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EXCLUSIVE A former COVID-19 senior adviser in the Biden administration was forced to defy a congressional subpoena this week after the White House instructed him not to comply with it because of concerns with the rules surrounding his appearance.

Andrew Slavitt, a longtime health official who worked on President Joe Bidens coronavirus response team, was scheduled to appear before the House Judiciary Committee on Jan. 31. Letters obtained by the Washington Examiner reveal the White House instructed Slavitt not to appear.

To protect the constitutional separation of powers and the institutional interests of the White House, I write to inform you that the White House does not authorize Mr. Slavitt to appear at the Committees scheduled deposition, White House counsel Richard Sauber wrote to Slavitts attorney one day before the scheduled deposition.

Sauber communicated the same message to Judiciary Committee Chairman Jim Jordan (R-OH) in a separate letter, and he indicated that the administration also objected to the committees forthcoming deposition with Robert Flaherty, Bidens former director of digital strategy.

The committee is seeking to speak with Slavitt and Flaherty about the well-documented pressure they put on social media companies to censor content, particularly about COVID-19, beginning in 2021.

Flaherty, who now works for the Biden presidential campaign, was cited dozens of times in a sweeping memorandum from a federal judge, who found the former official had a key role in coercing Meta, X, and YouTube to censor content.

Flaherty would routinely demand the companies report to him on their practices for removing content, such as posts that showed vaccine hesitancy and borderline content.

In one instance, Flaherty became angry with Meta in July 2021, indicating he was displeased with the platforms efforts to censor a group that became known as the disinformation dozen, which included Robert F. Kennedy Jr.

Are you guys f***ing serious? I want an answer on what happened here and I want it today, Flaherty wrote to Meta.

Slavitt, in another instance, wrote an ominous email to the platform saying, Internally, we have been considering our options on what to do about [the lack of censorship].

The Judiciary Committee could sue the pair of former officials or attempt to hold them in contempt of Congress for failing to comply with subpoenas.

Everything is on the table as to what comes next, a committee spokesperson said.

The White House pointed to Saubers correspondence when asked for comment.

Sauber cited in his letter to Slavitts attorney the Department of Justices long-held stance that Congress is obligated to allow government counsel to be present at certain depositions, a position that the Judiciary Committee disputes.

Because of the constitutional defects with the Committees subpoena and consistent with its past advice, [the DOJ] has advised me of its position that Mr. Slavitt cannot be prosecuted for contempt of Congress, Sauber wrote.

The committee has run into similar resistance from the Biden administration before regarding depositions and transcribed interviews. The committee has maintained throughout this Congress that it allows the option for witnesses to appear with personal counsel but not government counsel unless the setting is a transcribed interview and the witness does not have personal counsel.

CLICK HERE TO READ MORE FROM THE WASHINGTON EXAMINER

Slavitts attorney wrote to Jordan on the day of the scheduled deposition, saying his client had flown to Washington, D.C., from California to meet with the committee.

My client has no interest in turning around and heading back to California without speaking to the Committee. However, given that Mr. Slavitt now has received a letter from the White House instructing him not to appear, he unfortunately cannot do so, the attorney wrote to Jordan.

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White House refuses to allow former COVID-19 adviser to testify before Congress in censorship investigation - Washington Examiner

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NYC teachers will exchange notes on how to get around censorship to teach kids about the genocide in Gaza  New York Post

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NYC teachers will exchange notes on how to get around censorship to teach kids about the genocide in Gaza - New York Post

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Theater is a form of escapism and a catalyst of joy for Cassius Klingenfuss, 18, a senior at the Sun Valley Community School.

Klingenfuss said its bittersweet that he is close to his last performance, but that hes honored to be cast in Indecent, which will run Thursday, Feb. 8, through Saturday, Feb. 10 at the school.

I am grateful for a lot of these moments and the theater life, especially this show, which is a true example of what theater is, Klingenfuss said.

Indecent was inspired by a 1906 Broadway play titled God of Vengeance. The 1906 play was very controversial because it documented antisemitism and a lesbian relationship, said SVCS Creative Arts Academy Co-Director Kevin Wade.

The play is a meta-theatrical look at why theater matters, how censorship is harmful, how representation of all kinds of love is critical in how we tell stories, and how instrumental Yiddish theater and Jewish culture was in the genesis of contemporary American drama, Wade said.

Wade said Indecent is a play within a play, you laugh a lot and it leaves you in pieces at the end.

This is a real ensemble piece, where a troop of dead actors rise to tell a story of purgatory in a theatrical space, Wade said.

Indecent was written by Pulitzer Prize-winning playwright Paula Vogel when she was a graduate student at Cornell University in 1973. It was first produced between 2015 and 2016 Off-Broadway, then premiered on Broadway in 2017. Indecent was nominated for three Tony Awards, and won for Best Direction of a Play and Lighting Design, according to the official Broadway website.

"The play is a metatheatrical look at why theater matters, how censorship is harmful, how representation of all kinds of love is critical in how we tell stories."

Kevin Wade

SVCS Creative Arts Academy co-director

When God of Vengeance first premiered on Broadway in 1906, the cast were jailed for indecency, Wade said. Indecent charts the history of an incendiary drama and the path of the artists who risked their careers and lives to perform it.

Its important to make history accessible to everyone and tell about antisemitism and censorship and how it manifests in all aspects of life, said Katie Gardiner, 18, who is also in the show.

Students on stage include Aster Pitts, Cassius Klingenfuss, Elizabeth Dahlen, Elyse Duffield Evan Dittami, Ida Belle Gorby, Ingrid Pratt, Katie Gardiner, Lidia Kaminer, Lizzie Loving, Moxxie Tellez, Phoebe Everett Williams, Steven Serva-Gonzales, Sydney Lovering, Winnifred Dolson and Callan Duke.

Students behind the scenes are Carter Hickey, Kyan Gandhi, Ida Belle Gorby, Moises Bicas-Dolgen, Bridger McBee, Cash Ammons and Reed Fowler.

This is an important show to come to and shows the power of theater, Klingenfuss said.

Wade said that, since there are depictions of antisemitism and violence, including events such as the Holocaust, it is recommended for high-school-age and older audiences.

Tickets range from $7 to $12, with a $2 convenience fee per ticket, and are available online at communityschool.org.

More here:
Community School theater to perform 'Indecent,' a play tackling censorship and antisemitism - Idaho Mountain Express and Guide

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Ai Weiwei Critiques Political Censorship in the West: Echoes of Maos China?

Renowned Chinese dissident and artist, Ai Weiwei, has recently drawn striking comparisons between political censorship in Western societies and the suppression of free expression witnessed under Mao Zedongs rule in China. In an interview with Sky News, Ai Weiwei voiced his concerns on what he perceives as political censorship in the West, especially in light of the cancellation of his exhibition by the Lisson Gallery in London, subsequent to his social media posts about the Israel-Gaza conflict.

Ai Weiwei painted a picture of the current state of political discourse in the West, describing society as overly cautious and resistant to argumentation or questioning. He cited instances where individuals faced dire consequences, including job terminations and censorship, for expressing their fundamental viewpoints. According to Ai Weiwei, the fear of controversy and the evasion of critical discourse in Western societies bear an uncanny resemblance to the suppression of free expression that occurred under Maos regime.

Having grown up under extreme political censorship in China, Ai Weiweis views are shaped by his personal experiences. He underscored the striking similarity between the stifling of opinions and perspectives in the West and the oppressive environment he endured under Maos rule. Drawing from his own experiences, Ai Weiwei criticized the suppression of dissenting attitudes in Western universities, media, and various sectors, equating it to a cultural revolution aimed at silencing differing perspectives.

Ai Weiwei also expressed disappointment in Western artists, alleging that many have been corrupted by capitalism, prioritizing monetary gain and fame over the defense of freedom of expression. He expressed concern over the widespread reluctance in society to question or engage in argumentation, highlighting the extensive ramifications of this trend within universities, media, and various sectors.

Ai Weiweis advocacy for freedom of expression finds its roots in his experiences of political repression and censorship in China. His open criticism of the Beijing governments position on human rights and democracy has marked him as a key figure in advocating for freedom of expression and challenging political censorship. His critique raises pertinent questions about the state of political discourse and freedom of expression in Western societies. His perspective serves as a harsh reminder of the importance of free dialogue, expression, and the onus on artists to defend these values.

As Ai Weiwei continues to traverse the intersection of art, politics, and activism, his experiences and insights provide a compelling perspective to examine the complexities of political censorship and freedom of expression in the modern world. His steadfast commitment to speaking out against censorship and advocating for the fundamental value of free expression underscores the profound impact of art in challenging societal norms and fostering critical dialogue.

In light of Ai Weiweis critique of political censorship in Western societies, we are prompted to reflect on the parallels between contemporary discourse and historical repression, and the enduring importance of defending freedom of expression and challenging censorship in all its forms. His experiences as an artist and dissident offer a compelling narrative that underscores the role of art and activism in shaping public discourse and advocating for the preservation of free expression in a global context.

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Ai Weiwei's Take on Western Political Censorship - BNN Breaking

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BANGKOK -- Relaxing Thailand's film censorship rules and easing entry for foreign practitioners of Muay Thai, or Thai kickboxing, will be the first targets of a government-led effort to promote Thai culture, said Paetongtarn Shinawatra, chair of the soft power working committee.

"We are very focused on creativity. All the laws and procedures cannot let producers express their ideas," said Paetongtarn, leader of the ruling Pheu Thai party and daughter of former Prime Minister Thaksin Shinawatra, in an interview with Nikkei Asia.

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Thailand takes aim at film censorship, Muay Thai in soft power push - Nikkei Asia

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