Not everyone agrees with the second amendment. – Video
Not everyone agrees with the second amendment.
Not everyone agrees with the second amendment.
By: LoneStar1776
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Not everyone agrees with the second amendment. - Video
Not everyone agrees with the second amendment.
Not everyone agrees with the second amendment.
By: LoneStar1776
Read the original post:
Not everyone agrees with the second amendment. - Video
Posted: Tuesday, October 21, 2014 11:45 am
Daines knows Montanans care about their weapons
I am glad to see Congressman Steve Daines strong support of our Second Amendment rights. He is an outdoorsman and sportsman that knows the residents of Montana care about their guns.
Amanda Curtis fails in comparison with her well-below F rating from The Montana Shooting Sports Association and historic F from the NRA. I am disappointed that she would come out and say she is pro-gun when she voted against our Second Amendment rights 23 out of 24 times during her time in the state Legislature.
The facts are right there, and despite what Amanda Curtis says, she is far from pro-gun. Someone with this stance does not accurately represent Montanans.
The difference is clear between these two candidates. We need to stand with Steve Daines, who will protect our rights to bear arms.
- James Burke, Libby
Posted in Letters to the editor on Tuesday, October 21, 2014 11:45 am.
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Daines knows Montanans care about their weapons
gottirawdth dissing tommy sotomayor tnnrawuncut16
darkfiles entertanment.
By: gotti raw darkfilesent
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gottirawdth dissing tommy sotomayor tnnrawuncut16 - Video
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Based on the platinum success of Doubt, Jesus Jones' leader -- guitarist/vocalist Mike Edwards, who had launched the band in 1988 -- decided it was his mission to make techno palatable for the pop masses and recorded their follow-up album, 1993's Perverse, almost entirely on computer. The result was neither good pop music nor good techno, and Jesus Jones' subsequent fall from the top of the U.S. and U.K. charts was as fast as their rise to the top. After a long layoff, they returned in the summer of 1997 with Already. Initially, the album was only released in the U.K.; it was later released in the U.S. during the spring of 1998. Three years passed before the group returned to form. With new members Alan Doughty (bass) and Tony Arthy (drums), Jesus Jones inked a deal with Koch and issued London in fall 2001. ~ Stephen Thomas Erlewine, Rovi
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Jesus Jones - Listen to Free Music by Jesus Jones on ...
Its that rarest of things, when a song becomes a veritable cultural snapshot of its time. And in the closing scene of Danny Boyles 1996 cinematic masterpiece Trainspotting, Underworlds Born Slippy so sublimely soundtracks the sellout revelation of Ewan McGregors ex-junkie Renton, that it, in a way, poignantly marked the end of the U.K. rave scenes nave but noble idealism and optimism.
Ironic, then, that Underworld were not even actually born of the rave generation. Rather, having long failed as a more conventional band, they opportunistically latched onto the dance scene by slyly recruiting hot young club DJ Darren Emerson. Their 1994 debut album dubnobasswithmyheadman became a genuine zeitgeist marker, and has now been remastered by the bands Rick Smith, with the 20th anniversary edition released this month on Junior Boys Own. A five-disc deluxe edition is also available.
Karl Hyde, who was already 36 years-old upon its original release, recalls it with the enthusiasm of a teenager.
THR: Were you aware that dubnobasswithmyheadman was going to be such an influential record?
Karl Hyde: No, because we didnt even intend to make an album. We were just enjoying making tracks that sometimes applied to the dancefloor and sometimes didnt. Rick started to assemble it into a collection; Im not even really sure what drove him to do that.
Did you have a sense of really being a part of something at that time?
If we were really a part of anything it was a particular club scene that was based around the kind of music that Darren Emerson was playing: Chicago and Detroit house and Junior Boys Own records. It was all about the dancefloor. And thank god it was, because record labels at that time were telling us to get rid of the singer if we wanted to make dance music, or get a drummer if we wanted to keep the singer. At the same time, hundreds of kids were dancing to our music in clubs -- so we knew the record labels were out of synch with what was happening.
Brian Eno & Karl Hyde Roll Out Another New Album, Release Single DBF: Listen
What drew you to Darren Emerson?
Darren was this nineteen year old kid that was really into the Baeleric sound coming out of Ibiza, but also a Beatles fan. He was a rising star in the scene, and he would say to us, bring some of that other stuff in, film music, dub, guitar music. So we developed this very eclectic sound.
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Karl Hyde Revisits the Golden Years of U.K. Dance Music, Trainspotting & the Music of Underworld: 'It Doesnt Sound ...