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Bamseom Pirates Seoul Infernoby Jung Yoon-Suk (image courtesy M-Line Distribution)

The Last Waltz, Martin Scorseses quintessential concert film chronicling the last show of the 70s rock group The Band, begins with text declaring across the screen: This film should be played loud. In the decades following the 1976 classic, this advice found its way into the beginning of countless music films. Most recently, the spirit of the message traveled across the globe to South Korea in Jung Yoon-Suks documentary Bamseom Pirates Seoul Inferno (2017), the story of the college punk duo Bamseom Pirates and their struggles with government censorship. But the onscreen statement near the beginning of Jungs film skews in a more political direction, notifying the viewer, The sounds of the film were left unbalanced to help you experience the imbalances in Korean society. In the background, we hear the Pirates aggressive, discordant music.

As a bellwether of whats to come, the statement works twofold. First, it prepares the viewer for an on-the-ground look at the politics and class conflicts of contemporary South Korea. Second, like the rest of the movie, it presents an endlessly compelling subject in a clodding, inelegant manner.

The film, which is playing at the New York Asian Film Festival at the Film Society of Lincoln Center, revolves around the arrest of the bands producer and manager Park Junggeun. He is said to have violated the countrys nebulous National Security Laws after posting tweets that were seen as praising the enemy. These tweets, including Dear leader, please buy me some chocolate and Kim Jong-Il is Car Sex, show how vague and easily manipulable the laws are. The messages are shared on-screen in front of images of Park dressed in costumes goofing off with friends, making it even clearer that Park is joking. However, South Korean culture seems to treat any expression of dissent comical or not as aiding the enemy.

Watching the Pirates at work is a riveting experience. Sarcasm and irony infuse everything they do especially their lyrics. In some songs, they seemingly, wholeheartedly endorse North Korean Communists, with choruses like All Hail Kim Jong-Il! But we recognize this stance is a farce in moments where the band discusses its almost nonexistent politics. Having spent his young life firmly on the south side of the DMZ, the drummer of the band, Kwon Yung-man, admits at one point, Honestly I know almost nothing about North Korea. The musicians scream slogans praising their countrys enemies just to provoke the powers that be.

Despite efforts to mirror the bands slapdash aesthetic, the film unfortunately follows a fairly consistent formal structure that keeps it from being engaging. A protest ensues around the privatization of Seoul University and a Korea-US free trade agreement. Then the band Yung-man and bassist Jang Sung-geon performs at the protest, offering a set of their signature punk/metal fusion and nonsense banter. The handheld cinematography that fills most of the film is a visually unspectacular means of chronicling these happenings, and Kwons tendency to tell the camera exactly what the band is doing instead of simply showing it drags the story on.

More interesting is Jungs repurposing of newscasts that intrude on the bands story, giving cultural context for the society that yielded the Pirates. A story about a 1994 meeting between North and South Korean officials, where the Communist representative warns that his country can turn their countries into an inferno if provoked, offers context for the tense political climate on both sides of the DMZ; this anecdote also explains the origins for the name of the Pirates debut album Seoul Inferno, which is excerpted throughout the film. Later in the film, as Park is on-trial, Jung appropriates propaganda from the era, where in a staged conversation two men and two women discuss their thoughts on war with the north. One of them declares, If certain elements within the South cause turmoil when the North attacks, they will pay dearly for their mistakes. Jungs appropriation of this footage paints a vivid portrait of the social consensus allowing the crackdown on Park, which ends in a 10-month jail sentence and two years probation.

Following the delivery of the verdict, however, Bamseom Pirates Seoul Inferno fails to end on a note acknowledging this very emotional moment. The viewer is treated to shots of the pirates riding in cars through the city at night, a middle-aged man asleep on public transportation, and cats, as well as scenes of the band recording screams, moans, claps, belches, and the whir of power tools. The film suffers for not making a final statement regarding the censorship imposed on artists in South Korea. The fault lies with the filmmaker and not the artists, whose dadaist sensibilities are the reason to watch this documentary.

Bamseom Pirates Seoul Infernois playingat the New York Asian Film Festival at the Walter Reade Theater, Film Society of Lincoln Center (165 W 65th St, Upper West Side, Manhattan) on Tuesday, July 11.

Continued here:
A Korean Punk Band's Struggles with Censorship - Hyperallergic

The Bolshoi Ballet has denied bowing to a controversial Russian law banning "homosexual propaganda" after it cancelled a new production about Rudolf Nureyev three days before the premiere.

The long-anticipated production had been due to open on Tuesday but was called off at the weekend amid speculation that authorities had balked at its depiction of Nureyev's love life.

Vladimir Urin, the theater's director general, said on Monday that he had cancelled the ballet about the Soviet dancer-turned-defector because rehearsals showed it was not ready.

"The ballet was not good," he said, saying it had been postponed rather than cancelled and would open in May next year instead.

Earlier the Tass news agency cited a culture ministry source saying Vladimir Medinsky, Russia's minister of culture, cancelled the production because he feared it broke a controversial law banning the promotion of homosexuality to minors.

Mr Medinsky's ministry confirmed he had spoken to the director, but denied issuing a "ban."

"Yes there was a long conversation with Urin," Irina Kaznacheeva, a spokeswoman for the culture ministry said in a statement. "But a ban is the not the ministry's working style."

Rudolf Nuryev was one of the most celebrated ballet dancers of his generation. In 1961 he became was one of the first acclaimed Soviet artists to defect to the West, where he had successfulcareer - and a turbulent love life including a string of gay relationships - until his death in 1993.

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Bolshoi Ballet denies bowing to censorship over canceled Rudolf Nureyev show - Telegraph.co.uk

China's crackdown on livestreaming is really just the tip of the censorship iceberg Mashable In a show of strength, in anticipation of a huge political event, China is cracking down hard on the one thing it hasn't been able to control livestreaming. With 731 million internet users in China of which 300 million have used livestreaming ...

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China's crackdown on livestreaming is really just the tip of the censorship iceberg - Mashable

Startup of the week:

Who they are:IranCubator

What they do:Its atech incubator that producesapps focused on achieving social change in Iran, backed by Berkeley-based nonprofitUnited for Iran.

Why its cool:Launchedthree years ago, IranCubator matches activists with app developers to create technology that can change the lives of Iranian citizens. The program has launched a series of apps in recent months, including womens health appHamdam. Geared toward women who dont have access to sexual health resources women from conservative families or from rural areas, for example Hamdam provides information on sexually transmitted diseases and contraception, and also offers the only Persian menstruation calendar, according to United for Iran founder and executive director Firuzeh Mahmoudi. And Hamdam offers resources to help women who often arent granted the same legal protections as men answer questions on marriage law, divorce, employment and more.

Another IranCubator app,RadiTo, lets Iranians listen to news programs blocked by the government, such as BBC Persian, as well as audio books and talk shows. Thats crucial in a country that has a reputation as being one of the worlds most restrictive regimes when it comes to accessing information Reporters Without Borders this year ranked Iran 165th out of 180 countries initsWorld Press Freedom Index.

IranCubator also released an appcalled Haami thats geared toward Irans 2.2 million drug users offeringrecovery resources including Narcotics Anonymous information translated into Persian and a personal safety app calledToranjthat helps women defend against domestic violence.

To learn more visitUnited4Iran.org.

Where they stand:Womens health appHamdam, the incubators most popular app, has been downloaded more than 70,000 times since its launch in March.

Only in Silicon Valley:

Bummed out by shoes that dont fit?Iovadopromises to fix that problem by combining Silicon Valley technologywithItalian fashion. Customers use the companys app to take 10 pictures of their foot, which Iovado converts into a 3D model. That model is then sent to leather workers in Italy who use it to make a pair of handcrafted shoes built exactly to your specifications. The whole process costs 240 Euros, or about $274.

Iovado had raised almost $65,000 on Kickstarter as of Thursday, surpassing its goal of $22,678.

Run the numbers:

When considering whether to invest in a startup, venture capitalists question female founders differently than male founders, according to a recentstudypublished in the Harvard Business Review. Investors are more likely to ask men about their potential for gains, and women about their potential for losses, according to researchers from Columbia University and the University of Pennsylvania, who analyzed interactions between 140 VCs and 189 entrepreneurs at TechCrunch Disrupt New York.

Sixty-seven percent of questions posed to male founders had to do with promotion focusing on hopes, achievements, advancement and ideals, according to the study. On the other hand, 66 percent of questions asked of female founders had to do with prevention they focused on safety, responsibility, security and vigilance. For example, VCs were more likely to ask men how they will acquire new customers, and ask women how they will prevent current customers from leaving.

Those lines of questioning make a difference, the researchers argue. The male-led startups they studied raised five times more funding than those led by women.

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Following a string of female startup founders who have spoken out aboutsexual harassmentthey faced frommale investors, entrepreneur Perri Chase this week addressedthe more subtle nuances of the investor/founder relationship. In a blog post titled I had sex with an investor & I am sorry, Chase described a meeting over drinks with an angel investor she hoped would back her startup. Whenhe started hitting on her, Chase wrote, it became clear that he hadnt intended theinteraction to be a pitch meeting. She says she made a consensual choice to reciprocate his advances.

In all that has been emerging this week it dawned on me that I gave him permission to act this way, Chase wrote. My sleeping with him is actually part of the problem.

But its complicated, Chase wrote, adding that in a world where its common to meet investors over happy hour, the line between professional and social interactions can become blurred, and clarifying it needs to become a priority.

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Early Stage: Apps to fight censorship, drug addiction and sexism in Iran - The Mercury News

Ive been storing a truckload of my deceased parents stuff. This summer, after several moves and even more years, I decided to go through it and make the hard decisions about getting rid of (at least) some of it.

In one box was a clear plastic bag with newspapers in it. Tribune-Stars, haphazardly folded, but with a similarity; they were the D section of the Sunday Trib containing my essays. My mother was saving my essays. Id discovered a treasure trove. Until 2007ish I didnt save my Tribune-Star essays, so these have been termed Moms archive and Ive been digitizing them and (re)publishing them on my personal blog.

Some of these previous essays beg for updating and that is what I am doing today, updating an essay published on Feb. 6, 2005, titled A reaction laced with hypocrisy. The essay was about a survey published by the Knight Foundation on the attitudes of high school students toward the First Amendment. Knight has recently published another survey and given the tensions surrounding the press, its role, journalists rights and fake news it seemed ready-made for an update.

Some of the high points of the survey findings from 2006 were that 70 percent of the surveyed high school students believed that newspapers should seek government approval before running their stories and that only a bit more than a third disagreed that the First Amendment went too far in the rights it guarantees. Those students would be today in their middle to late twenties and voting.

I wrote that this finding was a reason for concern. The Knight Foundation cited a lack of resources and extra-curricular opportunities to learn about the First Amendment such as school newspapers. I pointed to broader changes in schools and likened them to prisons as the lives of students were becoming increasingly regulated leaving less room for student agency.

The hypocrisy referred to in the title had to do with this finding: Fifty-eight percent of students agreed that high schools should be allowed to report on controversial issues in their student newspapers without approval of school authorities. But only 39 percent of teachers did and less than a quarter of principals did.

In 2016, 56 percent of students disagreed that the First Amendment went too far in the rights it guarantees. For the teachers, it was 75 percent who disagreed with that statement. As to newspapers seeking government approval before running their stories, 61 percent of students and 73 percent of teachers agreed. Seems contradictory.

Ninety-one percent of students agreed that people should be able to express unpopular opinions. And those who more frequently consume news and actively engage with news through social media demonstrate stronger support for First Amendment freedoms. Unfortunately, the report does not include data on how many students regularly consumed and engaged with news sources. Based on my experience with my students, I would guess the proportion to be small. Of those who said they engaged often the smartphone was their overwhelming source for their news.

The study asked students and teachers about online news providers right to publish stories without government censorship. Seventy-three percent of teachers and 60 percent of students were supportive of that right, echoing somewhat the proportions responding to whether newspapers should seek government approval before running their stories. To me, this is concerning, especially now that the President of the United States is attempting to discredit the press.

Is there a difference in levels of trust for different media between students and their teachers? The highest trust for both students (83 percent) and teachers (91 percent) is news printed in newspapers. The trust placed on the information in newspapers was similar to information from friends and family. The lowest trust for both students (49 percent) and teachers (34 percent) was in social media. This was also the biggest gap between students and teachers.

The hypocrisy remains, however. Sixty-three percent of students believe high school students should be able to report on controversial issues in their student newspapers without the approval of school authorities. Only 37 percent of teachers agreed. Those numbers havent changed much since 2006.

In an age of high levels of distrust in government, to suggest censorship is an answer to an overreach of press freedom or for it to monitor offensive content seems strange. Three-quarters of teachers and almost 60 percent of students unquestioningly support the First Amendment. Why not look to the market as the answer? Dont like a source, dont read it.

Thomas L. Steiger is a professor of sociology and director of the Center for Student Research and Creativity at Indiana State University. Email: thomas.steiger@indstate.edu.

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Tom Steiger: A strange attitude concerning press censorship - Terre Haute Tribune Star