

Heres some of what youll hear in the podcast:

Look for new Cut & Paste (#cutpastestl) podcasts every few weeks on our website. You can also view all previous podcasts focusing on a diverse collection of visual and performing artists, and subscribe to Cut & Pastethrough this link.

Follow Willis and Nancy on Twitter: @WillisRArnold and @NancyFowlerSTL

Please help St. Louis Public Radio find artists to feature on Cut & Paste.Tell us which artists and cultural themes deserve a closer look.

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Cut & Paste: What constitutes censorship in art and how it affects artists and the community - KBIA