Archive for the ‘Alt-right’ Category

The ‘Hard Drive’ Became The Onion of Video Games by Being ‘Unapologetically Left-Wing’ – VICE

Bernie Sanders Calls on Nintendo to Release Animal Crossing Early declares a wish-it-were-true headline from the tech and gaming-focused satirical website Hard Drive. Gamers of all classes, both social and character, shouldnt be forced to wait any longer for an adorable little game that is ready now, said Senator Sanders, according to the article. On Twitter, the story was eventually retweeted more than 12,000 times and liked 55,500 times.

Articles that people share are the ones that make them say oh my god, thats me, said Hard Drive editor-in-chief Jeremy Kaplowitz in a recent interview with VICE Games, and right now, everyone is thinking about the quarantine and the virus.

Satire is hard, which is why most people fail when they attempt it. At its best, satire is cathartic truth telling, processing complex emotions through the lens of comedy.

One reason comedy is hard is because its easier to punch down instead of up. See: Any number of comedians constantly complaining about how political correctness has ruined their ability to tell a joke. What makes Hard Drive unique, especially in the meme-driven economy of video game culture, is how its comedy goes out of the way to still punch up.

It has been important to us to be unapologetically leftwing when we get into politics or social issues at all, said Kaplowitz. If were not going to make a site about how much gamers suck, were also not going to make a site that caters to the people those jokes are about.

Its how you end up with headlines like Amidst Panic, Naughty Dog Allows Employees to Sleep at Home next to President Trump Honored to Throw Out the First Slur at Call of Duty Tournament and Gamer Who Hasnt Had a Glass of Water in a Week Says He Gets Physically Ill Seeing Game at 30 FPS. Its comedy with a surprising ideological throughline.

We made an effort right from the beginning to avoid jokes about that stereotype, said Kaplowitz. We wanted to make sure people knew that this was supposed to be a funny website for people who like nerd culture and wanted good, smart jokes about the topic.

For a long time, the most popular article on Hard Drive was Nintendo Confirms Waluigi is Uncircumsized for Some Reason, published only a few months after it launched. It was recently dethroned by JK Rowling Announces You, The Reader, Were Gay All Along.

Their approach is also how you get a website that sarcastically describes itself as ethical gaming journalism, a riff on GamerGates vapid attempt to spin legitimacy into a hate group, authentically apologizing when the incorrect pronouns are used. A tweet re-sharing a piece about the renowned fighting game player SonicFox was written before SonicFox came out as nonbinary. An old version of the article referenced SonicFox as he/him, not they/them.

This is an old article, read a tweet after people, including SonicFox, criticized the articles language. We have updated the pronouns. Thank you to those who pointed it out.

Oh yeah you got to appease the people with phony outrage, said someone in response to the apology.

Whenever we talk about the big gaming controversy of the day, we try to have a take that we think is correct, said Kaplowitz. Were a video game comedy website on the side of LGBTQ+ gamers, developers trying to unionize, those affected by GamerGate, etc.

It has been important to us to be unapologetically leftwing when we get into politics or social issues at all."

Kaplowitz said the site doesnt see much pushback from the uglier communities in games, despite their political positions, and often sees their content shared in alt-right subreddits.

I guess everyone appreciates a good Mario joke, he said.

Hard Drive is a spin-off of The Hard Times, pitched as The Onion for millennials.

If The Onion's everyman had a wife, a job, and a lawn to mow, said The Hard Times co-founder Matt Saincome, The Hard Times everyman was going to have a band, shitty roommate, and depression.

The Hard Times was supposed to be a zine, an amateur magazine only read by Saincome and his friends, before he teamed up with comedian Bill Conway and it became a website. It was the right choice; more than a million people read The Hard Times in its first month.

Saincome, like many adults his age, grew up with video games, and the moment The Hard Times proved viable, he wanted to start a dedicated video game publication. Other comedy nichescombat sports, conspiracy theories, a few otherswere toyed with and all failed.

The one that finally connected with people was Hard Drive.

The most popular creation of Hard Drive is Ace Watkins, aka the only Gamer running for President. The Twitter account for Ace Watkins, who recently said hes friends with Joe Biden on Switch and hasnt seen him log on in weeks, has more followers than Hard Drive.

The idea started as a shitpost by Kaplowitz, an experiment without an end. Other pieces were tangentially connected to it, including a Comic-Con video asking people if gamers should be a protected class, and an opinion piece about needing a gamer president.

Who better to defend the plight of the conservative than a Gamer President? reads the op-ed. Taxes are the microtransactions of government, and no one understands the plight [of] the small (a.k.a. indie) business owner than gamers.

At the time, this Gamer President didnt have a name, but once they landed on Ace Watkins, they tried to capitalize by launching a t-shirt. Except, uh, no one bought the shirt. Dejected, they decided to make a throwaway Twitter account for Ace Watkins. In a single day, the account got more than 40,000 followers and the joke took on an unexpected life of its own.

We need single player healthcare, reads a recent and infuriatingly clever tweet.

But comedy, by definition, is a high-wire act. Even an outwardly progressive publication like Hard Drive is trying to find the line between offensive and edgyand sometimes screw up.

Its hard to remember which ones people didnt like because usually they just dont do very well on the site, said Kaplowitz. I searched @harddrive this aint it and came up with some examples: Facebook Tells Shooter He Could Reach More People If He Boosts Post For $50 and Its Time to Cast a Black Stan Lee, which ran the day Stan Lee died.

I think as long as we are aware of who the target is and can stand by that idea, its OK to sometimes run jokes that not everyone likes, they added. Thats generally the line for us: who are we ultimately making fun of with this joke? Is this a person we think deserves to be made fun of?

Part of what makes Hard Drive unique from other satirical websites such as The Onion is the bylines attached to stories are completely real. They also present themselves front and center to audiences, recording podcasts and running a Patreon to make the financing work.

Like running any website in 2020, the math is hard. Its especially hard for a comedy website, because youre trained to share the pithy headline and never, ever click the link.

Reviews, quizzes, and lists are all more popular than regular articles, for example, said Kaplowitz. I thinkand maybe this is really just a hopethat the only real way to get people to your site is to consistently run high quality articles. All of our headlines are a complete joke with a set-up and punchline; we never run something where you need to click the link to get the joke.

Given how dark the weeks and months ahead might be, well take all the laughs we can get.

Follow Patrick on Twitter. His email is patrick.klepek@vice.com, and available privately on Signal (224-707-1561).

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The 'Hard Drive' Became The Onion of Video Games by Being 'Unapologetically Left-Wing' - VICE

Young Knives announce first new album in seven years ‘Barbarians’ – DIY Magazine

Announcing their first full-length album since 2013s Sick Octave, Young Knives will release their fifth album Barbarians on 4th September.

As with every Young Knives album, me and House always need a good reason to make it, Henry explains. We often start with some high concept that we feel passionate about and use it like a framework to build lyrics and motifs around. As confirmed but self-aware nihilistic miserabilists we often have to dig our way out of a spiralling bleak world view that would make for a super depressing listen. This album is no different. But I think thats the point of the records we make: how can we turn the worse aspects of humanity into something really fucking entertaining? Obviously there was a lot going on around the world at the time we were writing the record, with the rise of the alt-right and politics designed to divide us. All this fed into a sense that humans are always going to have this battle between our collective existence and the existence of the individual, some days we give and some days we take.

I read Straw Dogs [2002 book by philosopher John Gray] after having put it off for years because of the hype. Its something you cant un-read. Its key point is that no matter what scientific progress we have made, what advances we have made in our understanding of how the universe works, we have not become better humans, we are no less barbaric. I just thought that it was such an undeniable point; we are obsessed with self and social improvement, but we dont get any better as human beings. What if cruelty to others is just part of who we are? How do we live with that?

Sharing raucous lead track Sheep Tick, accompanied by a weird AF video, Henry adds, Music videos are awful and we wanted to lean into that. The idea behind this one was to make a video that you couldnt have pitched. We just started shooting without knowing what it was, our goal to make it as baffling and entertaining as possible. Weirdly, the great thing is that some of the video started to make sense with the song after we had finished it: Houses goblin character is the voice inside that tells you how worthless you are, and you have to make peace with him. Most of it doesnt make any sense though.

Check it out below.

'Barbarians' Tracklisting:

1. Swarm

2. Society for Cutting Up Men

3. Jenny Haniver

4. Red Cherries

5. I Am Awake

6. Holy Name 68

7. Barbarians

8. Sheep Tick

9. Only a God

10. What I Saw

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Young Knives announce first new album in seven years 'Barbarians' - DIY Magazine

There is relief. There is anger. And there is still a demand for answers – The Spinoff

This morning the Christchurch shooter changed tack and entered a guilty plea to 51 counts of murder, 40 of attempted murder and one under the Terrorism Suppression Act. We can now call him what he is: a terrorist. But there are questions that still need to be addressed, writes Anjum Rahman.

Ive just received the news that the accused in the Christchurch mosque attacks has pleaded guilty to all charges, and my heart is so full of emotions right now. Mostly relief for all the victims of this attack, who will now not be put through a court trial. Relief that the attacker will not be able to spread his hateful message through the use of the courts in this country.

Relief that, to some extent, this will provide partial closure for the victims. Full closure will not happen until sentencing, but there is no doubt that this is a huge step.

Relief also for the people who would have had to be on the jury. For them to have to go through all the evidence would have also been traumatic.

Relief that the court case will now no longer be a rallying point for white supremacists the world over. Those who have been emboldened by his atrocious act of violence, and who have stepped up there harassment of Muslims and other people of colour. Those who have been inspired by this act to conduct other mass killings around the world.

Along with the relief, some anger that it took this long. That a guilty plea could have been forthcoming much earlier and reduced a huge area of stress for those affected. Still, at least its done now.

For me, the guilty plea on the charge of terrorism is one of the biggest aspects. This firmly places the act as one that was designed to cause terror and to remove any feelings of safety for the target community. It sends a huge signal that white supremacy and the alt-right are engaged in terrorist activity, and this acknowledgement has been very slow in coming, particularly in other places across the world.

There are some questions, though, that still need to be addressed. The Royal Commission of Inquiry into the Christchurch Mosque Attacks has been tasked to answer some of these, but that report may or may not be released to the public. And the public deserves answers to the issues raised in the Terms of Reference. A trial, had it been fully public, would have given us the full details.

It is not good enough that our intelligence agencies hide behind the veil of national security in this. We need to know how the attacker was able to come and go from this country with impunity, why his social media activities didnt raise any intelligence flags, why he was able to get a license and who were his referees.

Most importantly, we need to know who his associates were, both online and offline. An attack of this sophistication, though carried out by an individual, is highly unlikely to have been carried out in complete isolation. He would have been talking to people about some of the logistics, even if he didnt specify exactly what he was going to do.

Also, we need to know about his path to radicalisation. I personally have seen some information about that, but now that there is no court trial, this information must be put into the public sphere. Who was he talking to, what was he influenced by. This guilty plea removes any excuse for secrecy, and we as a country must ask for full transparency.

I understand that our public service is tied up with the Covid-19 pandemic, another threat to our public safety. We appreciate their work and willingness to go above and beyond to keep the New Zealand public safe.

Once this current crisis is over, public safety requires that the full circumstances leading up to this attack are fully disclosed. We need to know about any failings in the system, what has been done to rectify these and what is yet to be done.

I wish that this was over, but it is not over and will not be over for a long time. We can not afford to forget or put it behind us. Because those who hate and commit violence are still out there and causing harm, and we need to know they will be stopped before they can do so.

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There is relief. There is anger. And there is still a demand for answers - The Spinoff

So Listen: The alt-right is not the right – The Post

The alternative right is undeniably damaging and toxic to American politics. Anytime intolerance presents itself in a culture it creates a fear and disturbs the constructive political conversation that is otherwise likely held. Unfortunately, because the alt-right makes use of the word right, many people group this small sect of people with actual Republicans and conservatives. That is not the case. The definition of the alt-right doesnt fall close to what a Republican is or stands for.

The term alternative-right, or alt-right, was coined by Richard Spencer by his webzine in 2010. Spencer is a well known white supremacist who used his platform to advocate for an America free of minorities.

The Southern Poverty Law Center defined the alt-right as:

"A set of far-right ideologies, groups and individuals whose core belief is that 'white identity' is under attack by multicultural forces using 'political correctness' and 'social justice' to undermine white people and 'their' civilization."

Alternative right stands to give hateful and racist people a means to organize. They believe in small government and limiting taxes, but that is where the similarities with the actual right end. Thats why they use the word alternative; they cant be a part of the real right.

In his farewell address to America, Senator John McCain discussed the issues that the alt-right and racist extremist groups pose to our country:

We weaken our greatness when we confuse our patriotism with tribal rivalries that have sown resentment and hatred and violence in all the corners of the globe. We weaken it when we hide behind walls, rather than tear them down, when we doubt the power of our ideals, rather than trust them to be the great force for change they have always been, he wrote.

The majority of Republicans despise and denounce the alt-right. They dont have real political ideologies or opinions. Theyre just racist populists who pretend that they care about political issues other than race to try and legitimize themselves.

Aligning the alt-right with the actual right not only hurts the right, but it legitimizes white supremacy. It is up to not only Republicans, but every ideology of the political spectrum to denounce the alt-right as not a part of the Republican party.

Mikayla Rochelle is a junior studying strategic communication at Ohio University. Please note that the views and opinions of the columnists do not reflect those ofThe Post. What are your thoughts? Tell Mikayla by tweeting her at @mikayla_roch.

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So Listen: The alt-right is not the right - The Post

Burden Review: Real-Life Story of Love and Racism Is Well-Intentioned, Wobbly – Rolling Stone

This wobbly but well-intentioned broadside against racism has been sitting on the shelf since it won the Dramatic Audience Award at Sundance 2018. What gives? Could it be that this true tale of 1990s KKK resurgence has nothing to say to the here and now? Not if you live in the real world, where incidents like the white-supremacist Unite the Right rally in Charlottesville, Virginia, have sparked a resurgence of racist attacks from Parkland to El Paso. Just as Spike Lees BlackKklansman used an incident from the 1970s to show that the alt-right cry of America first! is sadly alive and festering in the Trump era, Burden uses a true story from 1996 to point up a hate movement that is tragically not showing down.

Mike Burden, played by an all-stops-out Garrett Hedlund as a fuse ready to ignite, has been raised on hatred. After a stint in the Army, Burden signs up as a Ku Klux Klan Grand Dragon. He also works as a repo man for South Carolina Klan leader Tom Griffin (a snarling Tom Wilkinson). To this former orphan, Griffin is a father figure who teaches the effectiveness of violence at getting a message across. Propaganda is another method. To that end, Griffin, Burden, and the Klansmen have taken over a movie theater in the small town of Laurens and run it as the Redneck Shop, a KKK museum. The move horrifies the Rev. David Kennedy (Forest Whitaker), a preacher who organizes a protest against this monument to white hoods and photos of black lynchings. When the protest starts to gain heat in real life, Jesse Jackson joined in Griffin sends Burden out with a rifle to silence Rev. Kennedy. That the anointed assassin cant follow through is an epiphany for the young man, whose change-of-heart is sparked by a spiritual awakening and his love for Judy Harbeson (Andrea Riseborough), a dirt-poor, single mother who points to a better way.

The hatemongers impossible-but-true redemption is the crux of the film that actor-turned-filmmaker Andrew Heckler instills with a passion that carries him over rough spots as a first-time writer and director. Hedlund does wonders showing us Burdens hidden resources and the scars hes still carrying. But there are character transitions missing in Burdens transformation that might have taken us deeper into his life, as happened in last years more forceful Skin, in which Jamie Bell tore into the fact-based role of Bryon Widner, a tattoo artist who inked his skin as a message of hate until a good woman helped him see the light.

Still, Heckler deserves props for not smoothing the edges of this incendiary tale. Indeed, Griffin took violent vengeance against Burden and poisoned the community against him. Even the reverend suffered blowback for offering the reformed racist and his lady love shelter in his own home. Dr. Kings message Hate cannot drive out hate; only love can do that is reprised here. The still pertinent question, however simplistically rendered by the film, is: How long will it take to sink in?

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Burden Review: Real-Life Story of Love and Racism Is Well-Intentioned, Wobbly - Rolling Stone