Archive for the ‘Censorship’ Category

Gangster Gangaraju Censor report and run time – Tollywood

Gangster Gangaraju Censor report and run time

Gangster Gangaraju is an upcoming Telugu movie which is gearing up for the grand release very soon. The movie is directed by Eeshaan Suryaah and will feature Nihar Kapoor, Laksh Chadalavada, Vedieka Dutt, Vennela Kishore and Srikanth Iyyengar as lead characters. The movie also has Goparaju Ramana, Satyakrishan, Raviteja Nannimala, Charan Deep,Srikanth Iyenger, Rajeshwari Nair, Sammeta Gandhi, Rajendra, Anu Manasa, Lavanya Reddy, Annapoorna, and others in the important roles. According to the latest update, Gangster Gangaraju has completed the censor formalities and received U/A certificate from the censor board. The movie has crisp run time of 2Hrs 12Mins.

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In the month of August last year, the makers of Gangster Gangaraju , unveiled the first look poster of Laksh Chadalavada who was spotted wearing an under cool outfit. He was seen sipping the coconut water.

The upcoming action entertainer Gangster Gangaraju is funded by well-known producer Padmavathi Chadalavada under the banner of Sri Tirumala Tirupati Venkstwshwara Films while Chadalavada Brothers are presenting this upcoming drama, which has the music by Sai Kartheek. The promotions of the film are going on in full swing. While the first look and songs of Gangster Gangaraju got a wonderful response. Being made with a different and first-of-its-kind storyline, the upcoming drama Gangster Gangaraju has all the thrilling elements for the movie lovers.

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Gangster Gangaraju Censor report and run time - Tollywood

What is Censorship? – National Coalition Against Censorship

What is censorship?

According to Websters Dictionary, to censor means to examine in order to suppress or delete anything considered objectionable. The word censor originated in ancient Rome, where the government appointed officials to take the census and to supervise public morals. Censorship happens whenever some people succeed in imposing their political or moral values on others by suppressing words, images, or ideas that they find offensive.

A censor, traditionally, is an official whose job it is to examine literature, movies, or other forms of creative expression and to remove or ban anything she considers unsuitable. In this definition, censorship is something the government does. But censorship can also be accomplished very effectively by private groups.

Not all forms of censorship are illegal. When private individuals agitate to eliminate TV programs they dislike, or threaten to boycott the companies that support those programs with advertising dollars, they are certainly trying to censor artistic expression and interfere with the free speech of others. But their actions are perfectly legal; in fact, their protests are protected by the First Amendment right to freedom of speech.

Not even all government censorship is unlawful. For example, we still have laws against obscenity in art and entertainment. These laws allow the government to punish people for producing or disseminating material about sex, if a judge or jury thinks the material is sufficiently offensive and lacks any serious value.

What is the basis for free expression in the United States?The First Amendment (Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances) protects against government restrictions on or interference with the content of speech. The First Amendment applies to Government at the national, state, and local level.

Why should I care about censorship?Understanding of First Amendment freedoms is fragile and imperiled by increasingly effective and sophisticated attacks. In numerous communities, people are determined to impose their own narrow views on everyone else, and censor what they do not approve.The First Amendment exists to protect speech and activities that are unpopularif only those ideas which were popular were protected, it wouldnt be needed. Limiting free speech is unAmericanwithout it, all our rights and liberties quickly disintegrate.Censorship is an assault on the rights of all of us. We must continue to fight for the freedom to read, to see, to know, and to think for ourselves.

How can I fight back against censors in my community?Heres what you can do to organize locally.

Where can I get further information on censorship?For more information about censorship, here is a list of NCACs resources, or drop us an e-mail here.

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What is Censorship? - National Coalition Against Censorship

Shanghais Censors Cant Hide Stories of the Dead – WIRED

ZHOU SHENGNI NEEDED a doctor, and fast. The 49-year-old, who was having an asthma attack, was being driven by her family to Shanghai East Hospital, where she worked as a nurse, for urgent treatment. It was March 23, and the Chinese city was under a strict Covid lockdown.

However, when they arrived at the emergency department, Zhous family found that it was closed for disinfection under Shanghais rules to contain the spread of Covid. In urgent need of medical care, they had no choice but to drive to another hospital about 9 kilometers away. Zhou later died.

Zhous death caused outrage on Chinese social media, but it was not an isolated incident. Shanghais citywide lockdown lasted two months, with most restrictions removed on June 1. But, for those two months, almost nothing movedincluding the citys hospitals, which were hit by sudden closures, with many restricting their services to emergencies only. Patients in need of medical help were told to present a negative PCR test to access care.

From February to May, health authorities in Shanghai had reported 588 deaths related to Covid-19, the majority elderly residents. But officials didnt count people like Zhou, who may have died as a result of the citys lockdown restrictions.

Discussions about the collateral damage of Chinas zero-Covid policy are heavily restricted in the country. Censors have blocked comments from people opposing the pandemic strategy, including remarks made by World Health Organization director-general Tedros Adhanom Ghebreyesus. But, as ever in China, censorship has not stopped people from finding technical workarounds to express dissent.

On April 14, a WeChat account called Shi You shared an article entitled Shanghai Deceased, which reported on people in the city who had seemingly died as a result of harsh lockdown restrictions. The articles comment section was quickly flooded with messages from people saying they had also heard of or knew someone who had died during the lockdown.

Capser Yu immediately realized that both the article and its comments were important. A Shanghai native now working in Singapore, Yu had heard stories of people back home who had lost loved ones during lockdown. One of those lost was Chen Xiangru, a 3-year-old girl who was reportedly unable to receive timely treatment when she developed a serious fever in late March. Chen died in hospital while waiting for the result of a PCR test doctors required to provide treatment.

Worried that censors would hide crucial evidence, Yu started taking screenshots of the WeChat article. A few hours later, WeChat scrubbed the article. When people in China tried to open the article again, all that was left was a message saying it violates regulations.

Yu reposted the content on a blog he created, called Real China, to help keep his parents in Shanghai informed about how news in China was being reported overseas. Within hours, Chinese censors blocked the reposted content. Yu says the article, which is still accessible outside China, was read by more than 20,000 people before it was censored. The link has since started working again for unknown reasons and, by the end of June, had become the most-read post on Yus blog.

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Shanghais Censors Cant Hide Stories of the Dead - WIRED

RANKIN CREATIVE LAUNCH EXHIBITION TO PLATFORM THOSE UNFAIRLY CENSORED ON SOCIAL MEDIA – Yahoo Finance

"CENSORSHIP IS A TOOL, BUT ONE THAT IS OFTEN USED INADVERTENTLY TO SILENCE MARGINALISED VOICES," SAYS CREATIVE FOUNDER & PHOTOGRAPHER, RANKIN.

EXHIBITION IN PARTNERSHIP WITH QUANTUS GALLERY JUNE 16TH-24TH FEATURING RANKIN PORTRAITS OF 13 OF THE UNFAIRLY CENSORED COMMUNITY.

RANKIN'S CENSORED PORTRAITS OF THE UNSEEN MADE INTERACTIVE WITH AR EXPERIENCE BY MEDIA.MONKS, USING 8TH WALL.

THE UNSEEN GIVES VOICE TO HUNDREDS OF INDIVIDUALS AND SMALL BUSINESSES THAT HAVE BEEN UNFAIRLY CENSORED AND SILENCED ON SOCIAL MEDIA PLATFORMS.

LONDON, June 13, 2022 /PRNewswire/ --RANKIN CREATIVE has launched an online community project spotlighting unfair censorship by using its resources to re-platform those who've been unfairly silenced online. THE UNSEEN is open to anyone who has experienced Content removal, account removal, promotion/ad ban or shadow banning. The project intends to create a positive debate around this topic, to provoke change in attitudes and working practices.

"Censorship is a necessary tool to prevent fake news, protect children and more. But it is often used inadvertently to silence marginalised voices," said Creative Founder & Photographer, Rankin.

THE UNSEEN is specifically highlighting the breadth and severity of unfair censorship in a way that's not been seen before. The statistics of those who have joined the community highlight the core reasons marginalised people feel they are being censored:

FEMALE BODY & SEXISM/MISOGYNY

RELATED EXPERIENCES 29.6%

EXPERIENCES OF HOMO/QUEERPHOBIA 10%

POLITICALLY RELATED EXPERIENCES 7%

FATPHOBIA/PLUS SIZE DISCRIMINATION 5%

ABLEISM EXPERIENCES 4%

RACISM EXPERIENCES 4%

"IT'S A CONTINUOUS, FRUSTRATING GAME OF WHACK-A-MOLE WITH PLATFORMS, SO MUCH SO THAT I'VE ENDED UP BLENDING MY PHD IN THE MODERATION OF ONLINE ABUSE WITH MY EXPERIENCES OF CENSORSHIP," SAYS UNSEEN COMMUNITY MEMBER DR CAROLINA ARE.

The project has generated incredible interest, even at it's early stages, with hundreds of people from all over the world sharing their stories and joining the discussion. The stories shared on THE UNSEEN entry form and the posts that the entrant had censored will all be included on THE UNSEEN website launching on the 15th of June.

Story continues

"We've had an incredible response so far, and we're just getting started," said Rankin. "This is an important issue, and those affected deserve to have a voice in the policies that affect them on the platforms they love and build their businesses on."

To launch the project, RANKIN has partnered with Digital-first Quantus Gallery in Shoreditch, London to hold a public exhibition. The show will feature all the posts and several of the stories submitted by entrants, alongside portraits of 13 of the community photographed by Rankin and made Interactive by the experiential design team at Media.Monks.

"We wanted to put the viewer back in control, and subvert the relationship we have with the images we see online, so working with Media.Monks was ideal. I also think it's important to show how emerging technologies like 8th Wall can be used positively, to make things fairer," said Rankin

"We're thrilled to be launching this project to the public, we hope the simple act of creating a database and awareness of these stories will help make a difference. But we're far from done, we'll be working until the system is fairer." said the creatives driving the project OPALUKE (Opal Turner and Luke Lasenby.)

The website (theunseen.site) and exhibition will launch on the 15th of June at 7pm and be open to the public from the 16th - 24th June at Quantus Gallery 11-29 Fashion Street, London, E1 6PX.

PRESS ONLY - To attend the launch please email your name to rsvp@rankin.co.uk.

ABOUT RANKIN CREATIVE

RANKIN CREATIVE IS AN INDEPENDENT CREATIVE AGENCY FOUNDED BY THE EPONYMOUS PHOTOGRAPHER AND CREATIVE POLYMATH, RANKIN.

"We work with progressive brands, businesses and people to drive growth creatively and commercially using the power of popular culture, taking on some of society's biggest tensions and taboos."

Our deep roots in the visual arts and editorial world fuels our approach that ensures our work is leading culture and makes real behaviour changing impact."

RANKIN.CO.UK

ABOUT QUANTUS GALLERY

Quantus is Europe's first NFT Gallery and Advisory on London's Fashion Street, Co/founded by James Ryan of Grove Square Galleries and crypto currency and NFT expert Josh Sandhu. A hybrid Gallery, Quantus are at the forefront of all things NFT related, supporting new artists and collectors on their journey.

ABOUT MEDIA.MONKS

Media.Monks is a digital-first marketing and advertising services company that connects content, data and digital media and technology services and produces websites, games, films, social media content, digital advertising campaigns, data and measurement solutions, and more.

For Press Enquiries please visit media.monks.com.

Cision

View original content:https://www.prnewswire.com/news-releases/rankin-creative-launch-exhibition-to-platform-those-unfairly-censored-on-social-media-301566697.html

SOURCE RANKIN CREATIVE

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RANKIN CREATIVE LAUNCH EXHIBITION TO PLATFORM THOSE UNFAIRLY CENSORED ON SOCIAL MEDIA - Yahoo Finance

Fit to print: press censorship & propaganda during the Civil War – RTE.ie

Analysis: how both sides used and abused the press during the Civil War shows the importance placed on newspaper coverage

Before and after the outbreak of Civil War in Ireland in June 1922, those opposed to the Anglo Irish Treaty found themselves in control of much of the south and south-west of Ireland. The proliferation of anti-Treatyite areas within the southern province of Munster gave rise to what is now often referred to as the Republic of Munster or Munster republic.

John Horgan tells us that both sides recognised that the newspapers were as important as any territory being fought over, and both sides evolved media management techniques that varied from the persuasive to the intimidatory

The end of the Munster republic was signalled by the anti-Treatyite evacuation of Cork City on August 10th, before which the offices of the citys leading dailies, the Cork Examiner and Cork Constitution, had been destroyed. One of the most invaluable accounts of these turbulent days comes from Frank Geary, then a journalist with the Irish Independent and later its editor, who kept a diary of the hectic final days of this republic.

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From RT Brainstorm, how the Civil War split an Irish republican family in two

As anti-Treatyites headed west with the express intention of a commencing a guerrilla conflict, Geary grimly recalled "Elizabeth Fort, off Barrack Street, is in flames. The Bridewell in Cornmarket Street is blazing. Tuckey Street police barracks is a mass of fire. Empress Place Police Barracks way up on Tuckey Hill is belching forth mountains of smoke and, further up, what seems like very hell itself seems on fire. The latter is Victoria Barracks, which is completely in the grip of the flames.

"No words can adequately picture such weird and horrifying scenes. I have had experience now of four of them; I have seen them in Belfast, Dublin, Limerick and now Cork, and God knows, I dont want to see any more of them. One does not get accustomed to this kind of thing. It is the end. Cork has fallen."

The division surrounding the terms of the Treaty were expressed very early in Cork via suppressive action and press manipulation. Professor Alfred O'Rahilly from UCC had his pamphlet, 'The Case for the Treaty,' seized by armed censors in late December 1921 while the Treaty Debates were ongoing. Following the 64-57 vote in favour of the Treaty by members of Dil ireann on January 7th 1922, a proclamation highlighting the shortcomings of the Treaty terms were published in the Cork Examiner under duress; more specifically at the designation of Tom Barry, the prominent anti-Treaty IRA leader in Cork.

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From RT Radio 1's Today With Claire Byrne, historian and author Diarmaid Ferriter on his book Between Two Hells: The Irish Civil War

Days after this incident, B.J. Long, the editor of Clonmel newspaper the Nationalist, was accosted by volunteers who served him with an order from the Acting Adjutant, 3rd Tipperary Brigade. Having refused to publish an article submitted to him previously, Long was warned that failure to comply in the future would result in suppression. Copies of the paper were confiscated from newsboys soon after. That night, the newspaper itself was raided with 'expert' damage being wrought on printing presses, linotype machines and gas engines.

The anti-Treatyites perceived ascendancy in the south was challenged by Commandant General Piaras Basla in his new role as Army Publicity Director, which made him Chief Press Censor for the Free State forces. Baslas censorship came in for intense criticism from anti-Treatyites with Poblacht na h-ireann claiming that everybody realises by now, we hope, that the Irish daily press, always bitterly anti-national, is now, under Free State censorship, simply war propaganda for the Anglo-Free State Alliance.

Basla was massively assisted in his endeavours by the widespread co-operation of the press in applying his directives. A system of prior scrutiny existed under his watch, whereby newspapers had to be submitted for approval to him and his team before being permitted to circulate.

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From RT Archives, Piaras Basla remembers 1916

The censors also addressed wires being sent to the international press, newspapers entering the country from abroad and pictures and films relating to the situation in Ireland. They also issued official bulletins from general headquarters of the National Army to the press and liaising with the Government Publicity Department. Under this system, newspapers were required to obtain permits for their journalists to report from areas of conflict.

Destruction of rail tracks meant other papers could not get into Munster, meaning anti-Treaty rhetoric in the Constitution and Examiner went unchallenged. While opposition propaganda could not penetrate the Republic, attempts to disseminate information had mixed results. In Ernie O'Malleys Civil War correspondence, there were suggestions that the Examiner should be sold around the country as a means of counter-acting the decidedly pro-Treaty stance of national dailies like the Irish Times, Irish Independent and Freeman's Journal.

Press control during and after the reign of the Munster republic exemplifies the importance the belligerents placed on the press at this time, along with the potential for suppression that this turbulent time facilitated. While intimidation of the press was not a Munster phenomenon during the war, the energy with which it was carried out appears to correlate to a certain extent to the manner in which the war was fought in the province more broadly.

While both sides of the conflict pursued censorship and suppression with a previously unseen commitment, it would take a seemingly interminable number of months for the conflict as a whole to burn out while the contrasting smell of newspaper ink and petrol persisted.

The Irish Civil War National Conference takes place at UCC from June 15 to 18. Proceedings will be open to the public and will be streamed by RT History

The views expressed here are those of the author and do not represent or reflect the views of RT

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Fit to print: press censorship & propaganda during the Civil War - RTE.ie