Archive for the ‘Censorship’ Category

V Rising devs are working on in-game censors "to fight harassment and discrimination" – Gamesradar

V Rising developer Stunlock Studios says improved in-game censorship tools are on the way.

The early access vampire survival game has proved a massive success for the studio, selling a whopping 500,000 copies in just three days. And while it's hard to frame that as a negative for the studio, players are reporting an alarming amount of hateful and discriminatory in-game language.

In a statement to GamesRadar, the developers admit they weren't expecting the game to be so popular and say they're working on tools to combat "harassment and discrimination." These tools will apparently include stricter filters and options for players to mute offensive language.

"As an early access title, this is one problem thats proved to be a bit of a pain point for us," a spokesperson for the studio told GamesRadar. "We did hope for success but were not prepared for this volume of players.

"Were currently stepping in as much as we can in the most egregious cases, and what we cant do by hand, were trying to make tools to allow us to handle them better. Where that fails, were hoping to put more tools in the hands of players to better allow them to mute and hide offensive language that bypasses our current filters."

Stunlock didn't specify when players can expect any of these features to arrive, but did note that "some of this can take time."

"Even if the majority of players behave well on our servers, we will do everything we can to fight harassment and discrimination," the studio adds.

In the meantime, the studio says it hopes the admins of private servers "aren't lenient with this sort of behavior" and urges players to "find communities that are able to better moderate themselves while we build these tools, and find like-minded people to face and conquer Vardoran alongside."

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V Rising devs are working on in-game censors "to fight harassment and discrimination" - Gamesradar

David Cronenberg on Body Horror, Titane, and Stalinist Censorship as Crimes of the Future Hits Cannes – IndieWire

David Cronenberg makes movies ahead of their time and hed like to keep it that way. When a global pandemic broke out, the godfather of body horror didnt rush to make his own response.

I sort of felt Id done that already with Shivers and Rabid, the filmmaker told IndieWire during an interview at the Cannes Film Festival, while sitting on a hotel balcony at the Cannes Film Festival, referencing movies he made four decades ago. Of course, the whole body is reality thing is very real for me. Things that affect the human body are very basic, primitive and essential.

Body is reality is one of many provocative lines from Crimes of the Future, the 79-year-old auteurs first feature in eight years, which premieres in Cannes this week. Borrowing a title from his unrelated 1970 film and utilizing a screenplay he wrote two decades ago, the movie once again shows the mark of a director so immersed in his exploratory concepts that he demands the audience think through them to keep up.

Set in a near future in which people can grow new organs in their bodies, Crimes of the Future centers on a performance artist couple (Viggo Mortensen and La Seydoux) whose work involves the removal of such organs onstage before a live audience, and brings scrutiny from a team of bureaucratic investigators at the National Organ Registry (Don McKellar and Kristen Stewart). Like so much of Cronenbergs work, the scenario evades precise interpretations even as it amounts to a remarkable meditation on identity. In this case, the focus is the interplay of physicality and technology unique to the 21st century so it makes sense, of course, that Cronenberg came up with it at the end of the 20th.

When I wrote this in 1998, it was very theoretical unlike now, when everyones talking about microplastics in their bloodstream, the director said, insisting that he hadnt changed a word of his original draft when production resources finally came together last year. The human condition is the subject of my filmmaking and all art. Right now, these are things that are intriguing in terms of where people are and how theyre living.

There were some contemporary twists to the movie, which includes meme-worthy lines like surgery is the new sex, an observation Cronenberg has said was inspired by the amount of surgeries one can watch on YouTube. Theres also recurring POV footage from a ring-cam that was shot with an iPhone, which registers as Cronenbergs acknowledgement of the way personal devices have invaded our way of seeing the world. Its meant to be super-modern, Cronenberg said.

The director previously explored prospects of technological control impacting everyday life with Videodrome, and said he wanted to incorporate a similar theme this time. Crimes of the Future doesnt just revel in the interplay of art and technology; it gets inside the humanity at the core of that intersection. I personally do not have an agenda as a filmmaker, but Im interested in people who do, because that reveals many things about how they struggle with who they are and who they should be, he said. My filmmaking isnt political in the literal sense.

screenshot/NEON

In a separate interview at Cannes, Seydoux said that she was struck by Cronenbergs sensitivity. Hes very romantic, extremely romantic, and its not something you would think of him, she said.Hes very sentimental and very alive, very young, inside. Its inspiring. Theres something about him that I felt and its great when you admire people and you meet them in reality and they are even better than what you imagined.

Still, she wasnt able to get many answers out of the director about the nature of her surgical artist character. He didnt like to talk about it, she said. But we had very interesting conversations about life and about love.

Cronenberg delighted in the ambiguity around his work. Most of my movies are quite open-ended, he said. Things arent tied up in a nice little bow.

Though he has speculated in other interviews ahead of Cannes that audiences might walk out of the movie during its opening minutes, he was now radiating a Zen-like energy about the potential reception of his work. You know, Im from the 60s, he said, referencing the era when he made his first feature. I just want to be here now and chill. I never know how people will react.

Plus, no matter what happens, he already has a new project in the works that he expects to shoot in Toronto next spring: The Shrouds, which imagines a world in which people can witness their dead relatives decaying in real time. The movie has been seeking financing at the Cannes market.

Originally, Cronenberg was paid by Netflix to develop the concept as a series, and said he wrote two episodes before the streaming service backed off. I think theyre very conservative and for whatever reason, they didnt go ahead with my project, he said. I still thanked them because I wrote a script and I wouldnt have done that if it hadnt been for their enthusiasm. I was interested in a streaming series as an alternative form of cinema, because suddenly youre making eight or 10 hours of film.

As for Crimes of the Future, Cronenberg said he researched COVID protocols for the production through TV acting gigs he took on over the past year ahead of the shoot. I wanted to see if it was possible to make a movie with those protocols, he said. How awkward does it make things, how much more expensive does it make things, does it affect your acting, your directing, your acting? I saw that it was perfectly possible to do. It was more expensive, it was more awkward, but it was very doable and you got used to it. You got used to wearing the mask. When it came time for the Crimes of the Future shoot in Athens, among our crew of 150, nobody got COVID, so it worked, he said.

In the years since his last effort, 2014s Maps to the Stars, Cronenberg has written a horror novel, produced a VR experience, and acted in both the Shudder series Slasher and Star Trek: Discovery. But the world has been deprived of his filmmaking during critical moments of societal upheaval, including new sensitives about onscreen representation that he said gave him pause. A lot of artists are worried about saying the wrong phrase on Twitter or getting canceled, he said. Its kind of Stalinist in a bizarre way. Its not the same politics but its about the results the inflexibility and the lack of understanding of what art is.

It didnt take much prodding for Cronenberg to offer some specifics. Of course there are power trips as soon as people feel they have some power through this stuff, he said. You take something like the MeToo movement, which is totally legitimate, but obviously it can be politicized, weaponized by people who want to take it to an absurd extreme, and that has happened. So how do you deal with that? I guess that always happens. Something that has value is misused and used as a weapon. It can be for personal vengeance. Right now, there are a lot of people running scared.

Cronenberg said he navigated pushback to his own work on the institutional level back in 1979, when the Ontario Censor Board cut scenes out of The Brood without his permission (they were later restored). Ive had moments where things were forbidden, things were bad, things were taboo, he said. I havent paid any attention to it in terms of altering my approach.

The gap between his last feature and this one has also meant that the filmmaker didnt join the fray of artists who addressed the Trump years, though the exploding head in Scanners was also ahead of its time in terms of capturing the nature of public discourse these days. I wouldnt dignified my art with Donald Trump, I have to tell you, Cronenberg said. He didnt deserve it. As a destructive force, he was to ludicrous to me. It was so obvious I cant believe anyone would vote for him.

And no matter what his work says about the manipulation of physicality, Cronenberg made one thing clear: He abhorred anti-vaxxers. When I was a kid, we were all terrified of polio, he said. The vaccine was the savior. I just cant believe the attitude toward vaccines right now. Its an amazing thing to be able to have a vaccine right now. If youre refusing a vaccine, I just think youre a ridiculous person.

The filmmaker is often asked about the commercial opportunities that have come his way over the years, including Top Gun and Flashdance. He was adamant that he never seriously entertained these offers. People ask me about this all the time and there could be some misunderstandings, he said. Im flattered because theyre trying to put a huge enterprise into your hands. With Top Gun, he added, he was put off by one ingredient above all. I like machines. I like those jets, he said. Its just all about American military stuff and that wasnt something I wouldve wanted to do. Asked if he found anything fascistic about the plot, he added: I would say that mightve been an issue for me, he said. There was a bit of that in there.

Cronenbergs thematic consistency has inspired a new generation of filmmakers that includes his own son, Brandon Cronenberg. The younger Cronenbergs unsettling and imaginative thrillers Antiviral and Possessor are undeniable spiritual successors to his fathers work, though he has been coy about discussing such comparisons in interviews.

I think thats for obvious reasons, David said. But we love each other and talk about it all the time. As it turns out, both Cronenbergs were shooting new movies produced by U.S. distributor Neon at the same time, and Brandon decided not to rush the completion of his upcoming Alexander Skarsgard effort Infinity Pool to make the Cannes deadline to clear the way for his dad. It was really quite sweet, David said. To be shooting at the same time is delicious for a father. I was really very proud.

And then theres Julia Ducournau, the rising star who nabbed the Palme dOr last year for Titane, the Cronenbergian tale of a serial killer woman who has sex with a car. It ended up as the countrys Oscar submission. While Mortensen recently compared the movie unfavorably to Cronenbergs Crash, the director himself who participated in a conversation with Ducournau in Paris last week felt differently. I liked the film a lot, he said. Shes got a really strong visual sense. I know shes said how much of an influence my filmmaking has been, but its basically in the sense of unlocking her own sensibility, which is unique. Shes got a really strong visual sense and a sense of the absurd, the extreme. Her films are totally not like my films.

Neon

And then there were the accolades. I was delighted that she won the Palme, and I thought it was a real breakthrough for the festival, he said. More than that, the fact that it was chosen to represent France as the official Oscar selection was pretty bold. That also tends to be a conservative choice. In this case, they went the distance with that.

Still, Cronenberg expressed indifference about awards when it came to his own work (he has never been nominated for an Oscar, though A History of Violence scored nominations for William Hurt and screenwriter Josh Olson). I forget which awards Ive won, he said, without a hint of irony. I have to look at my shelf to see what they are. Im not being arrogant. Its the truth. You often know that the awards-givers are doing it more for themselves than for you. They need somebody to be a figurehead for the festival or whatever. Its a little bit transactional in a way. Its just not the reason Im making movies.

So what is that reason? He answered the question so quickly it was almost like a mantra. To be an artist, to create, and connect with human beings, he said. But even as he approached his eighth decade, he wasnt committed to filmmaking at all costs. Cinema is not my life, he said. I have three kids, four grandchildren. Thats life.

Crimes of the Futurepremiered at the 2022 Cannes Film Festival. Neon will release it in the U.S. on Friday, June 3.

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David Cronenberg on Body Horror, Titane, and Stalinist Censorship as Crimes of the Future Hits Cannes - IndieWire

HB20: Social Media Censorship and the Supreme Court – Patently-O

by Dennis Crouch

Texas HB20 treats social media platforms as common carriers, especially those with very large number of users and market dominance. For its purposes, the law focuses on platforms with more than 50 million US monthly users and has a number of disclosure requirements. But, the heart of the new law is its prohibition on censorship.

CENSORSHIP PROHIBITED. (a) A social media platform may not censor a user, a users expression, or a users ability to receive the expression of another person based on: (1) the viewpoint of the user or another person; (2) the viewpoint represented in the users expression or another persons expression; or (3) a users geographic location in this state or any part of this state.

Censor means to block, ban, remove, deplatform, demonetize, de-boost, restrict, deny equal access or visibility to, or otherwise discriminate against expression.

HB 20. The rule has a few exceptions. Censorship appears OK if done to protect intellectual property rights; based upon a request from an organization with the purpose of preventing the sexual exploitation of children and protecting survivors of sexual abuse from ongoing harassment or if user expression directly incites criminal activity or consists of specific threats of violence targeted against a person or group because of their race, color, disability, religion, national origin or ancestry, age, sex, or status as a peace officer or judge. The law creates a private right of action for a censored user and also authorizes the state Attorney General to bring action.

The new law was passed by the Republican dominated Texas House and Senate and signed by Gov. Abbott back in 2021. But, before the law became effective a Federal District Court entered a preliminary injunction against its enforcement. Ordinarily, appeals are only proper after final judgment. One exception though is that a district courts decision regarding a preliminary injunction is ordinarily immediately appealable. And so the state of Texas has appealed the Preliminary Injunction to the 5th Circuit.

The news over the past two weeks: On May 9, the 5th Circuit heard oral arguments and two days laterissued a 1-sentence decision staying the preliminary injunction pending appeal (as the State requested). Here, the judges have not issued their final decision on whether the preliminary injunction was proper, but the stay suggests that their final decision will also favor Texas since a key element of relief here is likelihood of success on the merits. Those opposing the law have filed an emergency request with the US Supreme Court to reinstate the preliminary injunction during the appeal. Justice Alito is assigned to the Fifth Circuit region and so is set to decide the emergency petitionhowever, the full court could choose to weigh-in. Briefing in the SCOTUS case from Texas is due on May 18.

So to be clear, the decisions thus far have all focused on preliminary relief whether the law can be enforced while the trial & appeal is ongoing.

In prior cases, the Court has treated social media has an important avenue for speech. In Packingham v. North Carolina, 137 S. Ct. 1730 (2017), for instance, the court found that prohibiting prior sex offenders from all social media violated those individuals speech rights since social media is the modern public square. Id. Here though, it is the social media platforms seeking the right to discriminate freely against viewpoints. Texas presents the argument that social media platforms are not speaking through their editorial role, but rather are taking technological actions to present the speech of others. Of course, publishing and dissemination of speech are also protected by the First Amendment, and those opposed to the law present this as an open-and-shut case.

From the moment users access a social media platform, everything they see is subject to editorial discretion by the platform in accordance with the platforms unique policies. Platforms dynamically create curated combinations of user-submitted expression, the platforms own expression, and advertisements. This editorial process involves prioritizing, arranging, and recommending content according to what users would like to see, how users would like to see it, and what content reflects (what the platform believes to be) accurate or interesting information.

SCT Brief.

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HB20: Social Media Censorship and the Supreme Court - Patently-O

Chinas Internet Censors Try a New Trick: Revealing Users Locations – The New York Times

One hashtag calling for the feature to be revoked quickly accumulated 8,000 posts and was viewed more than 100 million times before it was censored in late April. A university student in Zhejiang province sued Weibo, the Chinese social platform, in March for leaking personal information without his consent when the platform automatically showed his location. Others have pointed out the hypocrisy of the practice, since celebrities, government accounts, and the chief executive of Weibo have all been exempted from the location tags.

Despite the pushback, the authorities have signaled the changes are likely to last. An article in the state-run publication, China Comment, argued the location labels were necessary to cut off the black hand manipulating the narratives behind the internet cable. A draft regulation from the Cyberspace Administration of China, the countrys internet regulator, stipulates that user I.P. addresses must be displayed in a prominent way.

If censorship is about dealing with the messages and those who send the messages, this mechanism is really working on the audience, said Han Rongbin, a media and politics professor at the University of Georgia.

With the worsening relationship with United States and China and propaganda repeatedly blaming malign foreign forces for dissatisfaction in China, Mr. Han said the new policy could be quite effective at snuffing out complaints.

People worrying about foreign interference is a tendency right now. Thats why it works better than censorship. People buy it, he said.

An uncertain harvest. Chinese officials are issuing warnings that, after heavy rainfalls last autumn, a disappointing winter wheat harvestin June could drive food prices already high because of the war in Ukraine and bad weather in Asia and the United States further up, compounding hunger in the worlds poorest countries.

A pause on wealth redistribution. For much of last year, Chinas top leader, Xi Jinping, waged a fierce campaign to narrow social inequalitiesand usher in a new era of common prosperity. Now, as the economic outlook is increasingly clouded, the Communist Party is putting its campaign on the back burner.

The vitriol can be overwhelming. One Chinese citizen, Mr. Li, who spoke on the condition that only his surname be used for privacy reasons, was targeted by trolls after his profile was linked to the United States, where he lived. Nationalist influencers accused him of working from overseas to incite protest in western China over a post that criticized the local government of handling a students sudden death. The accounts listed him and several others as examples of spy infiltration. A post to publicly shame them was liked 100,000 times before it was eventually censored.

Inundated by derogatory messages, he had to change his Weibo user name to stop harassers from tracing him. Even though he has used Weibo for more than 10 years, he is wary of the baseless attacks these days. They want me to shut up, so Ill shut up, Mr. Li said.

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Chinas Internet Censors Try a New Trick: Revealing Users Locations - The New York Times

Students share growing concerns over classroom censorship with Congress – WPXI Pittsburgh

WASHINGTON, D.C. More than a dozen states have new laws prohibiting schools from teaching certain topics in the classroom, including lessons related to racism, bias, and LGBTQ+ topics.

This week, Congress reviewed these policies and heard some passionate statements from several high school students about this issue.

Krisha Ramani, a high school student from Michigan, told lawmakers she has seen firsthand how some of these new policies are affecting her education.

Gen Z has the capacity and more importantly the willingness to learn about the issues affecting us, said Ramani. We want to participate in these tough conversations. We want to read about the diverse perspectives affecting us and efforts to regulate what can be taught in the classroom is an insult to a young persons ability to understand nuanced arguments.

These students are urging Congress to preserve their freedom of speech and protect their teachers.

Some of these new state laws will punish teachers who violate them.

Something has gone very wrong when teachers think they will be fired for supporting the concept of diversity, said Claire Mengel, a high school student from Ohio. Most critically students of color are being told by the highest authority in the district that their stories dont deserve to take up school time, school grounds or school resources.

Many Democrats believe these laws are undermining public education by banning literature, historical concepts and other classroom materials.

But some Republicans say these policies are set up to increase parental rights and transparency.

Our childrens innocence should be protected and prioritized and along with their potential for their personal and academic success, said Rep. Nancy Mace (R South Carolina).

Rep. Mace believes schools should focus on supporting students, especially those who are suffering from COVID-19 learning loss.

Our children should not be taught that they are oppressors or that they are victims merely based on the color of their skin. Instead, we should re-double down on our efforts to ensure that our children have the foundation to achieve their best and full potential, said Rep. Mace.

Some educators say these new laws are also contributing to the teacher shortage because its harder to recruit staff.

Congress working on legislation to help workers recover stolen wages

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Students share growing concerns over classroom censorship with Congress - WPXI Pittsburgh